1)the Calligraphy Trend of Self-expression尚意书风
英文短句/例句
1.WHO DARES TO HATE YU HUAN AND FEI YAN玉环飞燕谁敢憎——旷代奇才苏轼与尚意书风
2.Being Observed Advocation Artistic Conception of Calligraphy in Song Dynasty from Calligraphy of SuShi;从苏轼书法看宋代书坛的“尚意”审美观
3.On Legge s Reproduction of the Literary Style in Shangshu;论理雅各《尚书》译本文学风格的再现
4.Fashion Culture for University Libraries时尚文化——“秀”出图书馆的风采
5.On the Aesthetic and Formation of Expressionistic Calligraphy Style in the Late Ming Dynasty;论晚明审美风尚与表现主义书风的形成
6.To study the thoughts of Shangshuquanjie;理学视野下的《尚书》诠释——论林之奇《尚书全解》的思想意义
7.Review on the Thought of "Nature Adoration" in Calligraphy Theory of Song Dynasty;试论宋人书法理论中的“尚意”思想
8.Study on the Creating System and Cultural Implication of the Pray Style in Book of Documents论《尚书》诰体的生成机制及其文化意蕴
9.The Esteemed Calligraphy by Lu You and His Masrerpieces陆游“尚意”的书法艺术及其传世作品
10.Formation of Calligraphy Style--Advocating of Pleasing Charm in Jin Dynasty from the Perspective of Metaphysics Thoughts of Wei and Jin Scholars;从魏晋士人玄学思潮看“晋代尚韵”书风的形成
11.Study on the "Conversation" Style in "Book of Documents"论“谟”体之生成及《尚书·皋陶谟》的文化意义
12.The Significance to Learn "Yueming" in "Shangshu" and Fu Yue's Thoughts Again重新认识古文《尚书·说命》与傅说思想的意义
13.The Fashion Development and Cultural Dimensions of Given Names;人名的时代风尚和文化意义汉英命名比较
14.2.The fact that the calligraphers in the Song Dynasty upheld the conduct of "Writing at will" had made the pursuit of the art of Regular Script faint.二、宋代书家“尚意”的理性选择对楷书艺术追求的淡漠 ;
15.an elegant sufficiency, content,/Retirement, rural quiet, friendship, Books一种优雅高尚的充足、满意/退隐、乡村宁静、友谊、书籍
16.an elegant sufficiency, content, / Retirement, rural quiet, friendship, books(James Thomson.一种优雅高尚的充足、满意/退隐、乡村宁静、友谊、书籍（詹姆士 汤姆逊）
17.Referring to History, Reflecting on the Times, and Being Prepard for Danger in Times of Peace;察时鉴史 居安思危——论《尚书·无逸》中周公的忧患意识
18.Influence of the Wisdom Fashion of Weijin Culture on the Style of Writing论魏晋文化的尚智风尚对文风的影响
相关短句/例句
the ato-msphere (significance)-driven style尚意书法
3)Admiration of calligraphic styles尚法书风
4)calligraphy style with advocating of pleasing charm尚韵书风
5)Shangshu尚书
1.Writing Paradigm for Arts-"Wen" in Shangshu;百年《尚书》“文”字考及其意义
2.The Cultural Background of the Gao Style in Shangshu;论《尚书》诰体的文化背景
3.The Discussion of the Confucianism in Shangshu;论《尚书》中的早期儒家思想
6)Shangshu《尚书》
1.On Legge s Reproduction of Literary Style of Shangshu;论理雅各《尚书》译本文学风格的再现
2.On Types and Value of the Variants in Shangshu of Santishijing;论三体石经《尚书》异文的类型及价值
3.The art of words-keeping and narration in the book of Shangshu and The Spring and Autumn Annals;论《尚书》《春秋》的记言叙事艺术
延伸阅读
西掖早秋直夜书意 自此后中书舍人时作。【诗文】：凉风起禁掖，新月生宫沼。夜半秋暗来，万年枝袅袅。炎凉递时节，钟鼓交昏晓。遇圣惜年衰，报恩愁力小。素餐无补益，朱绶虚缠绕。冠盖栖野云，稻粱养山鸟。量力私自省，所得已非少。五品不为贱，五十不为夭。若无知足心，贪求何日了？【注释】：五品不为贱，五十不为夭。若无知足心 贪求何日了①西掖：指中书省。因在大明宫宣政殿西侧，称西省、西掖。原诗作于唐穆宗长庆元年（公元821年），白居易五十岁时，担任中书舍人。这几句是说，人要有知足之心，才会摆脱烦恼——做官做到五品官，不为下贱。人活到五十而死，不为夭折。若没有知足之心，那必将是贪得无厌，永无止息。当时朝中有牛李党争日趋尖锐，白居易的许多朋友卷入两方，互相倾轧，连他最好的朋友元稹，急于进取，不择手段，勾结宦官，排挤有功于朝廷的宰相裴度，引起他的不满。白居易处此境地，左右为难，十分伤心，曾上书穆宗，穆宗又不采纳他的意见。于是心灰意冷，深刻认识到官场的黑暗，曾发出“宦途气味已谙尽”的感叹。这几句诗就反映了这种情绪，感到无所作为，退而求其次，以知足保和之心，慰自己心烦意乱之情。后句亦隐含着对当时贪得无厌者的讽谕。言简意深，蕴含丰富，耐人寻味。 --引自李济洲编著之《全唐诗佳句赏析》http://tshjj.yeah.net/【出处】：全唐诗
