1)Dong Qichang董其昌
1.An Inquiry into Dong Qichang s Theory of the Southern and Northern Schools from the Perspectives of Huadao and Huapin;从画道、画品的角度看董其昌的南北宗论
2.An Appreciative Evaluation of the Calligraphy and Paintings of Dong Qichang Based on His Prefaces and Colophons;从董其昌的题跋看他的书画鉴定
3.Simple Analysis of Dong Qichang s Theory of Southern and Northern School of Painting;浅析董其昌的“南北宗论”
英文短句/例句
1.Innovation Based on Traditions: A Study of Dong Qichang's Artistic Creation and Its Impact依古创新——董其昌的艺术及其影响
2.Dong Qichang View of Calligraph from "Hua chan Shi Sui Bi";从《画禅室随笔》读董其昌的书法艺术观
3.Studying Weng Fanggang s Short Comments on the Scrolls of Mi Fu & Dong Qichang s Calligraphy;论翁方纲关于米芾、董其昌书法的题跋
4.‘Fuchun Style’& the Developing line of Huang Gongwang-Dong Qichang-Wang Yuanqi“富春样”与黄公望——董其昌——王原祁谱系
5.The Characteristics and Influence of Dong Qichang s Mountains-and-waters Paintings;董其昌山水画的风格特征及对后世的影响
6.Influence of Appreciation and Collection of the Xiangs’ Calligraphy on DONG Qi-chang’s Calligraphy;项氏法书鉴藏对董其昌书法的作用与影响
7.An Inquiry into Dong Qichang s Theory of the Southern and Northern Schools from the Perspectives of Huadao and Huapin;从画道、画品的角度看董其昌的南北宗论
8.Classic Elegance Detached Character--the Beauty of "Brush and Ink" in Dong Qi-chang"s Painting;古雅娟秀 气韵超然——董其昌绘画中的笔墨之美
9.Looking at Dialectically the Influence of Dong QiChang s "Theory of Southern & Northern Sects" on Chinese Paintings;董其昌“南北宗论”对中国画影响的两面观
10.The Influence of Philosophy in Late Ming Dynasty on Dong Qichang s Aesthetic Thought;晚明哲学思潮对董其昌美学思想的影响
11.Dong Qichang s view on Literay Painting and the reaction in the paintings of the same style of the Ming-Qing Dynasties;董其昌的文人画观与明清文人画的反拨精神
12.Being Clear,Melodic and Poetic--The Contemporary Significance of Dong Qichang s Landscape Paintings;空明澄澈 诗意境象——论董其昌山水画艺术及其当代意义
13.In addition to this, there are in the temple other valuable inscribed tablets such as those by Yue Fei the Song general, Tang Yin the Ming scholar, Dong Qichang the Ming calligrapher-minister, and so on and so forth.寺内，还有岳飞、唐寅、董其昌等名家的题刻，都十分珍贵。
14.Neatness Meticulousness Strictness Compactness Implicitness--On Dong Qichang s criticism of the Academic School of Traditional Chinese Painting;工细谨严蕴气象万千——对董其昌关于院画批评的辨析
15.The Influence of Trend of Thoughts in Literature and Art in late Ming Dynasty on Painting:a Comparative Study of XU Wei and DONG Qi-chang;晚明文艺思潮对绘画的影响─—徐渭、董其昌比较研究
16.The Significance of Creative Imitation in Pictorial Art: Gao Juhan’s Interpretation of Dong Qichang’s "Imitation"创造性模仿在绘画艺术中的意义——高居翰对董其昌“仿”之阐释
17.Not far inside the temple gate here is the site of the former Baihua Temple which Dong Qichang, the Ming calligrapher-minister, had once used as residence. Here are found a number of inscribed tablets based on his calligraphy.进山门不远，有“白华庵”旧址，明代大书法家董其昌曾在此寓居，留下若干石刻手迹。
18.To Distinguish the Deeds and Identities between Lord of Changping and Lord of Changwen昌平君和昌文君事迹辨析及其身份推测
相关短句/例句
DONG Qi chang董其昌
1.DONG Qi chang was a famous painter and theoretician in the Ming Dynasty.董其昌是明代著名画家、理论家 ,他提出了山水画中南北宗之说。
3)Tung Ch`i-ch`ang school董其昌派
4)the study of Tung Chi-chang董其昌研究
5)Cezanne and Dong Qichang塞尚和董其昌
1.We have tried to avoid merely talking in generalities about Cezanne and Dong Qichang, both their lives and works, but wished to initiate a deep analysis into the origins, differences and similarity of their arts.本文从中西艺术比较的视角切入,力图避开对塞尚和董其昌生平和创作的泛泛之谈,在历史情境中深入剖析二者艺术之缘由、区别与共性,同中求异,异中求同,借此找出艺术创作的一些可循之规,为当代艺术创新拓展思路。
6)Dong Qichang Junlumahu Ji Juan董其昌《濬路马湖记》卷
延伸阅读
董其昌董其昌（1555～1636）中国明代画家，书法家，绘画理论家。字玄宰，号思白、香光居士。华亭（今上海松江）人。曾任庶吉士、南京礼部尚书、太子太保，卒赠太子太傅，谥文敏。其人霸道，横行乡里，为地方一霸。但富文艺才能，工诗文书画。其画长于山水，主要师法董源、巨然、黄公望、倪瓒等，并加以变化。作画长于用墨，意趣简淡，层次分明；用笔多皴、擦、点、染互施，丰富多变。设色则青绿、浅绛兼用，或鲜丽而不妖妍，或简淡而又沉着。画面布局多取近坡树、中水、远山的三段法，缺少变化。画风天真秀润，幽淡简远。书法长于行、草、楷诸体，能广泛师法唐宋诸家，其书结构巧妙，笔致率易自然，墨色有浓淡变化，结体秀媚攲侧，书风疏宕秀逸。其绘画有《赠稼轩山水》、《岚容川色图》、《林和靖诗意图》、《昼锦堂图》等；书法有墨迹《月赋》、《三世诰命》、《临柳公权兰亭诗》、《临张旭古诗帖》及大量的题跋等传世。《昼锦堂图》（局部）董其昌著有《容台集》、《画禅室随笔》等，集中收录了他的绘画理论。其主张绘画既要师古人，也要师造化，提出读万卷书、行万里路的观点，强调画家要有丰富的文艺修养和生活阅历。提出绘画的南北宗论，将文人画家比作南宗，职业画家比作北宗，崇南贬北。他还主张书画融和，提倡书卷气。这些理论对清代的文人画产生了极深刻的影响。
