《女史箴图》,"Picture of Lady Officials "
1)"Picture of Lady Officials "《女史箴图》
英文短句/例句

1.Picture of Lady Officials by Gu Kaizhi, a top painter of the Eastern Jin Dynasty( AD317-420), is there.东晋著名画家顾恺之的《女史箴图》也在展品当中。
2.His three existing scroll paintings are Nushi Zhen Painting, Luoshen appraisal Painting and Lienu Renzhi Painting;现在能看到的只有《女史箴图》、《洛神赋图》和《列女仁智图》三幅卷轴画摹本了。
3.The Creative Formation and Historical Interpretation of Giogione s Pictures of Sleeping Ladies;乔尔乔内卧女图式的创意生成与历史演绎
4.Gender in Chinese History: Anthropological Discussion with the Example of Female Figure among Filial Son/Daughter Pictures;历史中的“性别”解读——以孝子图像中女性形象为例
5.Historical Change of Female Image on Woodcut New Year Pictures of the Qing Dynasty清代民间木版年画女性人物图像的历史变迁
6.On History of Chen Baozhen s Clan from the Chen s Genealogies and Annals of Huaiyuan in Yining County;从义宁州怀远陈姓宗谱祠志看陈宝箴家族史
7.To keep you from the evil woman, From the smooth tongue of the adulteress.箴6:24能保你远离恶妇、远离外女谄媚的舌头。
8."Many daughters have done nobly, But you excel them all."箴31:29说、才德的女子很多、惟独你超过一切。
9.Grandchildren are the crown of old men, And the glory of sons is their fathers.箴17:6子孙为老人的冠冕.父亲是儿女的荣耀。
10.A worthless man digs up evil, While his words are like scorching fire.箴16:27匪徒图谋奸恶、嘴上彷佛有烧焦的火。
11.And behold, a woman comes to meet him, Dressed as a harlot and cunning of heart.箴7:10看哪、有一个妇人来迎接他、是妓女的打扮、有诡诈的心思。
12.Pro7:10 And, behold, there met him a woman with the attire of an harlot, and subtil of heart.箴7:10看哪,有一个妇人来迎接他,是妓女的打扮,有诡诈的心思。
13.Pro31:30 Favour is deceitful, and beauty is vain: but a woman that feareth the LORD, she shall be praised.箴31:30艳丽是虚假的。美容是虚浮的。惟敬畏耶和华的妇女,必得称赞。
14.Charm is deceitful and beauty is vain, But a woman who fears the Lord, she shall be praised.箴31:30艳丽是虚假的.容是虚浮的.敬畏耶和华的妇女、得称赞。
15.I, like Queen Victoria, have always been a believer in that old maxim "moderation in all things".我与维多利亚女王一样,一直信奉那句古老的箴言:“凡事适度。”
16.For on account of a harlot one is reduced to a loaf of bread, And an adulteress hunts for the precious life.箴6:26因为妓女能使人只剩一块饼、淫妇猎取人宝贵的生命。
17.The lambs are for thy clothing, and the goats are the price of the field.箴27:27并有母山羊奶彀你吃、彀你的家眷吃、彀养你的婢女。
18.Take his garment when he becomes surety for a stranger; And for an adulterous woman hold him in pledge.箴27:13谁为生人作保、就拿谁的衣服.谁为外女作保、谁就承当。
相关短句/例句

Gu Kaizhi Nüshi Zhen Tu Juan顾恺之《女史箴图》卷
3)skeleton drum;reel箴
4)Women History女史
1.The Fountainhead and Literature Final Position of“Women History”;“女史”源流及文化定位
5)Zhou Boqi Gongxue Guoshi Erzhen Juan周伯琦《宫学国史二箴》卷
6)women history妇女史
1.In Teachers of the Inner Chambers,the method of combing gender and Chinese history is used to break theories of women victims under the guidance of the traditional "May 4th" view of history,discarding the conventional narrative mold of "Oppression-Liberation" in Chinese women history.《闺塾师》运用社会性别与中国历史相结合的方法,突破了传统的"五四"史观指导下的脸谱化的旧中国受害女性理论和"压迫——解放"的中国妇女史研究旧有模式,从女性视角出发,重新解读明末清初江南才女们的生活,不仅丰富了关于17世纪江南女性与文化的研究,更为今人重新认识"传统中国"提供了新观念、新视角。
2.The quoting and practicing of this theory bring about the new development to the study of women history in China.社会性别理论在西方第二次女性运动浪潮中被提出来并成为西方女性主义的中心理论,这一理论的引入和运用带来了中国妇女史研究的新发展,但两者互动过程中仍存在一些问题,妇女史研究在适当引进外来理论的过程中要结合中国历史上妇女的具体经历和两性关系的实际特点。
3.The women history and the history of the sexual distinction, and the history of the economy and society are combined with eachother and also different from eachother.妇女史、社会性别史与经济—社会史既相互联系 ,又相互区别。
延伸阅读

《女史箴图》《女史箴图》中国东晋绘画作品。作者顾恺之。原作已佚,今存有唐代摹本,为绢本,设色,纵24.8厘米、横348.2厘米,藏英国不列颠博物馆。此图依据西晋张华《女史箴》一文而作,原文十二节,所画亦为十二段,现存自“冯媛挡熊”至“女史司箴敢告庶姬”共9段。作品注重人物神态的表现,用笔细劲联绵,色彩典丽、秀润。故宫博物院另藏有宋代摹本,水平稍逊,而多出樊姬、卫女2段,亦有研究价值。《女史箴图》(部分)