婉约型,elegant design style英语短句,例句大全

婉约型,elegant design style
1)elegant design style婉约型
2)Graceful and Restrained婉约
1.The Chinese poetic genre by SuShi put blod and unconstrained first , graceful and restrained second.苏轼以豪放为主,以婉约为辅,锻造了一代词宗。

英文短句/例句

1.On the Candle Images of the Graceful and Restrained Ci in Song Dynasty烛光灯影里的婉约词——论宋代婉约词中的烛意象
2.a representative of the romantic school, Li Qingzhao wrote euphemistic and graceful poems.李清照的词婉丽凄美, 是婉约派词的代表人物。
3.The Poetry of Yi an and You an:Threnody of Spirits about Graceful and Restrained Poetic Genre and Bold and Unconstrained Poetic Genre;“二安”词:婉约与豪放词宗的心灵悲歌
4.On SHAO Yan-xiang s Poetry:;激情转冷峻豪气兼婉约——论邵燕祥的诗
5.The North "is composed"--shallowly discusses the grandson plow novel the artistic feature;北国的“婉约”——浅论孙犁小说的艺术特色
6.Reasons for the Leading Position of the Restrained Style of the Poetry of the Song Dynasty;试论宋词婉约风格占主导地位的原因
7.On Wanyue Ci by Su Shi;簸之揉之高华沉痛——苏轼婉约词论略
8.A Curtain Cuts Me Off from the Outside World-Ingenious Use of the Word "Curtain" in Graceful and Restrained Poems;一重帘外即天涯——帘在婉约词中的妙用
9.A Brief Discussion of Feminine Poetry in Song Dynasty;婉约清丽　情深意真──宋代女子诗词小议
10.The Multiplicity and Conformity of Composed Word's Images婉约词意象的多样性与意境特点分析
11.The Denial Theory about Song Ci Poems "Bold Faction" and "Grace Faction"宋词“豪放派”、“婉约派”之否定论
12.To Analyze the Implication of Flowers Images in Subtle Poetry论婉约词中“花”意象的暗示性特征
13.A Comparison of Style of the Ci between the School of Wan Yue(Gracefulness and Restrainedness) and the School of Hao Fang(Boldness and Unconstrainedness);“婉转绵丽”与“纵横豪爽”——婉约派与豪放派词风之比较
14.The different manifestations and causes of Tactful Ci in Southern and Northern Song Dynasty南北宋婉约词不同的表现形态及其成因
15.The Beauty and Magnificence in Combination,Grace and Uninhibition in Color--On the Style of the Classical Chinese Poems by Su Shi;纤丽与雄壮齐飞,婉约共豪放一色——苏词风格论
16.Heartbreakingly Graceful Emotion--An Analysis of the Tragic Emotion in Haiyan s Novels;凄美婉约至情至性——解读海岩小说的悲剧情结
17.A Preliminary Exploration on the Musical Features of Subtle and Concise Ci of Tang and Song Dynasties Singing to Music;试论唐宋婉约词倚声演唱的音乐性特质
18.The Scholar s Weak Tendency of Cultural Mentality and Advocating of Ci s Style of Subtleness and Conciseness in Tang &Song Dynasties;唐宋士人柔弱的文化心理倾向与词尚婉约

相关短句/例句

Graceful and Restrained婉约
1.The Chinese poetic genre by SuShi put blod and unconstrained first , graceful and restrained second.苏轼以豪放为主,以婉约为辅,锻造了一代词宗。
3)gracefulness婉约
1.Generally speaking,in william Yip s poetry,tradition and modernity are melted in one furnace and magnificence and gracefulness are shining on each other.叶维廉的作品,其风格总的说来是传统与现代熔于一炉,雄浑和婉约交相辉映。
2.The article suggests that in Song Ci the unconstraint school and the gracefulness school represent respectively the tradition of the Confucianist utilitarianism and that of the Taoist non-utilitarianism and contain the esthetic nature of “spirit” and “charm” implied in Chinese poetry.通过对宋词中豪放词与婉约词的探究 ,认为其分别代表了中国诗学史上的儒家功利主义和道家非功利主义两种诗学传统 ;蕴含着“气”和“韵的和谐美的两种诗美形态。
4)graceful[英]['ɡre?sfl][美]['gresf?l]婉约
1.Discuss again Song-Ci divide graceful,uninhibited reasonability;再论宋词分婉约、豪放之合理性
2.But in his poems there are also themes about love and parting,written in very graceful and gentle style,with the flavour of being fresh and beautiful.但苏词中还有一批叙写儿女私情、离愁别恨之作,婉约柔美,纤丽清新,别有一番风情。
5)Wanyue婉约
1.Some of Su Shi s verses are classified to the class of "Wanyue".苏轼被归入婉约词的部分作品,其风格并非典型婉约词风,应称为沉郁词才较为准确。
2.Ever since ZHANG Yan of the Ming dynasty put forward the division of the Wanyue, Haofang, the different ideas have kept coming out.宋词流派的划分问题是词学界长期论争而至今圆未尚满解决的一个基本理论问题 ,自从明代提出婉约、豪放之分后 ,不同的说法纷纷出现。
3.In the history of the Ci\'s development, the Wanyue and Haofang category stand for two humanoriented aesthetic interest.“婉约”与“豪放”范畴,在词史的发展上代表了词创作的两大不可偏废的审美趣尚。
6)euphemism[英]['ju:f?m?z?m][美]['juf?'m?z?m]婉约
1.Though they belong to euphemism, their main theme is made up of his vehement and sorrowful thinking about motherland, his complaints about his great will which was difficult for him to realize and his lingering and gentle feelings for the world, and so his poems look more heroic.辛弃疾的送别词是辛词的重要组成部分,虽属婉约一类,但慷慨悲昂的家国之思、壮志难酬的不平之怨、缠绵温润的人间真情构成其主旋律,因而又平添了几分豪气。