中国画论,Chinese painting criticism英语短句,例句大全

中国画论,Chinese painting criticism
1)Chinese painting criticism中国画论

英文短句/例句

1.On the Two Focal Issues in the 20th-century“Dispute Over Chinese Paintings”;论20世纪“中国画论争”的两个焦点问题
2.The Consciousness of "Simplicity" in Chinese Ancient Painting Theory and Its Expression in Art;中国画论中的“简化”意识及其艺术表现
3.On the Historical Value of Sheng Hua Ji论中国首部题画诗集《声画集》的画史价值
4.Harmony between Inscription Calligrphy and Artistic Conception in Chinese Painting论中国画题款书法与画面意境的和谐
5.On the Impact of Chinese Paintings for China Contemporary Animation Design;论中国画对当代中国动画片设计的影响
6.The Form Factors of the Chinese Painting--Brief discussions about the ornaments of the Chinese painting;中国画的形式因素——简论中国画的装饰性
7.On the Tendency of Water Color Painting in the Aesthetic Features of Chinese Traditional Painting;论水彩画在中国传统绘画审美特征中的取向
8.Reference and creation: discussing the application of traditional Chinese painting line-skill in fountain pen painting;借鉴与创造——论中国书画线条在钢笔画中的应用
9.The Opportunity for Theoretical Innovation of Chinese Painting:Combination between Marxism and Theory of Chinese Painting中国画理论创新的契机探析——兼论马克思主义与中国画理论的结合
10.On Similarity of Chinese Ceramic Painting and Traditional Chinese Painting;论中国陶瓷表现与中国画的同构关系
11.Discussion on Relation between Chinese Classical Gardens and Chinese Landscape Painting;论中国古典园林与中国山水画的关系
12.Try to Argue Literati Painting Gives Many Practical Importance on Modern Chinese Painting;试论古代文人画对现代中国画发展的现实意义
13.A Talk about the Influence of Chinese Contemporany Realism Made by the Realism of Wyeth;论怀斯写实画风对中国当代写实绘画的影响
14.Discussion on the Impact of Western painting upon Chinese portraits during the Ming Dynasty and Qing Dynasty;论明清之际西洋画对中国肖像画的影响
15.The Conjunction of the Chinese Classical Drawing and the Vicinity Modern Drawingin the West;试论中国传统绘画与西方近现代绘画的契合
16.BETWEEN WESTERN WATERCOLOR PAINTINGS AND TRADITIONAL CHINESE PAINTINGS;论西洋水彩画与传统中国画的互渗互融
17.ON THE COMMON CHARACTERISTICS OF THE CERAMIC PAINTING ART AND CHINESE TRADITIONAL PAINTINGS论陶瓷绘画艺术与中国画特质的共同性
18.Chi's Logical Development of Literature And Art Theory in Ancient Chian中国古代书画领域中"气"论的逻辑演进

相关短句/例句

the treatise of traditional Chinese painting中国画论文
1.The paper aims at the writer applying the way of thesaurus to classify the treatise of traditional Chinese painting, having a better understanding of the theory of classification, accumulating a wealth of practice experience.总结了笔者在对中国画论文运用主题词法分类的实践中对分类理论的进一步认识和一些实践经验。
3)a dispute over Chinese paintings中国画论争
4)theory of Chinese Painting中国画理论
5)Chinese painting theory中国绘画理论
1."Qu" is one of the most important aesthetic categories in the visual field of Chinese painting theory criticism."趣"是中国绘画理论批评视野中的重要审美范畴,中国画论视野中的画"趣"论,大致经历了三个阶段:作为一个绘画审美批评概念,它在魏晋南北朝被引入画学批评中;唐宋时期,它得到进一步的充实和发展,逐渐升格为一个绘画审美批评范畴;明清时期,论家对"趣"作为绘画艺术的本质、特征及其来源、生成等予以了进一步的深化论述,"尚趣"呈现出前所未有的兴盛局面,体现为一种时代艺术精神和一股艺术审美思潮相别于前朝。
6)Chinese ancient art theory中国古代画论
1.This paper is to enter into the Chinese ancient art theory on the perspective of "being present" by Martin Heidegger.本文将试从海德格尔关于”在场”的思想角度出发来重新观照诠释中国古代画论,以期进一步更好的深入理解中国古代画论的丰厚内涵。