1)integration of poetry,calligraphy,painting and seal cutting诗书画印一体化
2)printed poems into paintings诗书画印融为一体
3)poetry and print诗书画印
1.From the "pen and ink", "poetry and print", "blankness"and "the mood of a literary work"of the tradition.本文从传统的中国画的“笔墨”、“诗书画印”、以及“空白”、“意境”等几个方面来阐述中国绘画的民族性特征。
英文短句/例句
1.Mr. Yu Zhongjiu and His Art;写尽三峡百万峰——余仲九先生和他的诗书画印艺术
2.On the Integration of "Poetry,Calligraphy,Painting and Seal" in Chinese Painting--Also on the Important Function of Huizong Emperor of the Song Dynasty(Ⅱ)关于中国绘画“诗书画印”一体化进程的考察——兼论宋徽宗的重要作用(下)
3."another important aspect of Chinese traditional painting was the perfect coordination of picture, poem, calligraphy and seal. "中国画的另一重要特征是绘画，诗歌，书法和印章的完美结合。
4.Painting,Calligraphy and Poem: Three Kinds of Artistic Uniqueness Achieved by Prof.Qigong s;一生三绝画书诗——论启功先生的题画诗
5.a black liquid ink used for printing or writing or drawing.一种用于印刷、书写或画画的黑色液体。
6.A piece of painting normally consists of the painting itself, calligraphic writing and seal stamps.一幅画通常由画、书法和印章组成。
7.Chueh-hui's grandfather, as a well-known gentleman who had several collections of poems published, an epicure of ancient books. and paintings, could not go against the fashion.祖父原也是名士，印过两卷《遁斋诗集》送朋友，又喜欢收藏书画，所以在这一点上也未能免俗。
8."The painter transformed emotion to artistic language through writing, arrangement and his seal, which formed a visual composition pleasing to both eye and mind, and revealed the inner meaning of the painting."画家通过诗歌，书法和印章将其情感转换成艺术语言，从而使作品赏心悦目，并表现出作品的内涵。
9.On the Life of Poet Monk Fu Guang of Yuan Dynasty书显昭文——元代书、画、诗僧溥光生平考述
10.Cultural Mark of Kunqu Opera Theatrics:Poetic Charm and Painting Conception;昆曲舞台表演的文化印记:诗情·画意
11.On the Influence of Chinese Poems and Painting upon the Piano Poet FU Cong from FU Lei s Family Letters;从《傅雷家书》看中国诗画对“钢琴诗人”傅聪的影响
12.He was accomplished in poetry, prose and calligraphy, and excelled especially in painting.他擅长诗词书法，在绘画上尤其精通，
13.SOGAT (Society of Graphical and Allied Trades)书画刻印及有关行业协会
14.engraving ,original, whether or not antique刻版印书画原件,无论是否古董
15.The Study of the Calligraphy Painting Seal Art in the Modern Visual Communication Design;论现代视觉设计中的“书”、“画”、“印”
16.Ancient Chinese Poem and Painting Have No Absolute Position on Neither Orthodox School Nor Orthaodox Tradition--On Reading Qian Zhongshu s Chinese Poems and Chinese Paintings;中国旧诗画没有正宗、正统的绝对地位——读钱钟书《中国诗与中国画》
17.poem without hidden aspiration" "poem as repeated gates"----The impression of "upper bamboo book;“诗无隐志”,“其犹重门”——“上博竹书”印象
18.A Letter Being Rich in Poetic and Artistic ConceptionT he Travel Notes being like a Picture--The beauty of quietude, tranqui llity and harmoniousness in A Letter Sent to Scholar Pei Di from the Mountains诗情画意的书信 见字如画之游记——《山中与裴秀才迪书》的幽静谐和美
相关短句/例句
printed poems into paintings诗书画印融为一体
3)poetry and print诗书画印
1.From the "pen and ink", "poetry and print", "blankness"and "the mood of a literary work"of the tradition.本文从传统的中国画的“笔墨”、“诗书画印”、以及“空白”、“意境”等几个方面来阐述中国绘画的民族性特征。
4)one body of poem and painting诗画一体
1.Of the Ideas of Poem and Painting from China and West,"one body of poem and painting"and "different nature of the two" ——the two ideas are always considered opposite to each other.中西诗画观中的“诗画一体”和“诗画异质”向来被认为是相互对立的,其实两者提出的时代背景和入手角度以及文化传统的各自不同,二者均是建立在符合自己的时代风调和民族文化品格的基础之上,内容呈现出差异性也是在所难免的。
5)calligraphy and painting integral书画一体
6)the agreement of poems and paintings诗画一律
1.The headstream and esthetic connotation in the agreement of poems and paintings;“诗画一律”说的源流及其美学内涵
延伸阅读
开元九诗书卷【诗文】：红笺白纸两三束，半是君诗半是书。经年不展缘身病，今日开看生蠹鱼。【注释】：【出处】：全唐诗
