莫奈与郭熙,Monet and Guo Xi英语短句,例句大全

莫奈与郭熙,Monet and Guo Xi
1)Monet and Guo Xi莫奈与郭熙
1.This article,for example Monet and Guo Xi,focuses on the angle of visual way to explore the source of ideology similarities and differences between the visual way of European landscape and Chinese landscape based on the research result of the predecessors.本文在梳理前人研究成果的基础上,以莫奈与郭熙为例,着重从“视觉方式”的角度,对欧洲风景画与中国山水画的异同及其思想渊源作了进一步的探索。
2)Guo Xi郭熙
1.The Aesthetic Function Theory of Guo Xi in Landscape Painting;不下堂筵,坐穷泉壑——郭熙山水画审美功能论刍议
2.On Guo Xi s aesthetic ideology:"Beyond Nature";论郭熙“夺其造化”的美学思想

英文短句/例句

1.The Aesthetic Spirit of Guo Xi LIN QUAN GAO ZHI JI in Confucian, Tao and Zen;郭熙《林泉高致集》及其儒道禅美学精神
2.Pursue the Conception of Nature Looking at Guo Xi Landscape Painting from in the 从《早春图》看郭熙山水画的自然观
3.On GUO Xi s Artistic Status in the Background of Scholar--Painting at the End of the Northern Song Dynasty;北宋末文人画背景下郭熙艺术地位再探
4.The Aesthetic Function Theory of Guo Xi in Landscape Painting;不下堂筵,坐穷泉壑——郭熙山水画审美功能论刍议
5.A New Study of Aesthetic Thought in Guo Xi s Linquan gaozhi;大象大意可游可居——郭熙《林泉高致》美学思想新探
6.Lin Quan Gao Zhi", written by Guo Xi, is an important work of aesthetic ideology in Chinese painting.郭熙的《林泉高致》是中国绘画美学理论的重要著作。
7.Poetry Containing Painting: On Aesthetic Spirit of Academy of Painting in Song Dynasty from Guo Xi s Painting of"Early Spring";“以诗入画”——从郭熙《早春图》看宋代画院绘画的审美特质
8.Paintings should create big image and leave no traces of arrangement──An aesthetic concept about the creation of mountains - and - waterspainting put forward by Guoxi;画见大象,不为斩刻之形──郭熙关于山水画创作的一个美学命题
9.Research about Aesthetic Way of "Yuan" in "Lin Quan Gao Zhi" and Science Tendency of Guoxi's Aesthetics《林泉高致》中“远”的审美观照方式与郭熙美学的理学倾向研究
10.The Development from Three Farnesses to Horizontal Farness:Guo Xi's Gradual Change of Artistic Thought from Confucian to Taoist从三远到平远的发展——郭熙画学思想由儒渐道的转变
11.The Seventh part discusses Guo Xi and his thoughts are the indispensable part of culture of Song Dynasty from the point of view of " communicating poem and painting ".第七部分主要从“诗画相通”的角度出发，论述郭熙和他的思想是宋代文化不可缺少的一部分。
12.There was hustle and bustle all day at the market.市场上整天熙熙攘攘。
13.I like the hustle and bustle of Marseilles.我喜欢马赛熙熙攘攘的景象。
14.On week days the street was very lively.平日，这条街上总是熙熙攘攘的。
15.There's been a lot of activity in the centre today.今天市中心一直是熙熙攘攘。
16.The department store is in a noisy street.百货公司在一条熙熙攘攘的大街上。
17.The road is alive with lookers on.路上看热闹的人熙熙攘攘。
18.We inched through teeming streets.我们在熙熙攘攘的街道上缓慢行走。

延伸阅读

郭熙郭熙中国北宋画家，绘画理论家。字淳夫。生卒年不详，活跃于宋神宗时期。河阳温县（今河南温县）人。擅山水，初自学，后师法李成，颇受启发，笔法大进。以绘画供奉宫廷，颇得宋神宗赵顼赏识，被授以书院艺学，后升迁待诏。负责考试画工，鉴定宫中藏画等。画山水注重深入体察生活，能真实、细致、微妙地表现出不同地区、季节、气候的特点，得“远近浅深，四时朝暮，风雨明晦之不同”，创造出极其丰富优美动人的意境，另外他还长于影塑，在墙壁上用泥堆塑浮雕式的山水，别具情趣。郭熙有《早春图》、《关山春雪图》、《窠石平远图》、《幽谷图》、《古木遥山图》等传世。其中《早春图》成功地表现出冬去春来、大地复苏、万物鱽醒的细致季节变化。在绘画理论上郭熙亦有很高建树，其理论集中反映在他的《林泉高致》一书中。子郭思，亦善画，长于鞍马，山水。《早春图》