1)calligraphy in the Wei Dynasty and the Jin Dynasty魏晋书法
1.The calligraphy in the Wei Dynasty and the Jin Dynasty was characterized by righteousness,simplicity, and elegancy,which complied with the aesthetic value of the upper class then as described by Shi Shuo Xin Yu.魏晋书法的率真、简淡、妍美等风格,与《世说新语》所展示当时名士求真、尚简与爱妍的趣尚互为表里。
英文短句/例句
1.Learning from Shi Shuo Xin Yu the Aesthetic Value of the Calligraphists in the Wei Dynasty and the Jin Dynasty;从《世说新语》看魏晋书法的审美取向
2."Gu(the strength of character)" and "Shi(The energy and emotion)"--The aesthetic pursuit of the Wei and Jin Calligraphy“骨”与“势”——魏晋书法的审美追求
3.The calligraphy in the Wei Dynasty and the Jin Dynasty was characterized by righteousness, simplicity, and elegancy, which complied with the aesthetic value of the upper class then as described by Shi Shuo Xin Yu.魏晋书法的率真、淡、美等风格,与《世说新语》所展示当时名士求真、简与爱妍的趣尚互为表里。
4.Fusion of Calligraphy and Literature in Wei-Jin-Southern & Northern Dynasties from a Content-based Perspective;从书写内容看魏晋南北朝书法与文学的交融
5.ZHANG Yu zhao,Creating His Own Style through Comprehensive Study of Wei jin Style;涵融魏晋 戛戛独造——试论张裕钊的书法艺术
6.On the Impact of Characters on Calligraphy Criticism in Wei, Jin and Southern and Northern Dynasties论人物品藻对魏晋南北朝书法品评的影响
7.Unconventionally Wonderful Calligraphy ──Reviewing the Influence of Metaphysics from the Point of Calligraphy of Jin and Tang;空灵缥缈,物我皆忘──从晋唐书法艺术中管窥魏晋玄学的影响
8.The Ancients Cognition to Dynamic Feature of Grammar: the Syntax Semantic Analysis about Nouns in the Annotated works of the Hanweijin Dynasty;古人对语法的动态性认识——汉魏晋注释书对名词的句法语义解析
9.Gushi and the Laws of Han, Wei and Jin Dynasties:Understanding of Related Contents in Xingfa Zhi of JinShu and Notes on Tang Liudian;故事与汉魏晋的法律——兼谈对于《唐六典》注和《晋书·刑法志》中相关内容的理解
10.Formation of Calligraphy Style--Advocating of Pleasing Charm in Jin Dynasty from the Perspective of Metaphysics Thoughts of Wei and Jin Scholars;从魏晋士人玄学思潮看“晋代尚韵”书风的形成
11.Secularization of Demon--On the Writing of the Ghost Tales in Han-Wei-Jin Dynasties;精灵的世俗化——论两汉魏晋的志怪书写
12.Study on the Naturalness in Calligraphy during the Wei and Jin Dynasty;魏晋书学中崇尚“自然”的审美观研究
13.Social Material Foundation for the Development of Kaishu in Late Han Dynasty and Wei-Jin Period;论汉末魏晋楷书发展孕育的物质基础
14.Two Errors in the Records of Meng Da Opposing Wei in Jin Shu·Xuan Di Ji;《晋书·宣帝纪》所载孟达反魏失误二则
15.The View about the Atmosphere of unconventionality of the Scholor-officials in Wei and Jin Dynasties;从裴启《语林》一书看魏晋名士任诞之风
16.The Intelligentsia of Wei and Jin Dynasties,Metaphysics and the Raise of"Liufalun论魏晋士族、玄学与“六法论”的提出
17.Legal Function of Sticking up for Filial Piety During Wei,Jin,Southern-northern Dynasties;浅析魏晋南北朝时期法律的维孝功能
18.The Method of "Mutual Verification Between Literature and History" and the Study of the History of the Wei-Jin and the Southern and Northern Dynasties;“文史互证”方法与魏晋南北朝史研究
相关短句/例句
On Calligraphy in Wei and Jin Dynasties魏晋书法摭谈
3)On Calligraphy in Wei-Jin Period魏晋书法管窥
4)Collected Works in Dynasty Wei and Jin《魏晋全书》
1.Chinese Literature in Dynasty Wei and Jin and <Collected Works in Dynasty Wei and Jin>;中国魏晋时期著作与《魏晋全书》
5)Zi redical books of the Kingdom of Wei and Jin Dynasty魏晋子书
1.Hope it can be benifitial to education cirles about the study of Zi redical books of the Kingdom of Wei and Jin Dynasty.本文根据历代典籍的有关记载,参考前贤的辑佚、考证成果,就周昭与《用子》、陆景与《典 语》、姚信与《昕天论》、殷兴与《通语》的作者及成书情况进行了初步的梳理与辨析,希望对学界研读 魏晋子书有所裨益。
6)ancient technique of WeiJin's Calligraphy魏晋古法
延伸阅读
《魏晋玄学论稿》 中国现代哲学史家汤用彤的著作。1962年 9月由中华书局第一次正式出版。本书包括论文 9篇，在1938～1947年期间陆续写成，其中除《言意之辨》一篇，其余都曾先后分别发表于当时国内的报刊杂志上。《王弼之周易论语新义》一篇,曾由奥人李华德译成英文,载1947年美国《哈佛亚洲研究杂志》，引起了国外学术界的重视。 《魏晋玄学论稿》的第1篇《读刘劭人物志》,是关于魏晋玄学思想探源的专门论文。第 2篇《言意之辨》，在综论魏晋玄学方法论的同时，比较了过去烦琐的"汉代经学"与新起"魏晋玄学"的根本不同点。第3篇《魏晋玄学流别略论》，对魏晋玄学思想发展史作了扼要的评述，是全书的纲领。本书其他一些论文，对"魏晋玄学"的创始人之一王弼的思想，进行了深入系统的分析，并阐明了中国汉魏之际的哲学从"宇宙构成论"到形而上学"本体论"的转变。此外，本书对有代表性的玄学家，如向秀与郭象的《庄子注》是怎样"以儒道为一"的思想，也作了具体分析。最后一篇是《谢灵运辨宗论书后》，论及道生的"顿悟"说在中国哲学思想发展史上的意义，指出了它对后来宋明理学的影响。本书附录《魏晋思想的发展》，是根据作者一次专门学术演讲的记录整理而成，是一篇全面总结性的著作，涉及中国魏晋玄学的产生是否受到外来佛教影响的问题。 《魏晋玄学论稿》力图结合中国社会历史条件，具体阐明魏晋玄学思潮产生、发展乃至没落的过程及其规律，是一本有较高学术价值的著作。
