1)XU Wei徐渭
1.The Thinking of Recreation of Xu Wei s Drama Female Mulan;徐渭《雌木兰》再创作的思考
2.On the Typical XU Wei-Feature of The Romance of the Western Chamber Cited in Jin Ping Mei;论《金瓶梅》所借用的《西厢记》有明显的徐渭特色
英文短句/例句
1.The Fate of Xu Wei and a Study of His Tragedy--Tracing Xu Wei s artistic ideas to their origins;徐渭的命运遭遇及其悲剧性之考察——徐渭艺术观念探源之一
2.The Research on Theoretical Connotation and Value of Xu Wei s BENSE Theory;徐渭“本色”论的理论内涵及价值研究
3.The Study of Transformation about Xu Wei s Calligraphy and Painting in Ming Dynasty;明代中后期徐渭书画转型的成因研究
4.Learn from the Ancients,the Present and the Intrapersonality--About the forming reasons for Xu Wei s essay style;师古 师今 师心——论徐渭的散文创作
5.The Moral of Sishengyuan;戏中戏的寓意——徐渭《四声猿》别解
6.Xu Wei s Aesthetic Thought of Conciseness: A Single-angle View;观其一节:徐渭尚简尚短的美学思想
7.Agreement and Disagreement of Xu Wei’s Prose and His Self-persistence Theory;徐渭创作实践与“真我”理论的离合
8.A Re-interpretation of Innovativeness of Xu Wei and Huang Daozhou s Calligraphy;对徐渭和黄道周书法创新的重新阐释
9.On MI Fu's and XU Wei's Aesthetic Interest from Their Calligraphic and Painting Art从米芾、徐渭书画艺术透视其审美意趣
10.Ren learned figure painting from Chen Laolian, flower and bird painting from Xu Xi and Yun Gu, and free sketch painting from Xu Wei and Zhu Da.任伯年学陈老莲人物，学徐熙、恽格没骨花鸟，学徐渭、朱耷写意，
11.Textual Research in Xu Wei s Publishing Activities--Concurrent Discussion on the Publishing Date of "First Collected Works of Xu Wenchang;徐渭自刻文集活动考述——兼及《徐文长初集》的刊年问题
12.Comment on XuWei s Poetries;迕世文章今犹在 一腔畸愤几人知——徐渭诗歌论
13.On the Typical XU Wei-Feature of The Romance of the Western Chamber Cited in Jin Ping Mei;论《金瓶梅》所借用的《西厢记》有明显的徐渭特色
14.The Tragic Sense of the Feeling of Nowhere to Find A Proper Position--One of the sum up of Xu Wei′s painting imago;托足无门的悲剧意识——徐渭绘画意象综论之一
15.Inheritance and restructure of literary classics:rethinking Xu Wei s on the Middle-the Golden Mean;文学经典的传承与重构:对徐渭《论中》的再思考
16.The Comparision of the Heterodoxy Ideas of Xu Wei And Li Zhi;“异端”的权力:徐渭与李贽“异端”思想之比较
17.Independent Unruly and Proud Personality--The Third Summary of the Imagery of XuWei s Paintings;独立不羁的傲岸人格——徐渭绘画意象综论之三
18.The Transformation Of Xu-Wei s Calligraphy & Painting And Philosophy Of Heart In Ming Dynasty;明代中后期徐渭的书画转型与心学背景
相关短句/例句
Xuwei徐渭
1.Independent Unruly and Proud Personality——The Third Summary of the Imagery of XuWei s Paintings;独立不羁的傲岸人格——徐渭绘画意象综论之三
3)XU Wei's prose徐渭散文
1.On the basis of periodization, the dissertation systematically expounds the characteristics of Xu wei's prose, traces their historical origins and reevaluates its significance and status in the history of both Chinese literature and Ming-dynasty literature.本论文在分期的基础上，系统论述了徐渭散文的特色及其历史渊源，并在中国文学史和明代文学史上的坐标上，对其意义和地位作了重估。
4)the research on Xu Wei徐渭研究
1.However, the fact that the research of Xu Wei s poetry and prose lags behind that of his Zaju,calligraphy and paintings, that literature research and art research cannot benefit from each other and that much research gets duplicated in vain has undoubtedly set a blockage to the greater achievements in the research on Xu Wei.以 196 1和 1980年为界 ,徐渭研究可分为三个阶段。
5)Xuwei's drama徐渭戏曲
6)On Xu Wei s Paintings徐渭画论
延伸阅读
徐渭徐渭（1521～1593）中国明代文学家，戏曲家，画家，书法家。字文长，号天池，晚号青藤。山阴（今浙江绍兴）人。幼丧父，青年时屡试不第，曾在胡宗宪府中任幕僚。胡案发后因怕牵连而一度发狂，自杀未遂，后因失手杀妻而入狱7年。晚年以书画为生，生活贫困。徐渭多才艺。其画擅山水、人物，尤长于大水墨写意花鸟，师法林良、周之冕、陈淳，融合前人泼墨、破墨、积墨、简笔、写意手法，挥毫泼洒，随意点染，画面水墨交融、淋漓酣畅、气势豪放、充满激情，充分表达了他孤傲不群的个性和激昂郁愤的思想感情。所绘物象意态生动，简括精练。对后来的朱耷、石涛、扬州八怪以及吴昌硕、齐白石等人影响极大。其书法长于行草书，兴之所至，笔走龙蛇，狂放恣肆。有《墨葡萄图》、《牡丹蕉石图》、《榴实图》等传世。徐渭文学上亦有突出成就。其诗主张独创，反对拟古，多直抒胸臆，表现怀才不遇和愤世疾俗的思想。其散文受苏轼影响，文笔潇洒自如。亦从事杂剧写作，有《四声猿》，或借古喻今，鞭笞黑暗，或歌颂女子的聪明智慧。对南戏有深入研究，撰《南词叙录》，对南戏的渊源、发展及表现形式、作家、作品均有所涉及，并提出了自己的看法。遗有《徐文长集》30卷、《逸稿》24卷。
