1)modern book design现代书籍装帧
1.The creative application of the aesthetic spirit of Chinese painting and calligraphy in modern book design has been mainly reflected in three aspects:the overall emphasis on the harmony;the perfect usage of white and black,the pursuit of simplicity;the unique combination of form and content,the relation of the intrinsic momentum.中国书画的美学精神在现代书籍装帧中得到了创造性运用,主要体现在三个方面:注重整体,美在和谐;计白当黑,追求简约;形意兼备,气韵天成。
英文短句/例句
1.Discussing the Book Facture of Mr. Xun Lu and the Influence by Mr. Xun Lu in Morden Book Facture of China;论鲁迅的书籍装帧艺术及其对现代书籍装帧的影响
2.The Detail Design of the Modern Book Cover Design现代书籍装帧封面设计中的细节设计
3.The Usage of the Aesthetic Spirit of Chinese Painting and Calligraphy in Modern Book Design中国书画的美学精神在现代书籍装帧中的运用
4.The Influence of Digital Technology on Modern Book Design in China;数码技术对我国现代书籍装帧设计的影响
5.The Discussion of China Ancient Books Design Shape Development;中国古代书籍装帧形态发展成因探究
6.Talk about the Piloting Significance of Contemporary Concept Design of Book Binding;谈当代概念书籍装帧设计的引导意义
7.Emphasize a Printing Craft,Body Now Complete Book to Pack a Design;强调印刷工艺 体现完整书籍装帧设计
8.From the Binding & Layout to the Overall Design of Books;从装帧到书籍整体设计——浅谈书籍装帧设计
9.The Street Culture of Late Ming Dynasty and the Development of Art Style in Book Design;明代晚期市井文化与书籍装帧艺术风格的发展
10.The localization and expanding about the contemporary book design;当代书籍装帧设计中语义的定位与拓展
11.The Influence of "Decoration Art Movement" in the 1920s and 1930s Upon Chinese Book Designing;20世纪20、30年代“装饰艺术”运动对中国书籍装帧设计的影响
12.Book design is not only the cover of a book, the most important thing is it also should pack the book's theme.书籍装帧不仅是包装书籍的外表,更重要的是包装书籍的思想.
13.The Study of Book QI in Chinese Book Design;关于中国书籍装帧中“书卷气”的研究
14.The Beauty in Book Design--On the Contemporary Book Design;书卷气自华——探寻书籍装帧设计的神韵
15.Reflection over Packaging and Book Binding Design对包装及书籍装帧设计的几点思考
16."The Moving Line"of Books--Mutualizing Relationship between Book Binding and Readers书籍中的“动线”——谈书籍装帧与读者的互动关系
17.Afterglow of Art Nouveau--The “Beardsley Vogue” of Chinese Book Binding in 1920s;新艺术的余辉——20世纪20年代中国 书籍装帧界的“比亚兹莱热”
18.Discuss Several Problems in Teaching Book Binding and Layout Design书籍装帧设计教学中若干问题的研讨
相关短句/例句
bookbinding[英]['buk,baindi?][美]['b?k,ba?nd??]书籍装帧
1.Therefore we should establish a tri-dimensional and dynamic new bookbinding concept that can make the bookbinding art go up to a new level.因此,我们应该确立三维视觉概念的、立体的、动态的书籍装帧设计观,使书籍装帧艺术上升到一个新的层次。
2.The essence of bookbinding is its artistry and time spirit.书籍装帧是一门综合性艺术,从属于书籍,是书籍的重要组成部分。
3)book design书籍装帧
1.Discussion on principle of book design in modern times;论现代书籍装帧艺术设计的基本原则
2.The localization and expanding about the contemporary book design;当代书籍装帧设计中语义的定位与拓展
3.The Street Culture of Late Ming Dynasty and the Development of Art Style in Book Design;明代晚期市井文化与书籍装帧艺术风格的发展
4)layout of books书籍装帧
1.The finding and layout of books is an objective form of art, closely related to certain conditions in the history of it's continuous development.书籍装帧艺术,是一种客观存在的艺术形式,从古至今,在它不断演化变革过程中,始终离不开当时的历史条件,书籍利用文字、符号、图形记载着人类的思想和情感,它叙述着人类文明进程,传播人类文化。
2.Pattern designs in the layout of books can attach cultural information to abundant psychological tendencies and categorise the perceivability and visualization of patterns into the appreciation of words.书籍装帧中的图形设计将文化信息置于图文并茂的心理诱导之中 ,将图形的感知性、可视性特征纳入文字细嚼品味的范畴。
5)binding and layout of a book书籍装帧
1.With the dynamic binding and layout design concept, the designer should design the book with Chinese and times characteristics, which will rise binding and layout of a book to a new level.设计师应建立动态的装帧设计观,设计出具有中国特色、时代特色的书籍,使书籍装帧艺术上升到一个新的层次。
6)book binding and layout书籍装帧
1.Beauty should be embodied in book binding and layout because it creates artistry and appreciationwhich also represents the "nature" of the artistry of book binding and layout in different times.美感是艺术和自然事物给人们带来的感觉和体会,在书籍装帧中同样缺少不了美,因美产生艺术性,因美产生观赏性,它是不同时代书籍装帧艺术性“性质”的表现。
延伸阅读
现代历史学上一般指资本主义存在和无产阶级不断取得社会主义革命胜利的时代。1917年俄国十月社会主义革命是世界现代历史的开端。中国现代历史则始于1919年五四运动。