1)aesthetic imagery of calligraphy书法美学意象
2)Study on Aesthetic Imagery of Calligraphy书法美学意象研究
3)calligraphy images书法意象
1.This author makes a research into calligraphers′ creation from objective existences to calligraphy images, and into people′s association teadency from calligraphy images to abstractions from subjective world and objective existences.从研究分析古代有关书法意象的论述入手 ,对有关理论进行梳理剖析 ,探寻了书家由物象到书法意象的取向和人们由书法的意象形式到主观内宇宙和有灵世界各种物态及生命形象的联想方
4)esthetic images美学意象
1.The status and function of esthetic images in calligraphy education represents the core content and must be realized as an important method.书法美学意象的哲学基础来自于后形式美学发展的必然要求和中国传统哲学的深刻影响。
5)Image esthetics意象美学
英文短句/例句
1.Chaste Image and Ornate lmage A Comparison of poetry Images and Aesthetic Styles between wei Jin and South Dynasties;本真的意象与装饰性意象——魏晋南朝诗歌意象美学风貌之比较
2.The Modern Form of the "Imaginative Aesthetic"--On Ye Lang s Aesthetic Ontology;“意象美学”的现代形态——论叶朗的美学本体论
3.Phenomenological Intentionality and the Generation of Aesthetic Images of Poetry;现象学的意向性与诗审美意象的生成
4.The "Image" Aesthetics: A Reflection on the Chinese Film-Television Aesthetics System;“意象”美学:中国影视美学体系再认识
5.On Wang Fuzhi s Esthetical Image Theory and Lao Zi s Esthetical World;论王夫之审美意象说与老子美学境界
6.Lin Daiyu s Awareness of thd Potential Dangers:Its Symbolic Significance in Aesthetics;林黛玉“忧患”意识的美学象征意义
7.The Expression of Blood Image and its Aesthetic Meaning in Ancient Chinese Literature;古代文学中的“血”意象表达及审美意义
8.The Change of Image and Conception in Chinese Modern Aesthetics中国现代美学中“意象”、“意境”概念的演变
9.Artistic Conception and Imagery can Transcend and Produce Aesthetics论“意境”对“意象”的超越与美学生成
10.Three Aspects of Commodity Aesthetics: Commodity Image, Commodity Beauty and Commodity Imagery商品美学三题:商品形象·商品美·商品意象
11.Pound s Imagistic Theory and Imagistic Doctrine in Chinese Traditional Aesthetics;庞德的意象论与中国传统美学的意象说
12.The Modern Explanation of Aesthetic Image--Aesthetic Image from Acceptable Aesthetics Angle;审美意象的现代性阐释——接受美学视角中的审美意象
13.Kant’s Transcendence over Epistemological Aesthetics: with the Scope of Phenomenology;超越认识论美学——康德美学的现象学意义
14.The Intentional Method in Phenomenology: Its Significance to the Study of Aesthetics;现象学的意向性方法对美学研究的意义
15.Reflecting Phenomenology's Significance for Aesthetic from the Concept of Intentionality--Taking the Husserl's Phenomenology as Example从“意向性”概念反思现象学对美学的意义——以胡塞尔现象学为例
16.The Cosmo-Symbolism in the Portraiture of Han Dynasty and its Aesthetic Signification汉画像宇宙象征主义图式及美学意义
17.Study on Aesthetics Meaning of Urchin Image in the Fairy Tale of Zheng Yuanjie;论郑渊洁童话中顽童形象的美学意义
18.Wasteland and the alienation of the image of wasteland in American literature;《荒原》和美国文学“荒原”意象的异化
相关短句/例句
Study on Aesthetic Imagery of Calligraphy书法美学意象研究
3)calligraphy images书法意象
1.This author makes a research into calligraphers′ creation from objective existences to calligraphy images, and into people′s association teadency from calligraphy images to abstractions from subjective world and objective existences.从研究分析古代有关书法意象的论述入手 ,对有关理论进行梳理剖析 ,探寻了书家由物象到书法意象的取向和人们由书法的意象形式到主观内宇宙和有灵世界各种物态及生命形象的联想方
4)esthetic images美学意象
1.The status and function of esthetic images in calligraphy education represents the core content and must be realized as an important method.书法美学意象的哲学基础来自于后形式美学发展的必然要求和中国传统哲学的深刻影响。
5)Image esthetics意象美学
6)The Theory of Calligraphic Image书法意象说
延伸阅读
情绪性意象法情绪性意象法emotive imagery 情绪性意象法(emotive imagery)由拉扎勒斯(Lazarus，A.A.)和亚伯拉莫维茨(Abram。vitz，A.)创用的一种系统脱敏法变式。这种脱敏法与经典的系统脱敏法的区别在J二，它不要求对病人首先进行放松训练，而是要求治疗者诱发病人积极的情绪以对抗焦虑和恐惧反应。在实施治疗过程中，治疗者一边让病人按焦虑层次依次接触令他感到恐惧的事物或情境，一边通过形象化的语言或视听手段描述那些令病人感到愉快、轻松、骄傲和喜爱的事物与情境。这些描述所激发出的积极情绪、情感可以抑制或消除恐惧的意象，从而瓦解恐惧刺激物同恐惧反应间的联系。这种方法最初被用于儿童(因为儿童不易掌握放松技巧)，后来又被用于具有丰富想像能力的青少年。 (梁宝勇撰徐俊见审)
