1)Tao hua wu New Year Woodblock Prints桃花坞木版年画
1.The Japanese Yamato-e and the Chinese Tao hua wu New Year Woodblock Prints are in the world printing history two rare and beautiful flowers.日本浮世绘和中国桃花坞木版年画是世界版画史上的两朵奇葩，同属于民间绘画的领域，在表现手法、选择题材、受众群体等方面有着诸多的共性，本文所要探讨的是隐藏在这共性之下的差异性，并从民族性格的角度寻找差异的形成原因。
英文短句/例句
1.The Use of Life Symbols in the Taohuawu New Year Woodblock Prints in Suzhou生命寓意在苏州桃花坞木版年画中的运用
2.Reason for the Formation of Elegant Style of Early Taohuawu New Year Prints;早期桃花坞木版年画雅致风格形成的原因
3.An Analysis of the Differences between Japanese Yamato-e and the Chinese Tao Hua Wu New Year Woodblock Prints Form the Point of Nationality;从民族性格解读日本浮世绘与中国桃花坞木版年画
4.Researching about Gusu Engraving of Taohuawu Woodcutting New Years Prints;苏州桃花坞“姑苏版”木刻年画研究
5.Investigation and Thought of New Year Woodcut made in Yangjiabu,Weifang对潍坊杨家埠木版年画的调查及思考
6.The Study on Inheriting and Propagating Design in the Yangliuqing Wood Lunar New Year s Painting;杨柳青木版年画传承与传播设计研究
7.On Brand Re-positioning of Zhuxianzhen Woodcut Printed New Year Picture;朱仙镇木版年画品牌再定位策略研究
8.Study on the Images of Female Figures in Chinese New-year Folk Wood Engravings of Qing Dynasty;清代民间木版年画女性人物图像研究
9.Comparison between Zhuxianzhen Graphic Arts and Ukiyoe;朱仙镇木版年画与日本浮世绘之比较
10.A Study on the Origin of Fengxiang Board Pictures and its Aesthetic Value;凤翔木版年画源流及其美学价值初探
11.The Development and Evolution of Door-God s Modeling in the New Year s Graphic Pictures;木版年画中“门神”造型的发展与演变
12.The Treasure of Folk Art --The New Year Wood Engraving in Zhuxianzhen;民间艺术的瑰宝——朱仙镇木版年画
13.Inheritance Way of Modern Graphic Wooden Arts in Liangping梁平木版年画工艺当代传承方式研究
14.etchings, woodcuts, lithographs;蚀刻、木刻、平版画；
15.The woodcut reproduced below circulated in print in the1520 s.下图重现的是16世纪20年代流通的木版画。
16.Wood engraving new-year painting is a gold in the art mine.木版年画更是这个艺术宝库中的一朵奇葩。
17.The Protection and Development of Folk Art of the Yangjiabu Wood Engraving Picture in Weifang;潍坊杨家埠木版年画民间工艺的保护与开发
18.The Study of Artistic Value and Cultural Implications of Yangliuqing Wood Engraving Picture;浅谈杨柳青木版年画的艺术价值及文化意蕴
相关短句/例句
New-Year pictures in Taohuawu桃花坞年画
3)Wood Engraving Picture木版年画
1.The Protection and Development of Folk Art of the Yangjiabu Wood Engraving Picture in Weifang;潍坊杨家埠木版年画民间工艺的保护与开发
2.Established in the Qing Dynasty and passed down for four generations, Shunxing Qiji is a representative workshop producing wood engraving pictures with delicate craftsmanship in Gaomi,Shandong.山东高密“顺兴齐记”作坊是清代创立并经过四代人传承下来的年画作坊,是高密木版年画的典型代表。
4)Woodcut New Year's Paintings木版画年
5)Taohuawu桃花坞
1.Reason for the Formation of Elegant Style of Early Taohuawu New Year Prints;早期桃花坞木版年画雅致风格形成的原因
2.The essay is about the advancement of the Print of Suzhou during Ming and Qing Dynasty, and illustrates how it gets thriving and deterioration under developing in the three periods of illustration printing between Ming and Qing Dynasty, solo printing in the mid of Qing Dynasty and Taohuawu woodcut printing in the later time of Qing Dynasty.本文从明末清初插图版画、清中期独幅版画以及清后期桃花坞木版年画三个阶段，厘清姑苏版画在清代的发展脉落及兴衰的历史过程。
6)Suzhou wood engraving苏州木版年画
延伸阅读
桃花坞木版年画桃花坞木版年画 是我国南方流传最广、影响最大的一种民间木刻画。因产于江苏苏州桃花坞而得名。明代已逐步形成自己的风格，清代雍正、乾隆年间为盛期，称为“姑苏版”。当时与天津杨柳青，成为全国木版年画的南北中心。初时生产中心主要在虎丘、山塘和冯桥一带，后迁入桃花坞。制作过程分画稿、刻版、印刷三个顺序。印制方法，主要彩色套版，亦兼用着色。风格上受传统木版插图影响，清代中叶部分作品，也受到欧洲铜版画影响。色泽仅用红、黄、绿、蓝和黑五色。题材多样，有“大庆丰收”、“岁朝图”、“姑苏万年桥”、“合家欢”、“春牛图”、“花果山”和“玄妙观庙会”等。构图饱满，形象鲜明，风格秀丽，具有浓郁的地方特色。备受群众喜爱。
