石涛,Shi Tao英语短句,例句大全

石涛,Shi Tao
1)Shi Tao石涛
1.Analysis of Shi Tao and His work Analectic of Words on Painting with the Psychological Approach;从艺术心理学析石涛《画语录》
2.The Origin of Aesthetic Thought of Shi Tao′s "a painting theory";石涛“一画论”审美思想探源

英文短句/例句

1.Modern Understanding of Shi Tao s Way for Drawing in His 《A Dialogue on drawing》;石涛《画语录》“一画之法”的现代解读
2.To Follow the Nature and Express the Mind--On Shi Tao’s Paintings;师法自然抒写心灵——石涛绘画艺术略论
3.Ye Shitao: Pioneer of The Taiwan Independence Group & Taiwan Literature Theory;叶石涛:独派“台湾文学论”的宗师
4.Analyze and Understand Psychologically the Self Conception in Shi Tao's Art Theory石涛艺术思想中“自我”观的心理学解读
5.Influence of Image Thinking of the Zhouyi upon SHI Tao's Landscape Paintings试论《周易》象思维对石涛山水画的影响
6.From Material Space to Soul Space--Interpreting the Garden of “Pian Shi Shan Fang” Designed by Shi Tao;从物象空间到心灵空间——石涛“片石山房”设计释读
7.Though he specializes in flower-and-bird, he is the extremely rare versatile painter.他非常倾心于徐谓，八大，石涛，扬州八怪的写意画。
8.He admired Shi Tao very much and was good at painting landscapes, birds and flowers, especially plums.他一生敬佩石涛，善画山水、花鸟，喜画疏枝梅花，
9.To Discuss the Painting Art of The Landscape Painter Shitao in Late Ming and Early Qing Dynasty;试论明末清初的山水画家石涛的绘画艺术
10.Mystical Powers The Wisdom Competition Is Only The Beautiful Life;灵智的竞争才是美丽的生命——试论石涛的“一画”论
11.On the state theory of artistic field by Shi Tao and Martin Haidegger;石涛与海德格尔艺术场有境界论之比析
12.On the English Translation of Discourse on Landscape Painting by Shi Tao;意明笔透法障不参——《石涛画语录》英译问题探讨
13.Change After Achievement and Comprehension--Analysing Shi Tao s Artistic Creation;达则变明则化——从《画语录》中探析石涛的艺术创新
14.Cbaractenstics of the Paintings by Bada Shanren and Shi Tao;清初遗民画家八大山人及石涛的绘画特点
15.Discussing the Characteristics of Shi Tao's Principal Consciousness in His Aesthetic Thought on Paintings论石涛绘画美学思想中主体意识的特色
16."Cold currents rinse over jagged rocks,/ Evening breezes flow through billowing pines."“石齿漱寒濑，松涛泻夕风”；
17.The waves lashed against the rocks.波涛猛烈冲击岩石。
18.The waves dashed against the rocks.浪涛猛烈地冲击着岩石。

延伸阅读

石涛石涛中国清代画家。僧人。本姓朱，名若极，明宗室靖江王赞仪之十世孙，广西全州人。其生年有明崇祯九年、十四年、十五年（1636、1641、1642）诸说，卒年有清康熙四十四年、四十九年、约五十七年（1705、1710、约1718）诸说。明亡后出家，法名原济，字石涛，别号大涤子、清湘老人、苦瓜和尚、瞎尊者等，曾拜名僧旅庵本月为师，性喜漫游，曾屡次游敬亭山、黄山及南京、扬州等地，晚年居扬州。他既有国破家亡之痛，又两次跪迎康熙皇帝，并与清王朝上层人物多有往来，内心充满矛盾。石涛《游华阳山图》石涛工诗文，善书画。其画擅山水，兼工兰竹。其山水不局限于师承某家某派，而广泛师法历代画家之长，将传统的笔墨技法加以变化，又注重师法造化，从大自然吸取创作源泉并完善表现技法。作品笔法流畅凝重，松柔秀拙，尤长于点苔，密密麻麻，劈头盖面，丰富多采；用墨浓淡干湿，或笔简墨淡，或浓重滋润，酣畅淋漓，极尽变化；构图新奇，或全景式场面宏阔，或局部特写，景物突出，变幻无穷。画风新颖奇异、苍劲恣肆、纵横排、生意盎然。其花鸟、兰竹，亦不拘成法，自抒胸臆，笔墨爽利峻迈，淋漓清润，极富个性。石涛的绘画，在当时即名重于世，对清代以至现当代的中国绘画发展产生了极为深远的影响。有《搜尽奇峰打草稿图》、《淮扬洁秋图》、《惠泉夜泛图》、《山水清音图》、《细雨虬松图》、《梅竹图》、《墨荷图》、《竹菊石图》等传世。著《苦瓜和尚画语录》，阐述了他对山水画的认识，提出一画说，主张“借古以开今”，“我用我法”，和“搜尽奇峰打草稿”等，在中国画史上具有十分重要的意义。