笔墨体验,pen-ink impression英语短句,例句大全

笔墨体验,pen-ink impression
1)pen-ink impression笔墨体验
2)suspended graphite ball-pen ink液体铅笔油墨
3)Brush and ink笔墨
1.His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.董其昌作为中国古代文人画的代表,在绘画实践上以推重笔墨形式之美而独树一帜,其“古雅娟秀、气韵超然”的艺术风格,影响了明末及以后的中国绘画朝笔墨形式发展。
2.Therefore, its "formulism" of brush and ink has been established.中国山水画历史悠久 ,山水画笔墨技法从产生到成熟 ,建构了独特的绘画符号。

英文短句/例句

1.the pen is mightier than the sword(saying)(谚)笔墨胜刀剑.
2.From the "Five Kinds with the Writing Brush Method and Seven Kinds Use the Ink Technique" Theory Understand the Kind of Writing Brush-and-ink Art of Huang Binhong;从“五笔七墨”说看黄宾虹的笔墨艺术
3.The Cultural Context of concept of “Brush and Ink”and Its Semantic Concept;“笔墨”的文化语境与“笔墨”概念的语义
4.The scence baffled all description.那情景难以笔墨形容。
5.Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation宋元水墨山水画笔墨风格的继承与创新
6."Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. ""更有一种风月笔墨,其淫秽污臭,屠毒笔墨,坏人子弟,又不可胜数."
7.He was good at using the dry brush and those strokes that utilize the side of the brush.他善用侧锋淡墨，干笔皴擦，作品笔墨精粹，意境幽远。
8.Start Drawing with Elegant StyleStore up Interest to Paintings-- On the Artistic Reproduction of the Traditional Chinese Paintings;动以笔情蓄以墨趣——浅谈中国画笔墨的艺术再现性
9.Spirits in the Moving of Writing Brush──On Mr. Hua Qimin s Stroke Language of the Figure Painting;笔歌墨舞见精神——论华其敏先生人物画的笔墨语言
10.inkless two-pen strip chart recorder无墨水双笔长图记录仪
11.This pen must have run out of ink .这钢笔一定是没墨水了。
12.writing materials,eg pens,paper,ink书写用具（如钢笔、纸、墨水）.
13.I want a pen and a bottle of ink.我要一枝笔和一瓶墨水。
14.My pen is rather apt to leak.我的钢笔爱漏墨水.
15.Dip your pen (into the ink).将钢笔（在墨水中）蘸一蘸.
16.He has no more ink in his pen.他的钢笔没有墨水啦。
17.The ink in the pen is strange.钢笔里的墨水很奇怪。
18.My pen blots easily.我的钢笔容易漏墨水。

相关短句/例句

suspended graphite ball-pen ink液体铅笔油墨
3)Brush and ink笔墨
1.His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.董其昌作为中国古代文人画的代表,在绘画实践上以推重笔墨形式之美而独树一帜,其“古雅娟秀、气韵超然”的艺术风格,影响了明末及以后的中国绘画朝笔墨形式发展。
2.Therefore, its "formulism" of brush and ink has been established.中国山水画历史悠久 ,山水画笔墨技法从产生到成熟 ,建构了独特的绘画符号。
4)ink[英][??k][美][??k]笔墨
1.Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;以郑燮竹论观艺术创作中的笔墨思维
2.First,the main painting,write with painting,slightly Pomo;second,relying on stroke,sublimation of the spirit itself;third,in the nourishment of life,inspire;fourth,it is advancing with the times ink form.现代的创作者应该在传统的基础上,勇于创新:一是以画为主,画写结合,略带泼墨;二是以笔画为依托,升华写意精神;三是在生活中吸收营养,激发灵感;四是笔墨形式与时俱进。
3.When creating landscape painting, painters, especially beginners, always have some problems in drawing equally, using the ink stiffly, arranging the composition of the picture narrowly, etc.创作者,尤其是初学者在进行山水画创作时,在笔墨的运用、构图与色彩的处理、精神的把握、题款的运用等方面会出现的如用笔平均、用墨板滞、构图布置迫塞等等弊病,如何运用相应的对策克服这些病忌,是每一位创造者都无法避之的问题。
5)writings[英]['ra?t??][美]['ra?t??]笔墨
1.This article introduces Xugu’s life, studies and discusses his writings (mainly about line),molding, composition and color etc, though his painting theme, flowers and birds painting content, artistic conception.文章主要从论述海派画家虚谷的生平开始,通过分析绘画题材、内容、意境,深入探讨其笔墨(这里主要指线条)、造型、构图和色彩等绘画本体,从而总结其花鸟画风格。
2.This paper mainly discusses the relationship between lively spirit and charm and easy case of scholars paintings as well as writings of scholars paintings.在此重点讨论气韵生动与文人画之逸格及文人画笔墨间的关系。
6)pen and ink笔墨
1.Brief Analysis the Modern Expression s Form of Chinese Painting s Traditional Pen and Ink;浅析中国画传统笔墨的现代表现形式
2.The images represented in traditional Chinese painting by means of pen and ink is,without exception,based on description and conceptualization of the real life.中国画这种艺术形式,笔墨所表现的形象,是对现实生活的感受提炼、描写和概括,当然也包括了它的程式化。
3."Tour" shows what painter wants to describe art image,and pen and ink is decided by "tour".正是在“游”这种美感心态和中国传统艺术思想的渊源下 ,中国传统绘画的笔墨才那么韵味无穷 ,那么轻松、自然、豪放。