1)Pan Tianshou潘天寿
1.A Study on the Structure of Pan Tianshou’s Educational Thought on Fine Arts;潘天寿美术教育思想构成研究
2.The Research of Pan Tianshou s Education Thoughts of Fine Arts;潘天寿美术教育思想研究
3.On Pan Tianshou s Educational View of Art and Its Contemporary Significance;论潘天寿美术教育思想及其当代意义
英文短句/例句
1.Exchanges between Lai Shaoqi and Pan Tianshou赖少其与潘天寿的交往 由潘天寿斗方《鹰石图》想起
2.Pan Tianshou was an educator, calligrapher and painter.潘天寿是一个教育家、法家和画家。
3.On Pan Tianshou s Educational View of Art and Its Contemporary Significance;论潘天寿美术教育思想及其当代意义
4.On Pan Tian-shou s artistic education ideology and its contemporary inspiration;论潘天寿艺术教育思想及其当代启示
5.On Pan Tianshou’s theory and spirit论潘天寿艺术思想和精神的现实意义
6.Value Orientation of Pan Tian-shou's Educational Thought on Fine Arts试论潘天寿美术教育思想的价值取向
7.The Contemporary Significance and the Trends of Pan Tianshou's Paintings论潘天寿绘画艺术的当代意义与发展趋向
8.and he exerted great influence on later well-known Chinese painters like Qi Baishi and Pan Tian-shou.他对后来齐白石、潘天寿等人都产生过较大的影响。
9.Interested in painting, Pan began by copying illustrations from popular novels.潘天寿对绘画很感兴趣，开始临摹知名小说中的插图。
10.Discussing Chinese Painting Teaching Preliminarily--Talking about Chinese Painting Teaching in University According to the Teaching Thought of Xu Beihong and Pan Tianshou;中国画教学初探——从徐悲鸿、潘天寿教学思想谈当下高校中国画教学
11."Finger painting"originated in the early years of Qing Dynasty, and it,later developed into a minor school of art. The best-known finger painter in modern time is Pantianshou."指画出现于清代初期，后来成为一种次要艺术形式。现代最著名指画艺术家是潘天寿。
12.Mr. Pen had a fine headache the next morning.第二天早上，潘先生头痛得厉害。
13.One day Penelop made an awkward discovery.有一天，潘尼洛甫发现了一桩怪事。
14.One evening Mr. Pan went again to Wu's house.这一天傍晚，潘先生又到姓吴的家里；
15.Clopin was making fun of him, and the hunchback was angry.克洛潘取笑他，驼背人不由得怒气冲天。
16.Today is the first day on the job for new UN Secretary General Ban Ki-moon.今天是新任联合国秘书长潘基文工作的第一天。
17.Long may all good people live!愿天下好人都能长寿!
18.Shousheng will stay with me a few days, and then we'll see.寿生陪我几天再说。
相关短句/例句
Pan Tian-shou潘天寿
1.On Pan Tian-shou s artistic education ideology and its contemporary inspiration;论潘天寿艺术教育思想及其当代启示
2.The Artistic Characteristic of PAN Tian-shou s Painting;潘天寿绘画艺术特点探析
3.Value Orientation of Pan Tian-shou's Educational Thought on Fine Arts试论潘天寿美术教育思想的价值取向
3)Pan Tianshou's Painting of Pine Trees潘天寿画松
4)Pɑn Tiɑnshou潘天寿(1897～1971)
5)On Pan Tianshou s Painting of Pine Trees论潘天寿画松
6)Songpan-Motianling松潘-摩天岭
延伸阅读
潘天寿潘天寿（1897～1971）中国画家，美术教育家。原名天授，字大颐，号寿者，晚年多署颐者、雷婆头峰寿者。1897年3月14日生于浙江宁海，1971年9月5日卒于杭州。19岁入浙江第一师范，受业于经亨颐、李叔同、夏丐尊。后到上海，拜识吴昌硕，并受其影响。1928年任国立西湖艺术院中国画主任教授，翌年赴日本考察美术教育。之后在各大学校任教，从事美术教育。潘天寿诗、书、画、印兼擅，画师承宋元明清诸家，于朱耷、吴昌硕用功尤深，经长期探索，终于形成沉雄奇崛、苍古高华的艺术风格。他擅大写意花鸟、山水，作品以骨气、骨力取胜。追求雄强、豪壮，气势宏伟，有阳刚之美。又以书法入画，多用隶书、魏碑运笔，多方折大起大落，布阵严正雄阔，惯于平面分割。他的作品富有雄怪、势壮、博大、静穆之美。他还长于指画，多作巨幅大障，古拙沉郁，生涩凝练，质朴无华，具有苍浑博奥的风貌。潘天寿在理论上亦有建树，论画主张：“必有古人毋忘我”、“画贵能极”、“力兼美，入奇正”、“绘画往往在背戾无理中而有至理，僻怪险绝中而有至情”，等等。潘天寿曾任中央美术学院华东分院副院长、浙江美术学院院长、中国美术家协会副主席等职。著有《听天阁诗存》、《听天阁画谈随笔》、《潘天寿谈艺录》、《中国绘画史》等。出版有多种版本的画集。潘天寿《荷花》
