1)Zhao Mengfu赵孟頫
1.On the Causes of the Revivalism in Zhao Mengfu s Painting and Calligraphy;浅析赵孟頫书画复古的成因
英文短句/例句
1.In his early years, Yu Youren learned Zhao Mengfu's calligraphy.于右任早年学过赵孟頫，
2.The Research on the Appraising and Collecting Activities in the Early Period of Yuan Dynasty:Concentrating on Mengfu Zhao;元初法书鉴藏研究：以赵孟頫为视角
3.The Factors Influencing Zhao Mengfu s "Classical Sense";论影响赵孟頫“古意说”形成的因素
4.Zhao Mengfu s "Ancient Sense" and Its Realistic Meaning;谈赵孟頫“古意”之论及其现实意义
5.On Zhao Mengfu's Heritage and Development to the Huzhou Bamboo Art School论赵孟頫对湖州竹派艺术的传承和发扬
6.Tao Qian Complex in the Paintings of early Yuan Dynast--Take Qian Xuan,Zhao Meng-fu,He Cheng as example;元初绘画中的陶潜情结——以钱选、赵孟頫、何澄为例
7.The enlightenment and significance of Zhao MengFu s theory of paintings antique style to present artistic creation;赵孟頫“古意”说对现今艺术创作的启示与意义
8.On Zhao Mengfu s Artistic Personality and His Own Personality;论赵孟頫的艺术人格对现实人格的超越
9.Zhao Mengfu' Theory of "Art Renaissance" and Its Comparison with the "Retro" Theory from Beisong Dynasty and the Qing Dynasty赵孟頫的“古意说”及其与北宋和清代“复古”的比较
10.He learned painting from his grandfather on the maternal side, Zhao Mengfu, when he was young, and befriended Huang Gongwang and Ni Zan when he grew up.他从小向外祖父赵孟頫学画，长大后与黄公望、倪瓒多有交往。
11.Huang learned from his uncle Zhao Mengfu, who was also a well-known painter of the Yuan Dynasty, and other Song Dynasty painters.黄公望得到舅舅赵孟頫的传授，融合宋代各大家之所长，
12.Zhaomengfu s Misreading of Chinese Landscape Painting in Jin Dynasty, Tang Dynasty and Five Dynasty Caused Scholarly Landscape Painting Schema Style to Form;赵孟頫晋唐五代山水画误读对文人山水画图式风格形成的促动
13.Different times,different choices--the life of intellectuals during Song and Jin in the beginning of Yuan;浅谈宋、金知识分子在元初的心态和文学创作——以元好问、耶律楚材、赵孟頫为例
14.Art and Correlated Study of Zhao Meng Fu′s Four Pieces Painting in Jia Xu Age;赵孟甲戌年写四条屏艺术及相关研究
15.The Comparision of Exegetical Terms in Mengzi and Zhaoqi s Annotation;《孟子》正文与赵歧注训诂术语之比较
16.Talk about the Explanatory Method for《Meng-Ziz Zhang-Ju》Written by Zhao Qi of Dong Han试论东汉赵岐《孟子章句》之诠释方法
17.Role of Zhao Mengfu s Painting Practice in the Change of Painting Styles in the Song and Yuan Dynasties;转变之途——赵孟兆页的绘画实践对宋元画风转变的作用
18.She was sure that he knew where Chao Po-tao had gone, and she was thinking of some way of worming the truth out of this sly young fellow.她料来韩孟翔一定知道老赵的新地方，她打算用点手段从这刁滑小伙子的心里挖出真话来。
相关短句/例句
Zhao Meng-fu赵孟頫
1.Tao Qian Complex in the Paintings of early Yuan Dynast——Take Qian Xuan,Zhao Meng-fu,He Cheng as example;元初绘画中的陶潜情结——以钱选、赵孟頫、何澄为例
2.A Research into the Comments on Zhao Meng-fu s Art of Calligraphy and Painting;赵孟頫书画艺术评价研究
3)Zhao Mengfu Shuicun Tu Juan赵孟頫《水村图》卷
4)Zhao Mengfu s Poetry Studies赵孟頫诗歌研究
5)Appreciation of Zhao Mengfu s Calligraphy赵孟頫书法析论
6)On Calligraphy of Zhao Mengfu赵孟頫书法论
延伸阅读
赵孟頫赵孟頫（1254～1322）中国元代文学家，画家，书法家。字子昂，号松雪，又号水精宫道人。湖州（今浙江湖州）人。宋宗室。宋亡后，经举荐仕元，官至翰林学士承旨，封魏国公，谥文敏。他博学多才，工古文诗词，其诗情悲感人，风格流丽，为元初诗坛大家。又通音律、精鉴赏，书画方面造诣尤深。绘画上擅长人物、鞍马、宗教佛像、山水、花鸟、兰竹各科，取材广泛，技巧全面。山水取法董源、巨然和李成、郭熙两大体系，能脱精勾密皴之习，参以唐人古简之趣，自创新格；尤其能把书法用笔融入绘画之中，创枯笔淡墨、浅绛设色，格调疏淡隽逸，着重表现出文人隐逸的生活情趣。人物画多保持唐人风范，法度严谨，风格古朴。花鸟画融徐熙、黄筌二体，兼工带写，不事工巧，清疏淡雅。绘画理论上提倡复古，主张“画贵有古意”，崇尚唐人，反对南宋院体中柔媚纤巧画风。传世画迹有《重江叠嶂图》卷、《鹊华秋色图》卷，图录于《故宫名画三百种》；《秋郊饮马图》卷，藏故宫博物院。其书法篆、籀、隶、真、行、草，冠绝一时，初学赵构，后上追魏晋诸家，于钟繇、王羲之等用功尤深，晚年又傍及李邕、颜真卿、米芾诸家，兼融包蓄，发展变化，形成结体严整、笔法圆熟、气势浑健的独特书风。人称赵体。代表作有楷书《千字文》、《洛神赋》、《胆巴碑》等。著有《尚书注》、《松雪斋文集》12卷等。《秋郊饮马图》
