1)Huang Tingjian黄庭坚
1.Being still in panic and not daring to create works——A study of Huang Tingjian s mentality and his poems written in Fuzhou;惊魂未定未敢言——黄庭坚涪州心态及其诗词研究
英文短句/例句
1.Ideal Condition and Tendency of "Resemblance to Songs of the Yuan Danasty" of the Popular Words of Huang Tingjian;黄庭坚词的意境和艳俗词“类曲”倾向
2.On the Role of Huang Ting-jian s "Pretentious Tone and Good Poetry" in Restructuring the Inherent Quality of Song Ci;论黄庭坚“好诗”词风对宋词内质的重构
3.Comment on Huang Tingjian’s poems in Fang Dongshu’s Zhao Mei Zhan Yan;方东树《昭昧詹言》论黄庭坚诗述略
4.The Text Structures of HUANG Ting-jian s Poems Provided for Readers Communicating and Acceptance;黄庭坚诗歌传播与接受的文本预结构
5.Revelation of the Preface of Huang Tingjian’s Niannujiao (the Broken Rainbow);黄庭坚《念奴娇》(断虹霁雨)词“题记”索隐
6.Discuss on the Reasons of the Frustration of Huangting-jian s Political Career;试论黄庭坚仕途生涯“失败”的原因
7.Talking about the Inheritance of Cursive Script Art of Zhang Xu and Huai Su by Huang Tingjian's谈黄庭坚草书艺术对张旭、怀素的继承
8.SON DIDN T NECESSARILY CARRY ON HIS FATHER S LITEARY STLYLE--Case Study: Explore the Literary Styles of Huang Shu and Huang Tingjian;父与子:文学风格未必承传——以黄庶、黄庭坚为例
9.Huang Ting-jian' s practice of Buddhism affected greatly his creation of poetry.黄庭坚的佛教实践对他诗歌创作的影响很大。
10.Being still in panic and not daring to create works--A study of Huang Tingjian s mentality and his poems written in Fuzhou;惊魂未定未敢言——黄庭坚涪州心态及其诗词研究
11.Heritage and Variation:from Xikun style to Huang Ting-jian;论黄庭坚对“西昆体”诗学思想的承继与超越
12.Huang Tingjian s Poems of Hu Yinglin and Learning from the Song Poetry Fashion in the Late Years of the Ming Dynasty;胡应麟对黄庭坚诗歌的接受与明末宗宋诗风
13.Truth of Falsity of the Ci "Luo Mao Wan Feng Hui of Nan Xiang Zi" by Huang Tingjian;黄庭坚词《南乡子》“落帽晚风回”真伪再辨证
14.The Relation Between Huang Tingjian s Aesthetic Ideal and Poetic Technique;论黄庭坚的审美理想及其与诗法之关系
15.Scrutinization of Bathe Activities of Sung China on the Diary of YIzhou Yiyou Jiacheng byHuang Ting-jian;由黄庭坚《宜州乙酉家乘》对宋人沐浴观的考察
16.Subverting and Censuring:The Acceptance of Wang Ruoxu to Huang Tingjian s Poems;颠覆与指斥:浅谈王若虚对黄庭坚诗歌批评
17.Is "Sings the Poem" or "the Expert Language"--Discusses the Word of Huang Tingjian;是“著腔子唱好诗”还是“当行家语”——简论黄庭坚词
18.On Huang Tingjian s Calligraphy Aesthetic View and Calligraphy Achievements;论黄庭坚的书法美学观和书法创作成就
相关短句/例句
Huang Ting-jian黄庭坚
1.On the Role of Huang Ting-jian s "Pretentious Tone and Good Poetry" in Restructuring the Inherent Quality of Song Ci;论黄庭坚“好诗”词风对宋词内质的重构
2.Heritage and Variation:from Xikun style to Huang Ting-jian;论黄庭坚对“西昆体”诗学思想的承继与超越
3)Huang Tingjian's poems黄庭坚诗
4)the Collected Works of Huang Tingjian黄庭坚全集
5)Huang Ting-jian's poems黄庭坚诗歌
6)Huɑng Tingjiɑn黄庭坚(1045~1105)
延伸阅读
黄庭坚黄庭坚(1045~1105)中国北宋诗人,书法家。字鲁直,号山谷道人,又号涪翁。洪州分宁(今江西修水)人。治平四年(1067)进士,以校书郎为《神宗实录》检讨官,迁著作佐郎。后以修实录不实,遭到贬谪。黄庭坚为苏门四学士之一,是江西诗派的开山祖师,生前与苏轼齐名。世称苏黄。西安碑林藏黄庭坚手迹石刻在创作上,黄庭坚奉行“自作语最难,老杜作诗,退之作文,无一字无来处”,“虽取古人之陈言入于翰墨,如灵丹一粒,点铁成金也”。《冷斋夜话》载黄庭坚“夺胎换骨”之法,被江西诗派效法,在宋代影响颇大。所谓取古人陈言点石成金,就是根据前人的诗意,加以变化形容,推陈出新,“以腐朽为神奇”。但“夺胎换骨”说不见于山谷的著作中,未必是他诗歌创作的重要主张,他有“文章最忌随人后”、“自成一家始逼真”的名言,他矢志在诗歌上“独立门户”,终于以其独特的诗歌风貌卓然自立。其存诗一千五、六百首,内容丰富,风格奇拗,如表现百姓疾苦、关心时政的代表诗作有《流民叹》、《次韵寅庵》、《次韵游景叔闻洮河捷报》、《次韵子由绩溪病起》等。另如写景、寄识、遣怀、赠答、题画等抒情诗,集中体现了黄诗的独特个性。古体诗《题竹石牧牛》、《次韵子瞻寄眉山王宣义》,命意新颖,笔力奇崛。七言律绝诗《登快阁》洒脱坦荡,《寄黄几复》情思缠绵,《雨中登岳阳楼望君山》摹写江南胜景,《清明》寄托世事人生的感慨等,诗风思致幽远,情趣深浓,确为佳作。其独树一帜的诗之个性,还体现在其诗立意深曲,章法细密,起结无端,出人意表,精炼句法,点石化金,下语奇警上。如“桃李春风一杯酒,江湖夜雨十年灯”,“鱼游悟世网,鸟语入禅味”等。黄庭坚发展了韩愈、杜甫偶一为之的拗句、拗律,以音调反常,句法变更强化诗的拗峭挺拔,如“酒船渔网归来是,花落故溪深一篙”,“石吾甚爱之,勿遣牛砺角,牛砺角尚可,牛斗残我竹”,真可谓“奇健之气,拂拂意表”。山谷这些避熟就生,翻新出奇的诗法,矫正了晚唐、西昆的熟滑丽靡,形成瘦硬峭、老朴沉雄的诗之主调。方东树称之为“英笔奇气,杰句高境,自成一家”。但因过分追求奇拗,也难免有晦涩生硬之弊。图片黄庭坚填词不如写诗谨严有力,今存词约180余首,有风花雪夜、伤别艳情之作近柳永,也有疏宕洒脱、豪迈清壮之词似苏轼。黄庭坚工书法,兼擅行、草,以侧险取势,纵横奇崛,自成风格,为宋四家之一。所著《豫章先生文集》30卷,《四部丛刊》本,诗文兼收;《山谷全集》39卷,《四部备要》本,只收诗赋;自选诗文集《山谷精华录》,词集《山谷琴趣外篇》等。墨迹有《华严疏》、《松风阁诗》等。江西修水有黄庭坚墓。