当代陶艺,contemporary ceramic
1)contemporary ceramic当代陶艺
1.This article attempt to make a deep research on contemporary ceramic art form, creation language and conception of his inditement.本文着眼于中国当代艺术的大背景下,以陶瓷材质为主要表现语言的艺术作品,参照当代艺术与陶艺理论研究成果,力图对当代陶艺作品中的传统艺术语言的转化做深入研究。
英文短句/例句

1.The choice while treking--In the face of modern art of China s contemporary pottery art;跋涉中的选择——面对现代艺术的中国当代陶艺
2.REFLECTION ON CHINESE CONTEMPORARY CERAMIC ART IN THE CONTEXT OF GLOBALIZATION;全球化语境下对中国当代陶艺的反思
3.The Critical Angle and Cultural Choice of Chinese Ceramics Today;中国当代陶艺的批评视角与文化选择
4.Releasing in Conflicts;冲突中的释放——中国当代陶艺的现代观念
5.CONCEPT EVOLUTION IN CULTURAL CONTEXT--ON THE MODERN MODEL AND THE VALUE ORIENTATION OF CONTEMPORARY CHINESE POTTERY;文化语境中的观念嬗变——论中国当代陶艺的现代模式与价值取向
6.AUCTION OF MODERN CERAMIC AND ARTS;论当代陶瓷艺术品的拍卖与市场培育
7.Tradition and Contemporary--Exploring the Contemporary Feature of Academic Pottery Teaching;传统与当代——探讨学院式陶艺教学的当代特征
8.Significance of Modern Ceramic Art in China s Contemporary Art Education;简论现代陶艺在我国当代美术教育中的作用
9.APPLICATION OF DIFFERENT MEDIA IN THE ART DESIGN FOR CONTEMPORARY DAILY-USE CERAMICS;当代生活陶艺设计中媒介语言运用综述
10.Spirit of Ware--On Artistic Language of Contemporary Ceramic Tableware;器的精神——兼论当代日用陶瓷器的艺术语言
11.An Inquiry into the Present Value of the Art of Ye Shentao s Novels;从“写实”性角度看叶圣陶小说艺术的当代价值
12.Embarrassment and Value -Realities and Issues of Contemporary Living Ceramics Art尴尬与价值——当代生活陶艺的现实和问题
13.Tri-color pottery became an outstanding representative of China' s ceramic crafts during the Tang dynasty. a special .feature of the Tricolor pottery is the glazing technique used.唐代三彩陶器是当时中国陶瓷工艺的杰出代表。唐三彩的彩釉技术是其独特的特征。
14.STUDY ABOUT JINGDEZHEN TRADITIONAL POLYCHROME SCULPTURAL CERAMIC AND CHINESE CONTEMPORARY POLYCHROME SCULPTURAL CERAMIC ART;景德镇传统加彩雕塑瓷与中国当代彩绘陶瓷雕塑艺术的比较研究
15.Discussion on the Emotion Meaning of the Ceramic Shape in the Modern Pottery Art;论陶瓷形态在现代陶艺中的情感意义
16.INFORMAL DISCUSSION ABOUT POTTERY MAKING ART IN CHINA--REFLECTIONS ON THE 1ST MODERN CHINESE POTTERY WORKS SHOW漫谈中国陶艺——由《首届中国现代陶艺展》想起的
17.A Comparative Study of Living Ceramics between Traditional and Modern传统生活陶艺与现代生活陶艺的比较研究
18.A Lone Branch on the Ceramic Tree--On the Art of Black Pottery in Modern Ceramic-art Situation of China;陶瓷大树上一根寂寞的树枝——漫谈中国现代陶艺格局中的黑陶艺术
相关短句/例句

Chinese contemporary Ceramic art中国当代陶艺
1.Chinese contemporary Ceramic artists were also influenced by the Minimal artistic movement in development of Chinese contemporary Ceramic art since 1980s.自二十世纪八十年代末中国当代陶艺发展以来,西方的极简主义艺术思潮一直影响着中国的当代陶艺家。
3)contemporary living ceramic art当代生活陶艺
1.In this paper, the author have a preliminary study of the embarrassment that hiddening behind the value of contemporary Chinese living ceramic art and aimed at the reconstruction of contemporary living ceramic art\' right to speak.当代生活陶艺在自身价值建构过程中,由于历史和现实的原因,其个体生命彰显了许多问题。
4)contemporary ceramics当代陶瓷
5)modern ceramics现代陶艺
1.On Transformation of the Traditional Culture in Modern Ceramics谈现代陶艺的传统文化转型
2.Acting as the creative root of the development of mordern ceramics, Chinese famous ceramic caves offered a new opportunity for popular research of modern ceramics and plural cultural innovation of ceramic industry in our country.通过对中国民间名窑和现代陶艺的分析、论述,解释为什么中国民间名窑是中国现代陶艺创作的要系。
3.The paper, through the analysis of the mysteious of modern ceramics,exposes the mystery s feature, exhibiting way,and cause producing.本文通过对现代陶艺形象的分析 ,揭示了现代陶艺神秘性的特征、表现方法及其产生的原因。
6)Modern ceramic art现代陶艺
1.ARTISTICAL CONTENTS ARE SUPERIOR TO ARTISTIC TECHNIQUES--My own views on modern ceramic art;工夫在诗外——现代陶艺之我见
2.But because modern ceramic art with its multiplication and internationalization causes many people of lofty ideas to worry the national characteristic of Chinese modern ceramic art will wither away.当今中国已步入一个全新的社会形态,现代陶艺作为一种新型的艺术形式的兴起有它深刻的社会背景。
3.In the following essay,the author takes a look at these parts of the folk art and ceramic art,at last draws a conclusion that how to acculturate folk art and modern ceramic art in practice.着重从民间美术、现代陶艺的具体操作入手,导出如何实现民间美术和现代陶艺的涵化整合这一主题。
延伸阅读

君陶艺术院君陶艺术院是浙江桐乡市政府为收藏和陈列当代书画篆刻家钱君陶捐赠家乡的4083件书画、印章、书籍等珍贵文物, 于1987年建造的一座集展览 、讲学、研讨、创作、休息、娱乐、餐饮于一体的多功能文化设施。它坐落于桐乡市梧桐镇振兴路与庆丰路交江处, 环境优美, 造型简洁明快,布局疏密有致。以藏有赵之谦、吴昌硕、黄牧甫印章而名闻海内外。君陶艺术院占地七亩。这是一所由同济大学丁文魁教授设计的既高雅又具现代风格的白色建筑,线条简洁明快,布局错落有致,主楼周围嘉树葱郁,楼前曲桥流水,绿草如茵,环境十分清幽恬静。整个艺术院有展厅、讲堂、研究室、珍品库,还有梅、兰、竹、菊四套客房,供艺术家们来此创作休息。主楼上"君陶艺术院"五个金色大字题额出自李一氓手笔,大门口古色古香的碑刻为刘海栗所题写, 水榭旁有一套石桌石凳, 系美国加州大学圣地亚哥分校教授芒克夫妇捐赠。