院体花鸟画,Yuanti Flower and Bird Painting
1)Yuanti Flower and Bird Painting院体花鸟画
1.On the Significance of Understanding the Free Style Character of the Yuanti Flower and Bird Paintings in the Early Period of the North Song Dynasty;北宋前期院体花鸟画写意性的认知意义
英文短句/例句

1.On the Mimetic Ideas of the Traditional Chinese Painting From the Flower and Bird Painting in the Song Dynasty;从宋代院体花鸟画看传统中国画的写实观
2.The Correspondence of Flower and Bird Paintings in the Style of the Imperial-court Decorative Painting to Zhuangzi’s Artistic Aspiration;宋人院体花鸟画与庄子艺术精神的契合
3.On the Significance of Understanding the Free Style Character of the Yuanti Flower and Bird Paintings in the Early Period of the North Song Dynasty;北宋前期院体花鸟画写意性的认知意义
4.PROBE INTO STRENGTHENING THE STEREOSCOPIC OF BIRD PAINTING WITH THE BLUE AND WHITE CONTRASTING COLOR对增强青花斗彩花鸟画立体感的探索
5.We have landscape painting,figure painting and flower and-bird painting.我们有山水画、人物画和花鸟画。
6.She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
7.Chinese brush painting can be classified into three main categories: landscape painting, bird and flower painting, and figure painting.国画分为三大类:风景画、花鸟画和人物画。
8.Paintings Are True to Life ──Comments on Mr.Zhang Shuqi,a Famous Artits in Drawing Flowers and Birds;画花似闻香 画鸟若欲语——评著名花鸟画家张书旂先生
9.A Brief Talk on Creating Chinese Freehand Flower-and-Bird Painting in Class;浅谈中国画教学中写意花鸟画的创作
10.ON THE FLOWERS AND BIRDS PAINTING ON CERAMICS FROM THE TONGGUAN KILN OF CHANGSHA IN THE TANG DYNASTY;论陶瓷绘画的唐代长沙铜官窑花鸟画
11.The Similarity and Peculiarity between Yong Zheng Famille Rose Decoration with Flower-and-bird and Chinese Traditional Exquisite Brush Flower-and-bird Painting;雍正粉彩花鸟装饰与传统工笔花鸟画的异同
12.These are landscapes and these are flower-and-bird paintings.是的,这些画怎么样?这些是山水画,这些是花鸟画。
13.He admired Shi Tao very much and was good at painting landscapes, birds and flowers, especially plums.他一生敬佩石涛,善画山水、花鸟,喜画疏枝梅花,
14.The background is pale blue with Chinese底纹是淡蓝色的中国花鸟画
15.The background is pale blue with traditional Chinese paintings of flowers and birds.底色是浅蓝的,还有中国花鸟画。
16.A Study of Depiction Decorative Language of Chinese Fine Brushwork of Flower & Bird;现代中国工笔花鸟画装饰性语言研究
17.A Comparative Study on the Chinese and Japanese Realistic Painting of Flower and Bird-From Tradition to Today;传统与现代视角下的中日工笔花鸟画
18.On Realistic Features of Flower-and-Bird Paintings in the Song Dynasty and Contemporary Times;浅议宋代与现代花鸟画的“写实性”
相关短句/例句

palace Style Flower and Bird Painting of Ming Dynasty明代院体花鸟画
3)painting of flowers and birds花鸟画
1.Firstly, the mural painting of flowers and birds in this tomb is in a symmetric pattern.这时花鸟形象刻画所强调的“妙得其真”、“精妙”、“夺真”是指在对称构图基础上的局部写实,与宋代花鸟画的写实有很大差异。
4)flower-and-bird painting花鸟画
1.The flower-and-bird painting is the traditional Chinese painting important component,has the glorious history,presents the different style form along with time vicissitude each generation,the picture performance different form esthetic sense,the picture form feeling including intrinsic energetic and the external form.花鸟画是中国画的重要组成部分,具有悠久的历史,随着时代的变迁各代呈现出不同的风格形式,画面表现不同的形式美感,画面形式感包括内在精神和外在形式。
2.Xu Wei is an outstanding master of flower-and-bird painting in late Ming Dynasty.徐渭是晚明声名卓著的花鸟画大家。
3.With some reference from other works, this article analyzes the features of Wang Yuan s flower-and-bird painting and draws the following conclusion:1.本文通过对该图的分析,再参照其他作品,概括出王渊花鸟画的笔墨特征:一、以墨代色,笔精墨妙;二、勾勒、没骨,相得益彰;三、师"黄"借"徐",自创一格。
5)Flower and Bird Painting花鸟画
1.Experience from Teaching about Flower and Bird Painting;关于花鸟画创作教学的几点体会
2.The thesis introduces Ren BoNian s flower and bird paintings and stresses their characteristics.本文介绍了任伯年的花鸟画,强调了其花鸟画的特点。
3.With fresh modern style and difference of drawing skills,molds,compositions and colors from other common works, his flower and bird painting gives new drawing style to later artists, and his time transcending originality gives great influence to later generations.其花鸟画作品 ,带着清新的现代气息 ,不同于一般作品的笔墨、造型、构图和色彩 ,给后人留下新奇的画风 ;其超前的创新意识对后世产生很大影
6)Flowers and birds painting花鸟画
1.The Chinese flowers and birds painting is openned by Xu & Huang of Five Dynasty, it became two systems: the scholar wing and the royal court wing .中国花鸟画由五代徐、黄分宗,历经两宋时期的发展,形成了文人士夫和院体画工(以下简称:文院)两派花鸟画创作群体不同的审美价值观,开启了花鸟画领域的两个基本脉系。
2.The performance of subjects and practices of Chinese painting widespread used in ceramics, flowers and birds painting is loved by people daily.中国绘画的表现题材、手法等在陶瓷中运用十分普遍,其中花鸟画更是人们生活中喜闻乐见的题材。
延伸阅读

《国朝院画录》  中国清代画史著作。胡敬著。胡敬,字以庄,号书农,仁和(今浙江省杭州市)人,官至翰林院侍讲学士。他曾奉旨参与清代宫廷书画著录《秘殿珠林石渠宝笈》三编的修纂工作,得见内府藏画,因就《石渠宝笈》所藏清宫廷画家作品并考其人,辑成此书。书前有嘉庆二十一年(1816)自序,成书当在此时。    《国朝院画录》全书2卷,可分3部分。第 1部分以时代先后为序,列顺治、康熙、雍正、乾隆四朝画院工匠画家53人。每人先列小传,后著录其载入《石渠宝笈》一、二、三编作品。作品著录除画名、装裱形式、内容、款识、题跋外,并录皇帝御题。第2部分为诸家合作画幅及无名氏画幅,涉及画家28人,作品大多只列画名。第3部分为《石渠宝笈》未著录,画家姓氏散见于志乘一集谱录各书者,则仅列其姓氏里籍于卷末。    该书虽属辑录之作,但甄录矜慎,体例周密,对于研究历代画院及清代宫廷绘画是一部有价值的参考书。