泼彩山水画,splashing color of landscape painting
1)splashing color of landscape painting泼彩山水画
1.In this paper, it focuses on Zhang daqian and Liu haisu splashing color of landscape painting ,uses the methods of images researching and parallel comparing and does a series of comparative research on their color characteristics of landscape styles, the causes of style, artistic personality and thought of art .本文以张大千和刘海粟的泼彩山水画为研究对象,采用图像研究和平行比较等方法,就二者泼彩山水画风格特征、画风成因、艺术个性、艺术思想等进行了一系列的比较研究,力图从张大千、刘海粟泼彩山水画的具体分析中,了解二者绘画观念、绘画特征和绘画风格的异同之处,以求对他们的绘画特质有更加清晰的印象。
2)modern landscape painting with strong colors现代重彩山水画
1.The thesis interprets the transformation from the traditional concept of "different kinds with different colors"to modern coloring concept by analyzing the artistic practice of modern landscape painting with strong colors, and points outthat the whole si.本文通过对现代重彩山水画艺术实践的梳理来解读传统“随类赋彩”的设色观念向现代设色观念的转变,并指出这种转变对于现当代中国画发展的整体性意义。
英文短句/例句

1.Discussing from "Different Kinds with Different Colors"-- Interpreting the Development of Color Sense in Modern Landscape Painting with Strong Colors;从“随类赋彩”谈起——解读现代重彩山水画色彩观念的发展
2.Modern Decorative Paintings-materials and Techniques of Modern Heavy-color Paintings;现代装饰画-现代重彩画的材料及技法
3.Application of Mineral Dye in Modern Chinese Ink Painting.;矿物颜料在现代中国重彩画中的运用
4.Comparison and Research of Real Scene Landscape and Chinese Modern Landscape;真景山水画与中国现代山水画的比较研究
5.The Comparison between Traditional and Modern Chinese Landscape Painting;传统中国山水画与现代中国山水画之比较
6.The Skills of Paintings of Traditional and Modern Mountains-Waters --On the Development of Painting Skills;传统山水画与现代山水画——试论笔墨的发展变化
7.Talk of Traditional Chinese Landscape Paintings and Modern Landscape of the Aesthetic Characteristics谈中国传统山水画与现代山水画之审美特征
8.Brief Analysis the Mondern Expression's Form of Chinese Heavy Colored Painting's Concept of Colors浅析中国重彩画设色理念的现代表现形式
9.paint in watercolors用水彩颜料画,画水彩画
10.Abstract Configuration and Aesthetic Spice on Modern Watercolor Painting Creation;论现代水彩画创作中抽象形态与审美情趣
11.The Six Requirements for Ink Painting by Jinghao and Modern Chinese Landscape Painting Creation;荆浩的“六要”论和现代山水画创作
12.Value Orientation of the Creation of Contemporary Realistic Landscape Painting;当代山水画现实主义创作的价值取向
13.Space Imagination and Modern Painting;王蒙“空间幻象”与现代山水画空间意识
14.On Creation and Development of the Art of “Modern Form” Chinese Landscape Paintings;论“现代形态”山水画艺术的创新与发展
15.Traditional Landscape Painting of Modern Garden Design传统山水绘画对现代园林设计的影响
16.On the Light and Shade of Modern Landscape Paintings试论现代山水画中的“光”与“影”
17.Some thoughts about the modernization of contemporary Chinese landscape painting中国现代山水画的发展历程及其思考
18.The new painting form developed to a more mature stage in the Tang Dynasty, and several famous landscape painters appeared.唐代山水画达到成熟,出现了许多有名的画家。
相关短句/例句

modern landscape painting with strong colors现代重彩山水画
1.The thesis interprets the transformation from the traditional concept of "different kinds with different colors"to modern coloring concept by analyzing the artistic practice of modern landscape painting with strong colors, and points outthat the whole si.本文通过对现代重彩山水画艺术实践的梳理来解读传统“随类赋彩”的设色观念向现代设色观念的转变,并指出这种转变对于现当代中国画发展的整体性意义。
3)Landscape painting done with splashes of ink泼墨山水
4)paint in watercolours画水彩画
5)watercolor painting水彩画
1.In recent years,watercolor painting has advanced in China by leaps and bounds.通过比较水彩画、水墨画在工具和材料及表现手法上的相似之处得出结论:水彩画是一种适合表现东方自然环境的画种,水彩画作为西方的一种艺术形式很容易为我们所接受,它在我国具有较大的发展空间。
2.Chinese watercolor painting is the artistic form coming from the west, which was certain to be influenced by and shocked by traditional Chinese culture.中国水彩画作为从西方传入的艺术形式,来到中国后就必然受到中国传统文化的冲击和影响,这种现象在早期的中国水彩画艺术中表现得尤为突出。
6)Watercolour Painting水彩画
1.Fashion of Watercolour Painting and the Sustainability of Its Development;水彩画的时尚及时尚性发展的可持续性
2.In the perspective of the history of watercolour painting and the development of its artistic language,we can conclude that overemphasis on the artistic language will be an obstacle to the development of watercolour painting.从水彩画的本体语言以及水彩画发展的历史来看,过多地强调本体语言将成为水彩画发展的桎梏。
3.With the development of times,the artistic conception of watercolour painting has a entire new development with a variety of manifestation form,which in turn calls for the watercolour painting’s keeping pace with the times.随着时代的发展,水彩画的意境表现已经有了全新的发展,形式也极多样,这就对它提出了更新、更高的要求,我们要不断地实践和摸索水彩画意境表现的新形式,让具有时代感的形式美反映更加深刻的意境美,为水彩画的意境营造拓宽思路。
延伸阅读

次韵子由书王晋卿画山水二首【诗文】:老去君空见画,梦中我亦曾游。桃花纵落谁见,水到人间伏流。山人昔与云俱出,俗驾今随水不回。赖我胸中有佳处,一樽时对画图开。【注释】:【出处】:苏轼诗集 卷十九