1)patterns in using brush and ink笔墨图式
1.It has been expected to present a clear discussion on the synchronic social cultural settings for the development of the realistic wash figure painting style, in relation to its formal language and the internal mechanism of derivations of the patterns in using brush and ink.对写实水墨人物画样式是如何从选择、借鉴到转换、突破的脉络进行综合、系统的梳理和学理分析,既是期望讨论清晰其形成的共时性的社会、文化背景,以及形式语言、笔墨图式衍生的内在机制和历时性的阶段特征;也是希冀通过对“样式”的研究,探讨其在面对西方绘画的影响与冲击,是以怎样的姿态回应的,又是以怎样的方式保持传统文化品质的世纪性问题,确认它在“融合与创构”过程中为我们留下了哪些有益的线索和值得总结的负面影响,从而使其获得应有的学术定位。
2)symbol of pen and ink笔墨程式
英文短句/例句
1.The disadvantages consist in the following aspects; paintings typical of formalism are produced due to the emphasis on brush and ink form;其弊在于,由于强调笔墨程式,导致绘画走上形式主义道路;
2.Besides,calligraphy is an extremely good assistant way in training of writing brush and ink in traditional chinese painting.另外,书法是中国现笔墨语汇程式训练的极好的辅助方式。
3.A Brife Discussion on the Essential Form of Creating Images in Chinese Paintings;论中国画意象生成的形式要素——关于图像、程式、笔墨的思考
4.Brief Analysis the Modern Expression s Form of Chinese Painting s Traditional Pen and Ink;浅析中国画传统笔墨的现代表现形式
5.Freehand Brushwork Painting : Creative Brushes and Abstract Compositions写意画:创新型用笔理念与大笔墨的抽象组织形式
6.On the Skill of Painting with Dry Brush & Dense Black Ink and Its Expression in Cheng Sui s Landscape Paintings;谈枯笔焦墨及其在程邃山水中的审美表现
7.On the Inheritance of Painting Skills in Chinese Landscape Painting;略论中国山水画发展过程中的笔墨承袭
8.The Effect of Data-ink Ratio on Performance in a Process-Monitoring Task;数据-笔墨比率对过程监控任务绩效的影响
9.the pen is mightier than the sword(saying)(谚)笔墨胜刀剑.
10.From the "Five Kinds with the Writing Brush Method and Seven Kinds Use the Ink Technique" Theory Understand the Kind of Writing Brush-and-ink Art of Huang Binhong;从“五笔七墨”说看黄宾虹的笔墨艺术
11.The Cultural Context of concept of “Brush and Ink”and Its Semantic Concept;“笔墨”的文化语境与“笔墨”概念的语义
12.The Development of the Chinese Tradition Landscape Ainting s Composition and the Relationship between the Compositiong and the Painting Subject;传统山水画构图模式的发展及其与笔墨形式的关系
13.Technological painting coexisted with washpainting as a kind of painting form. It was once lift out in the cold because of the prevalence of washpainting.工笔画作为与水墨写意画共生的绘画形式 ,曾因水墨画的盛行而一度被冷落。
14.inkless two-pen strip chart recorder无墨水双笔长图记录仪
15.This pen must have run out of ink .这钢笔一定是没墨水了。
16.writing materials,eg pens,paper,ink书写用具(如钢笔、纸、墨水).
17.I want a pen and a bottle of ink.我要一枝笔和一瓶墨水。
18.My pen is rather apt to leak.我的钢笔爱漏墨水.
相关短句/例句
symbol of pen and ink笔墨程式
3)plumbago[英][pl?m'beig?u][美][pl?m'bego]石墨;铅笔图
4)the words stylization笔墨程式化
5)Brush and ink笔墨
1.His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.董其昌作为中国古代文人画的代表,在绘画实践上以推重笔墨形式之美而独树一帜,其“古雅娟秀、气韵超然”的艺术风格,影响了明末及以后的中国绘画朝笔墨形式发展。
2.Therefore, its "formulism" of brush and ink has been established.中国山水画历史悠久 ,山水画笔墨技法从产生到成熟 ,建构了独特的绘画符号。
6)ink[英][??k][美][??k]笔墨
1.Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;以郑燮竹论观艺术创作中的笔墨思维
2.First,the main painting,write with painting,slightly Pomo;second,relying on stroke,sublimation of the spirit itself;third,in the nourishment of life,inspire;fourth,it is advancing with the times ink form.现代的创作者应该在传统的基础上,勇于创新:一是以画为主,画写结合,略带泼墨;二是以笔画为依托,升华写意精神;三是在生活中吸收营养,激发灵感;四是笔墨形式与时俱进。
3.When creating landscape painting, painters, especially beginners, always have some problems in drawing equally, using the ink stiffly, arranging the composition of the picture narrowly, etc.创作者,尤其是初学者在进行山水画创作时,在笔墨的运用、构图与色彩的处理、精神的把握、题款的运用等方面会出现的如用笔平均、用墨板滞、构图布置迫塞等等弊病,如何运用相应的对策克服这些病忌,是每一位创造者都无法避之的问题。
延伸阅读
笔墨笔墨 中国画技法和理论上的术语,有时亦作中国画技法的代词。技法上,笔指钩、勒、皴、点等笔法,墨指破、积、泼、渍、烘、染等墨法;墨的运用又分浓、淡、干、湿等。《历代名记》:“骨气形似本于立意,而归乎用笔。”“运墨而五色具,是为得意”。指出立意和笔墨的主从关系。《山水纯全集》:“笔以立其形质,墨以分其阴阳”。强调笔的主导作用,但应与墨有机结合,相互映发,才能完美地表现物象,表达意境,取得“以形写神”、“形神兼备”的艺术效果。