传统书法,traditional calligraphy
1)traditional calligraphy传统书法
1.Some masterpieces have made good use of traditional calligraphy to promote their quality.传统书法具有结构美、意象美以及表现形式丰富等优点,在标志、招贴、包装、书籍等设计领域可以充分利用这一宝贵的艺术形式。
2.In order to guide people to apprehend and to apply the traditional calligraphy correctly to the process of copying and producing calligraphy, this issue made a clear analysis and research on the "traditional calligraphy".通过对不同名词加以分析、解释,使我们清醒地认识到应该掌握什么样的、哪一时间段的书法传统,本文认为应在成熟的传统书法(经典作品)中去体现,如魏晋时期。
英文短句/例句

1.New Visual Aesthetics of Traditional Chinese Calligraphy;中国传统书法艺术的新视觉审美倾向
2.Position and effect of inkstick in chinese traditional calligraphy;墨法在中国传统书法艺术中的地位和作用
3.To use the traditional handwriting in the designing of modern art;我国传统书法在现代艺术设计中的运用
4.Chinese Traditional Calligraphy Should Be Incorporated in Art Education in Higher Teachers Colleges;将中国传统书法艺术融入高师艺术教育之中
5.Research of Hierarchy of Tradition and Innovation of Calligraphy;论书法传统与书法创新的层次与结构
6.On the Inheritance of Traditional Calligraphic Technique from the Perspective of Wang s Calligraphy;由王系书法的发展看书法传统笔法的继承问题
7.Traditional Features of Calligraphic Art and Views on Esthetics of Calligraphy;书法艺术的传统特质与书法美学的文化观照
8.Calligraphy Tradition: Unsurpassable “Reis”-- On Vogue Calligraphy Style and Present-day Calligraphy;书法传统:无法超越的“现实”——兼论流行书风与现代书法
9.Shu Fa Ya Yan:Clarion Call in Calligraphy Circles of Late Ming to guard tradition《书法雅言》正宗观:晚明书坛捍卫传统的号角
10.Tradition and Innovation in Creative Work of Calligraphy关于书法创作中“传统”与“创新”
11.Calligraphy art is the Chinese traditional culture treasure.书法艺术是中华民族传统文化的瑰宝。
12.On SU Wei-dong s Calligraphic Creation;传统 创新 个性——评苏位东的书法创作
13.Origin and Evolution of Emperor Gaozong s Handwriting and Traditional Calligraphy;论宋高宗书法与传统帖学的源流关系
14.Traditional Existence and Development Methods of Chinese Calligraphy:In the Perspective of Spreading中国书法的传统生存与发展方式——从传播的视角
15.Calligraphy can not progress without the influence of tradition, whereas calligraphic innovation is trying to flounce away the bondage held by tradition.书法的发展离不开传统对它施加的影响,而书法的创新又力图挣脱传统对之的束缚。
16.he developed the tradition of combining poetry, calligraphy with painting.他发展了融诗、书法及绘画于一体的传统。
17.Returning of the Calligraphic Arts and Referencial Roles of the Traditional Works;书法艺术的回归和传统作品的参照作用
18.Formal Meaning and Abstract Implication of Traditionaland Modern Calligraphy;论传统及现代派书法的形式意义与抽象观
相关短句/例句

Calligraphy tradition书法传统
1.Calligraphy tradition is composed of three hierarchies: "skills","techniques" and "Tao".书法传统是一个由“技”、“法”与“道”三个层次构成的,以艺术家的内在情感体验、审美与情感抒发为内在动力,书法艺术社会价值与经济价值为外在驱动力的不断流失与替补的动态螺旋状发展系统。
2.Taking the performance process from physical skills (that is the brush-pen holding and the brush-pen running) to Tao (yin and yang, which refers to calligraphy tradition or spirit of calligraphy) as a start, the author expatiate a Chinese calligraphy traditional arguments that ingenious skills can be Tao.本文通过对“书法传统”作清晰地分析、研究和梳理,以指导我们在书法临摹与创作过程中正确地理解和运用书法传统。
3)cultural tradition of calligraphy书法文化传统
4)Chinese traditional calligraphy中国传统书法
1.The researcher discusses the feasibility and the value of introducing the western aesthetic psychological theories into the aesthetic research of Chinese traditional calligraphy.研究者探讨了对中国传统书法审美研究的过程中,引进西方审美心理学理论的意义和可行性问题,认为应该以中国传统书法理论为根本,与西方理论进行对接。
5)traditional calligraphy elements传统书法元素
1.The paper falls into four parts: The first part,traditional calligraphy elements and modern graphic design.中国传统书法元素在世界艺术中是具有特色的,在设计领域空前国际化的语境中,有特色的传统文化元素就显得弥足珍贵,把传统书法元素运用在当代平面设计中,有着广阔的前景和审美价值。
6)traditional books传统图书
1.Based on a comparison of digital books with traditional books,this paper concludes that the appearance of the former has great revolutionary and progressive significance,and has superiorities over the latter in many respects.通过对数字图书与传统图书进行比较来阐述数字图书是一种革命和进步,具有很多方面的优势。
延伸阅读

阿拉伯书法阿拉伯书法Arabiancalligraphy伊斯兰时代的阿拉伯文字书写艺术。起源于手抄本的《古兰经》。阿拉伯书法具有悠久的历史,而且字体繁多。一般认为,11世纪是划分阿拉伯书法时期的界线,之前为古体时期,之后为新体时期。古体时期的阿拉伯书法以库菲体出现最早,其书法笔画纵向,线条直而棱角分明,有一定装饰味。9~10世纪又一分为二,出现了叶状库菲体和花状库菲体,皆因笔画末端似棕叶状和饰有花头纹而得名。另外,还有一种繁琐而规范的手写体及印刷体,以结体工整圆润,笔画舒展流畅为其特征,有纳斯黑体和斯尔希体等不同字体。11世纪之后,在古体书法继续流行的同时,又相继出现了4种新的字体,即:①穆哈卡克体,风格清秀,笔画纤瘦;②拉伊哈尼体,风格活泼奔放,笔画末端呈鼠尾状;③鲁库阿体,用于书信的书写及手抄本通俗读物;④塔乌奇体,风格庄重大方。另外,还有一些字体流行,如:马格里比体,以活泼潇洒,节奏分明著称;纳斯塔里克体,笔画更加纤细流畅;希卡斯塔体,笔画比较繁琐;加里体,用于公文书写,以及专门用于苏丹签名,形如装饰绘画的图画文字的花字体。阿拉伯书法非常重视文字本身的形式美,因此其书法讲究节奏感、装饰性和纹样。由于是用硬笔在羊皮纸上自右而左横向书写,所以笔画简洁流畅,具有一种曲线的效果。刻有阿拉伯书法的陶瓷圣龛中的墓碑