1)modern calligraphy creation当代书法创作
1.The combination of forms of printed character is an important express form in the creation of calligraphy, getting to know it is really helpful to the modern calligraphy creation.字体组合是书法创作中的一个重要表现形式，认识字体组合对于当代书法创作是洵有裨益的。
英文短句/例句
1.Scripts on Wooden and Bamboo Slips and Silk, the Study of Calligraphic History, and Modern Calligraphic Creation;简牍帛书与书法史研究及当代书法创作
2.It also points out , to acquire the essence of calligraph, calligraphists should spurn the utilitarianism, emphasize the inner self-experience.指出当代书法家必须摒弃创作功利意识,着重自我内在体验的感悟,才能获取书法艺术真谛。
3.The Thinking of Judging from Building Libraries Boom Since China Modern History;从我国近代建馆热潮看当今的图书馆工作创新
4.Exploring New Horizon of Calligraphy and Entering New State of Art-On the Innovation of Contemporary Calligraphy;开拓书法新时空 步入艺术新境界——论当代书法的创新之路
5.A Chinese Complex in the Cross-cultural Writing;跨文化书写中的中国情结——英国当代作家希尔的中国题材创作
6.On the influence of the ancient Chinese poetry and essay calligraphy;试论中国古代诗文理论对书法创作的影响
7.Calligraphy as a Resource: A New Orientation of Chinese Modern Arts;书法作为资源:中国当代艺术的一个新方向
8.Impaction of market economy on creation of calligraphy and painting--about Chinese modern literati painter;书画艺术创作与市场经济的碰撞——当代中国文人画家解读
9.Spiritual Ecology and Ego Ecological--about Creative Methodology of Contemporary Sculpture;精神生态 生态自我——当代雕塑创作方法论
10.The Multidimensional Fusion of Contemporary Architecture in Taiwan--Taking"Chung-Tai Zen Temple"and"Dharma Drum Mountain Temple"as Examples台湾当代建筑创作的多元创新倾向——中台禅寺与法鼓山寺设计解析
11.On Innovation of Library-Running Idea of the Present Chinese Public Library论我国当代公共图书馆办馆理念创新
12.A Legal Analysis on Contemporary Pseudographs and the Countermeasures for Libraries;当代“伪书”的法律分析及图书馆的对策
13.The Modernist "Ghost Language" in Taiwan s Contemporary Women Writers;台湾当代女作家“鬼话”创作的现代气质
14.This book is a collection of interviews about contemporary literary works.这本书是关于当前文学创作的访谈录。
15.THE ARTISTIC EXPRESSION MECHANISM OF THE MODERNISM OF CONTEMPORARY CHINESE CALLIGRAPHY;当代中国书法现代性的艺术表达机制
16.Tradition and Innovation in Creative Work of Calligraphy关于书法创作中“传统”与“创新”
17.On SU Wei-dong s Calligraphic Creation;传统 创新 个性——评苏位东的书法创作
18.The shelf is piled up with works by contemporary writers.书架上堆满当代作家的著作。
相关短句/例句
Contemporary calligraphy当代书法
1.Contemporary calligraphy has completely escaped the limitation of pragmatism and truly become a pure art.当代书法彻底摆脱了实用性制约,书法真正变成了纯粹的艺术。
2.The paper makes a further discussion on the effects that human being s thought structure brings to contemporary calligraphy creation Meanwhile, the problems existing in contemporary calligraphy creation and the main developing advantages are also analyzed to offer reference to people who work for the same cause while doing creation.本文就思维结构对当代书法创作的影响进行深入探讨,同时分析了当代书法创作主流和存在的问题,认为书家应有明确的主体意识和相应的思维结构。
3)calligraphy creation书法创作
1.On Su Shi s Psychology of Calligraphy Creation During his Huangzhou Period;苏轼黄州时期书法创作心理研究
4)calligraphic creation书法创作
1.The psychological factors of the subjects have great influence on calligraphic creation.创作主体的心理因素对书法创作有重要影响。
2.It not only provides true and reliable materials and forceful historical evidences for the study of the structure of Chinese characters and a series of academic problems in calligraphic history, but also greatly influences the modern calligraphic creation.战国至秦汉时期的简牍帛书 ,是 2 0世纪的“五大发现”之一 ,它不仅为研究汉字形体演变规律及书法史上一系列重大学术问题 ,提供了真实可靠的材料和强有力的史证 ,而且对当代书法创作也产生了很大的影响。
3.The dominating style for the Chinese calligraphic creation since the modern time is represented as the alternate transformation and reciprocal absorption of the inscriptional studies and the calligraphic model copy of paper.新世纪之初书风仍趋多元 ,书法创作将会持续高度繁荣 ,新一轮书法艺术高峰期已经到来。
5)calligraphy[英][k?'l?ɡr?fi][美][k?'l?gr?f?]书法创作
1.Taking a sweeping view of the history of Chinese calligraphy,we may notice that imagery has all along been the spindle of calligraphy creation, which has always been fluctuating within the score of "meaning" and "resemblance", thus forming a floating curve of calligraphy creating language.纵观中国书法创作史，从扬雄、许慎的“心象”说，到赵壹、蔡邕的“气势”说；从王僧虔的“神形”说，到孙过庭的“情形”说；从蔡襄的“神气”说，到刘熙载的“体用”说，可以看出，中国书法创作始终以“意象”为主轴，在“意”和“象”的适度范围内左右波动，形成了一个以形求神、以象表意的书法创作语言的流动曲线。
6)calligraphy creation standpoint书法创作观
延伸阅读
阿拉伯书法阿拉伯书法Arabiancalligraphy伊斯兰时代的阿拉伯文字书写艺术。起源于手抄本的《古兰经》。阿拉伯书法具有悠久的历史，而且字体繁多。一般认为，11世纪是划分阿拉伯书法时期的界线，之前为古体时期，之后为新体时期。古体时期的阿拉伯书法以库菲体出现最早，其书法笔画纵向，线条直而棱角分明，有一定装饰味。9～10世纪又一分为二，出现了叶状库菲体和花状库菲体，皆因笔画末端似棕叶状和饰有花头纹而得名。另外，还有一种繁琐而规范的手写体及印刷体，以结体工整圆润，笔画舒展流畅为其特征，有纳斯黑体和斯尔希体等不同字体。11世纪之后，在古体书法继续流行的同时，又相继出现了4种新的字体，即：①穆哈卡克体，风格清秀，笔画纤瘦；②拉伊哈尼体，风格活泼奔放，笔画末端呈鼠尾状；③鲁库阿体，用于书信的书写及手抄本通俗读物；④塔乌奇体，风格庄重大方。另外，还有一些字体流行，如：马格里比体，以活泼潇洒，节奏分明著称；纳斯塔里克体，笔画更加纤细流畅；希卡斯塔体，笔画比较繁琐；加里体，用于公文书写，以及专门用于苏丹签名，形如装饰绘画的图画文字的花字体。阿拉伯书法非常重视文字本身的形式美，因此其书法讲究节奏感、装饰性和纹样。由于是用硬笔在羊皮纸上自右而左横向书写，所以笔画简洁流畅，具有一种曲线的效果。刻有阿拉伯书法的陶瓷圣龛中的墓碑
