1)the contemporary fine drawings当代工笔画
英文短句/例句
1.On the Status of Writing of Lines in Contemporary Fine Brushwork;论线的“书写性”在当代工笔画中的地位
2.On the Diversity of Contemporary Meticulous Portraits in an Artistic Language论当代工笔人物画艺术语言的多样性
3.An Analysis of the Factors Influencing the Creation of Modern Fine Brush Figure Painting试析影响当代工笔人物画创作的因素
4.The Role of Decorative Elements in Contemporary Meticulous of Chinese Fine Brushwork of Flowers and Birds;装饰性元素在当代工笔花鸟画中的作用
5."Negative Space" Language Research and Current Development of Chinese Fine-Brush Flower-and-Bird Painting;中国工笔花鸟画“负空间”语言探索及当代发展
6.On the Necessity of Pluralistic Development of Contemporary Chinese Meticulous Brushwork Figure Painting;论当代中国工笔人物画多元发展之必然性
7.Analysis of Brush Stroke Figural Painting under the Contemporary Plural Culture Linguistic Context;当代多元文化语境下的工笔人物画解读
8.Talking about the West Modeling Concept Has the Influence on the Modern Chinese Realistic Painting.;浅谈西方造型观念对当代工笔人物画之影响
9.The Analysis about Two Creative Trends of Contemporary Brushworks试析当代中国工笔人物画创作的两种趋势
10.Analysis of the Contemporary Elaborate Flower and Bird Painting in the Comparison between Chinese and Western Painting Composition;从中、西方绘画的构图比较看当代工笔花鸟画的构图
11.The Chinese Gongbi Painting of Contempory Women on Developing and Innovating the Style and Characteristics of Traditional Maid of Honour Painting;试论当代女性题材工笔画对传统仕女画风格形式的拓展与创新
12.CHANGING TIME AND VARYING ART" -The changes of contemporary Chinese brush stroke figural paintings.;“时运交移,质文代变”——当代工笔人物画表现方法的变迁
13.In the Tang Dynasty, the dominant painting style was gongbi zhongcai, which was highly realistic with exact delineation and enriched colors.狂草产生于唐代，当时的绘画基本上属于工笔重彩的表现形式，
14.Brief Discussion on Decorative Language Application and Expansion in Modern Brush Stroke Figural Painting;浅析装饰语汇在当代工笔人物画中的应用与拓展
15.A Rough Study on Civilian Tendency about the Chinese Gongbi Paintings of Song Dynasty;浅析宋代工笔人物画中的平民化趋势
16.A Study of Depiction Decorative Language of Chinese Fine Brushwork of Flower & Bird;现代中国工笔花鸟画装饰性语言研究
17.A Comparative Study on the Chinese and Japanese Realistic Painting of Flower and Bird-From Tradition to Today;传统与现代视角下的中日工笔花鸟画
18.The Phenomenon of Void and Silent in Modern Chinese Elaborate-style Flower and Bird Painting;谈现代工笔花鸟画语境中的“虚静”现象
相关短句/例句
Contemporary Chinese realistic figure painting of strong colors当代工笔重彩画
3)exquisite brush flower-and-bird当代工笔花鸟画
4)contemporary Chinese meticulous figure painting当代工笔人物画
5)the painting with fine brushwork of beautiful women in Tang Dynasty唐代工笔仕女画
6)Modern brush flower-and-bird painting with meticulous detail现代工笔花鸟画
延伸阅读
工笔工笔中国画表现手法之一。与之相对应的是写意。工笔画法出现较早，远在魏晋时期就被画家采用，并成为主要的或唯一的表现技法。像顾恺之的《洛神赋图》、《列女仁智图》就是用工笔画法创作的。隋唐至五代两宋，工笔画法得到了长足的发展，并日趋成熟。于非暗《富贵白头图》（工笔画）工笔作为一种绘画技法，一般是在经矾水加工过的熟宣纸或熟绢上，用工细流畅的墨线勾勒出所画物象的轮廓，也称白描稿，然后用淡墨或色笔染出物象的阴阳向背，在此基础上染一层底色，一般是石绿用赭石作底色，石青用花青作底色，等等。底色染好后可正式上色。因设色重轻、浓淡、厚薄的不同，工笔又分为工笔重彩和工笔淡彩。不管是淡墨晕染，或是染底色，正式上色，都要在每着一笔墨或色后，用含有清水的毛笔晕染一次，以冲开墨或色的痕迹，而且要反复进行，即俗称的三晕九染。因在晕染设色过程中覆盖了部分轮廓线，因此，待最后一次色着完后，要视所绘物象的不同，用墨或色依原轮廓线重勾一遍，这样可使线与色融为一体。待全部完成后，如果仍感到画面色彩厚度或深度不够，可在画背面用淡墨水或色重染一至数次。工笔画法要求线条工稳、细致、流畅，色彩匀净、明丽、典雅，所画物象造型准确生动逼真。工笔表现范围较宽，多用于人物画、花鸟画、山水画中的青绿、金碧及以楼阁建筑为题材的界画。除卷轴画外，工笔画法在古代壁画中也大量使用。
