传统文人画,traditional literati painting
1)traditional literati painting传统文人画
1.His works hardly belong to "traditional literati painting"due to his social position, painting aesthetics and lack of knowledge in literature.任伯年出身平民 ,得技于民间画工 ,后在沪上鬻画为生 ,他的社会身份、画之审美趣味以及文学修养的缺乏 ,使其不入“传统文人画”之列。
英文短句/例句

1.New Scholar s Painting: Modern Transformation of Traditional Scholar s Painting;新文人画:传统文人画的现代性转换
2.He broke through the traditional Chinese painting notion of the bamboo symbolizing modesty and the orchid indicating delicacy.他打破了传统文人画中画竹画兰的陈套。
3.The Reflection of Chinese Traditional Literati Drawing and Western Modernism Painting;中国传统文人画与西方现代主义绘画的思索
4.Chinese traditional literati paintings and classical gardens are the essence of Chinese traditional art.中国传统文人画与中国古典园林是我国传统艺术的精华。
5.Mysterious Life Experience,Ecentric and Unreasonable Moral Character,Profound Influence--Elementary Illustration on Chinese Traditional Scholars Paintings;身世神秘 品性乖张 影响深远——中国传统文人画浅析
6.However, he is related to traditional literati painting in terms of friends he made, subjects, style and technique of painting.但他又自觉不自觉地在交友、绘画题材、风格和技法资源等方面 ,与传统文人画发生着关联。
7.The aesthetics thought of expressing emotion and writing mood in traditional literators’painting acquired new expression under the historic context of painting marketing.传统文人画抒情写意的美学思想在绘画商品化的历史语境中获得了新的表达方式。
8.The Recognition on Meticulous Painting in the Traditional Painting of Man-of-letters System;对传统文人绘画体系中工笔画的再认识
9.The Culture Linguistic Context of the Traditional Brush Stroke Figural Painting;传统工笔人物画兴衰的文化语境解读
10.On the Human Artistic Connotation Of Chinese Traditional Jiehua浅析中国传统界画中的人文艺术内涵
11.It was from this tradition, familiar to all predecessors, that Leonardo chose to depart.而达文西却选择背弃这个前人熟知的传统画法。
12.Shallow Talk Chinese Traditional Scholar Calligraphy and Painting an Education in of Appreciate Beauty Tendency;浅谈中国传统文人书画教育中的审美倾向
13.Influence of Literati Painters and Opera Amateur Performers on the Traditional Chinese Aesthetics;论文人画家与戏剧票友对传统中国美学的影响
14.His painting style combined fine brushwork with freehand brushwork, traditional Chinese skills with Western skills, and the work of the Chinese literati with folk paintings.他把工笔与写意结合起来,把中国传统画法与西洋画法结合起来,把文人画与民间绘画结合起来。
15.Painters of modern beauty painting should absorb the quintessence of fine traditional culture reflected in UKiyoe, and create the paintings with contemporary characteristics.现代的美人画应该对其中的优良传统文化成分加以吸收,创作出具有当代特征的美人画。
16.Literati Painting Influence on the Spatial Pattern of Chinese Traditional Private Garden论文人画对中国传统私家园林的空间形态的影响
17.On Public Communication Function and Culture Continuity of Chinese Traditional Comics;中国传统漫画的大众传播功能与文化传承
18.Shanghai Painting School : Cultural Coordination & Self-controlled System“海派绘画”的文化策应和自律传统
相关短句/例句

traditional Chinese painting by scholars and officials中国传统文人画
3)traditional literati painters传统文人画家
4)traditional figure painting传统人物画
5)the tradition of humanities人文传统
1.Based upon analysis of the factors influencing the formation of urban characters the creation of the characteristic beauty of urban is elaborated from the grasp of urban property, expression of natural beauty and context of the tradition of humanities and so on.在分析影响城市特色形成因素的基础上 ,从准确把握城市的性质、充分展示自然环境的风采、体现城市人文传统的文脉等方面入手 ,介绍了创造城市特色美的关键 ,以展现城市的文化风采。
6)humanistic tradition人文传统
延伸阅读

文人画文人画中国传统绘画的风格流派。集文学、书法、绘画、篆刻为一体的综合性绘画艺术。文人画的某些创作思想和艺术追求早在魏晋南北朝时即已出现,至北宋又有文同、苏轼、米芾等人从创作实践到理论上为文人画张目,但作为一个正式名称,却是由明末画家董其昌提出的,他说:“文人之画,自王右丞(王维)始……”,同时又勾划出了一条文人画发展的脉络。近代画家陈师曾对文人画的特质作了理论上的规范,他说:“文人画之要素,第一人品,第二学问,第三才情,第四思想,具此四者,乃能完善。”作为中国画的一个风格流派,文人画在创作思想上,强调抒发画家个人的思想感情,以某些特定的题材,如梅、兰、竹、菊等具有高洁、不俗等象征意义,来表现并标榜个人的志趣、节操、情致;部分画家创作上强调“自娱”,将绘画视为调节精神、情绪的手段。在表现手法上,文人画讲究诗、书(书法)、画、印(篆刻印章)的综合运营,尤注重与书法的结合,主张以书入画,将书法艺术的创作规律及点、画运作融入绘画中,做到心手相应,气力相合,笔断气连,笔不周而意周。在对墨和色彩的选择上,更重视水墨的表现力,讲求墨分五色,通过墨的浓淡干湿的不同变化,描绘不同的物象,抒发不同的情感和心绪。文人画在题材上比较狭窄,虽然历代的文人画家在创作中涉猎过各种题材,但总体上看,大多数文人画家的题材范围局限在山水、花鸟及梅兰竹菊(即所谓的四君子)等带有某种象征意义和寄托性的传统题材上。其作品的思想内容从表面上看,也大都脱离社会现实,但他们通过在画中题写诗文跋语,曲折地表达了个人的思想情感和对社会、人生及艺术的认识。如徐渭在《墨葡萄图》上题诗,表露个人的怀才不遇;郑板桥以题诗的方式,将潇潇的竹声比作民间的疾苦声,凡此等等,皆深化了作品的主题。作为一种风格流派,文人画自登上画坛后,经历代画家们的努力,逐渐发展成熟,到明清时期已成为画坛的主流。文人画的创作思想、艺术观念及表现手法,对于现代的中国画创作仍具有一定的意义。清金农《墨竹图》