1)Tujia brocade crafts土家族织锦工艺
1.Tujia Brocade crafts appeared at Shang、Zhou dynasty of China,shaped up at Qin,Han dynasty,finalized at Tang、Song dynasty,flourished at Ming、Qing dynasty,the inheritance of Tujia brocade crafts experienced thousands of years.基于这四个直观原因的思考,本研究引入了文化生态系统的理念来探讨捞车土家族织锦工艺的传承式微。
2)Tujia brocade土家织锦
1.A Study on Educational Function of the Inheritance of Tujia Brocade Crafts;土家织锦工艺传承的教育功能研究
2.This paper, from the angle of " parent " symbols of characteristic , " mother type " of Tujia brocade art has mainly described the history overview how traditional Tujia brocade's unique artistic charm forms.主要从土家织锦艺术的“母体”特征、“母型”符号的角度,论述传统土家织锦独特艺术魅力形成的历史概况。
英文短句/例句
1.The Pedagogical Anthropology Research on the Inheritance of Tujia Brocade Technique土家织锦工艺传承的教育人类学研究
2.The Aesthetic Abstractness of Tujia Brocade Displayed by its Pattern and Color从图案与色彩看土家织锦的审美抽象
3.On Tujia s Simplicity of Aesthetic Seeking in Vein Patterns of Tujia Brocades;从土家织锦纹样构成看土家族朴素的审美追求
4.The Appliance of Brocade in Tujia Ethnic Minority’s Important Ceremonies解读土家织锦在土家族人生礼仪中的应用
5.An Aesthetic Study of Big Snake Pattern in Tujia Brocade;土家织锦“大蛇花”纹样审美文化内涵探究
6.Decline and Transformation --Reflections on the Status of Tujia Brocade Craftwork;衰落与蜕变——土家织锦工艺现状考察的思考
7.The Phenomenological Interpretation of Esthetics in Folk Craft--An Example of Tujia Brocade;民间工艺审美的现象学阐释——以土家织锦为例
8.Rational Utilization of Brocade with Tujia Characteristics in the Education of Modern Fine Arts;土家织锦的特点及其在现代美术教育中的应用
9.On the Artistic Manifestation of Tujia Brocade Patterns in Costume Design土家织锦纹样在服饰设计中的艺术表现
10.The Craft Nature and Cultural Ecology of Tujia Embroidery;土家织锦的文化生态及其工艺特性——以叶家寨为例
11.I would like to introduce you to two folk crafts: the Tujia brocade and Maliu village embroidery.我今天要给你介绍两种民间艺术:土家织锦和麻柳刺绣。
12.The Cultural Innovation of "Forty-eight Crochets" of Tujia Embroidery;土家织锦“四十八钩”的文化创意——兼与“女阴”论者商榷
13."Tujia brocade is hand-made by the local women. It is with classically simple style features, wide veins of bright colors and diverse patterns."土家织锦是当地妇女手工织成。传统上是尽格简练，花纹宽大绚丽和图案多样。
14.An Educational Anthropological Study of the Transmission of the Tujia Brocade Craft:A Case Study of the Township of Miaoertan,Longshan County,Hunan Province土家织锦工艺传承的教育人类学研究——以湖南龙山县苗儿滩镇为个案
15.Characteristics of "Pattern Culture" of Tujia Brocade in Western Hubei;鄂西土家族织锦的“图式文化”特征
16.The Development and Evolution of Tujia Brocade and its Revelations;土家族织锦的发展演变及其现代启示
17.A Review of Researches into Tujia Nationality s Brocade Culture since 1980s;20世纪80年代以来土家族织锦文化研究综述
18.An Analysis of the Cultural Changes and Motive Forces of Tujia Embroidery--Taking Yejia Village in Hunan as an Example;土家族织锦文化变迁及其动因分析——以湖南叶家寨为例
相关短句/例句
Tujia brocade土家织锦
1.A Study on Educational Function of the Inheritance of Tujia Brocade Crafts;土家织锦工艺传承的教育功能研究
2.This paper, from the angle of " parent " symbols of characteristic , " mother type " of Tujia brocade art has mainly described the history overview how traditional Tujia brocade's unique artistic charm forms.主要从土家织锦艺术的“母体”特征、“母型”符号的角度,论述传统土家织锦独特艺术魅力形成的历史概况。
3)Tujia brocade patterns土家织锦纹样
1.This paper analyzes the structure,themes,and colors of Tujia brocade patterns,maintaining that an artistic effect could be achieved in modern costume design by borrowing the unique features in traditional Tujia brocade patterns.以土家织锦纹样的不同题材为创作原材料,阐述了织锦纹样的结构、丰富的题材、对比强烈的色彩,并结合传统与现代相结合的艺术形式,将简化、归纳等变形处理后的织锦纹样,直接或间接的运用在现代服饰设计中,突显了平面与立体交融的艺术效果。
4)brocade-weaving art织锦艺术
1.This paper explores the protection, development and utilization of Lizu brocade-weaving art with a long history.本文论述黎族织锦的悠久历史,并对织锦艺术保护、发展与利用加以探讨。
5)Architectural Art of Tujia Minority土家族建筑艺术
6)Tibetan Folk Weave Crafts藏族民间编织工艺
延伸阅读
土家族织锦 中国湖南、湖北、四川、贵州毗邻地区土家族生产的传统手工织锦。简称土家锦。土家族称西兰卡普。因品种以铺盖(被面)为主,故又称打花铺盖。《后汉书·西南夷传》有哀牢夷"织文革绫锦"的记载。清代乾隆年间(1736～1795)湖南《永顺府志》记载，"斑布，即土锦"，"土人以一手织纬，一手用细牛角挑花，遂成五色"。湖南龙山县的猫儿滩、捞车、靛房、坡脚和永顺县的对山、凤栖等地区的土家族仍然保留着织造土家锦的习俗。 土家锦以红、蓝、白棉线为经线，以各色丝线、棉线为纬线，通经断纬，纬花自由换色地挑织而成。织机沿用汉代腰机式斜织机。挑织工艺全凭心计，无需蓝本。土家锦主要用于被面和服饰，尤其是姑娘的嫁妆和举行祭祀礼仪时舞蹈所穿的披甲。质地厚实,色彩绚丽,尚黑色,忌白色,表现了土家族人民粗壮、朴实的气质。土家锦的图案主要有马、阳雀、燕子、蛇、猴，狗牙齿、猫脚迹、台台花(相传为土家族古代图腾──虎的演化)、土皮八勾(即以八个勾形组成菱形图案，相传为蟹纹)等。图案大多是抽象的、象征性的几何形连续组织，风格庄重、均衡而饱满。1978年，湖南省工艺美术研究所和湘西土家族自治州对土家锦进行挖掘、整理和研究，使之广泛用于旅游纪念品、室内壁饰和服装等方面。湖南龙山著名的土家锦老艺人叶玉翠自13岁开始织锦，不少作品已被国家收藏。
