1)Meeting with the primogenitor《朝元仙杖图》
1.We want to get a clear understanding of its mysterious relationgship to Meeting with the primogenitor and their creation cognitive differences in particular.本文的写作分为四章,第一章从《八十七神仙卷》的历史渊源说起,身世之谜,评判杂说,特别是认清它与《朝元仙杖图》之间的关系谜团和创作认识差异是进一步深入研究的关键,并基于此对作者的身份作出了大致的界定。
2)Chaoyuan Xianzhang Tu《朝元仙仗图》
1.A Study and Explanation of the Arrangement of the Main Deities in the Painting Attributed to Wu Zongyuan and Titled Chaoyuan Xianzhang Tu (A Guard of Honour of Chaoyuan Immortals),and a Discussion of the Relationship of This Work to Murals in Tang and Song Dynasty Daoist Monastery-Temple Halls;传北宋武宗元《朝元仙仗图》主神组合考释——兼论其与唐宋道观殿堂壁画的关联
英文短句/例句
1.The Original Place of the Scroll of the Eighty-seven Immortals and Chaoyuan Celestial Cane;论《八十七神仙卷》与《朝元仙仗图》之原位
2.An analysis on the Scroll of Eighty-seven Celestial Beings and the Painting of Taoist Celestial Beings Worshiping Lao Zi;《八十七神仙图卷》与《朝元仙仗图》图像分析研究
3.A Study and Explanation of the Arrangement of the Main Deities in the Painting Attributed to Wu Zongyuan and Titled Chaoyuan Xianzhang Tu (A Guard of Honour of Chaoyuan Immortals),and a Discussion of the Relationship of This Work to Murals in Tang and Song Dynasty Daoist Monastery-Temple Halls;传北宋武宗元《朝元仙仗图》主神组合考释——兼论其与唐宋道观殿堂壁画的关联
4.The Umbrella and Fans Carried by a Guard of Honor in Picture Material From Wei to Southern and Northern Dynasties魏晋南北朝图像资料中的伞扇仪仗
5.A Study of Regalia Used by Guards of Honour in the Lubo Illustrations in the Northern Dynasties Murals at Wanzhang in Cixian County磁县湾漳北朝壁画墓卤簿图若干仪仗考
6.Buhumu under the Multi-cultural Background--Reading Xianlv·Dian Jiangchun/Cichao;多元文化背景中的不忽木——解读:[仙吕·点绛唇]《辞朝》
7.Iconographic Study on Mural Chao Yuan Tu in Yuan Hall of Nan an Temple in Yao County, Shanxi Province;陕西耀县南庵元殿壁画《朝元图》的图像学研究
8.On the basis of the picture material from Wei to Southern and Northern Dynasties, the article discusses the historic development of the umbrella and fans carried by a guard of honor in this period.根据图像与文献资料,探讨魏晋南北朝伞扇仪仗的历史演变与发展脉络。
9.On the Artistic Value of Fairyland Excursion Novels of Wei,Jin and the Northern and Southern Dynasties魏晋南北朝游仙小说仙境的艺术价值
10."Sage God, in Splash-ink"泼墨仙人图(绘画)
11.During the Northern and Southern Dynasties, Kou Qianzhi, a famous Taoist, and other Taoists began to paint celestials of Taoism.南北朝时,著名的嵩山道士寇谦之与其他道教徒也开始画道教的神仙图。
12.In the mid-13th century, Tibet was officially incorporated into the territory of China's Yuan Dynasty.十三世纪中叶,西藏正式归入中国元朝版图。
13.Yuan Dynasty (1271-1368)元朝(公元1271—1368年)
14.If love between both sides can last for aye, why need they stay together night and day?两情若是长久时,又岂在朝朝暮暮。--《鹊桥仙》秦观
15."Far away I watch the angels riding coloured clouds Toward heaven's Jade City, with hibiscus in their hands."遥见仙人彩云里, 手把芙蓉朝玉京。
16.On the Image of Cavern Fairyland and Its Psychoanalysis in the Zhi-guai Novels of Wei, Jin, the South and North Dynasties;魏晋南北朝志怪小说的“洞穴仙境”意象
17.ORIGIN AND CONTENT CLASSIFICATION OF THE POETRY ABOUT IMMORTALS IN WEI AND JIN DYNASTIES AND NORTHERN AND SOUTHERN DYNASTIES;魏晋南北朝游仙诗的渊源与内容分类
18.Qing Dynasty (1644-1911)清朝(公元1644—1911年)
相关短句/例句
Chaoyuan Xianzhang Tu《朝元仙仗图》
1.A Study and Explanation of the Arrangement of the Main Deities in the Painting Attributed to Wu Zongyuan and Titled Chaoyuan Xianzhang Tu (A Guard of Honour of Chaoyuan Immortals),and a Discussion of the Relationship of This Work to Murals in Tang and Song Dynasty Daoist Monastery-Temple Halls;传北宋武宗元《朝元仙仗图》主神组合考释——兼论其与唐宋道观殿堂壁画的关联
3)the Painting of Chaoyuantu朝元图
1.On the Artistic Charm of the Frescos——About the Painting of Chaoyuantu壁画《朝元图》的艺术魅力
4)Yuan Dynasty元朝
1.An Analytical Study of the Applicants for Imperial Academy in Yuan Dynasty;元朝国子学生员问题探析
2.The Material and Cultural Exchanges in the Relations to "The Uncle-Nephew Rapport" between Yuan Dynasty and Koryo;元朝与高丽“舅甥之好”关系下的物质文化交流
5)the Yuan Dynasty元朝
1.The traditional social security system s taxation such as these granaries was closely connected with the decline of the Yuan Dynasty.究其原因,是因为元朝吏治的败坏以及仓储本身管理制度方面存在着弊端。
2.The Yuan Dynasty was an important period in chinese history, comparing with the policy of the Tang and Song Dynasty, its overseas policy was more opening.元朝是中国历史上的一个重要朝代,其海外政策同唐宋相比,更具有开放性。
6)Walking with a Cane策杖图(绘画)
延伸阅读
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