1)Song Yuan black bamboo picture style宋元墨竹画风格
2)Black bamboo painting墨竹文人画
3)paintings of mountains and waters in Song-Yuan Dyansties宋元山水画
1.And with the paintings of mountains and waters in Song-Yuan Dyansties as the model and example, the text make some probe into its formation, its artistic achievement and the artistic conception’ beauty of traditional Chinese arts.本文将意境这一艺术形象进行了尝试性的阐述,并以意境塑造的典范——宋元山水画为例展开,初步探讨宋元山水意境形成的原因、达到的艺术成就以及中国传统艺术的意境之美。
英文短句/例句
1.The Scenery Has the Boundary--Song Yuan Landscape Painting Composition Evolution and Drawing Thought;山水有境——宋元山水画构图演变及绘画思想研究
2.The Distant,Hidden and Occult Artistic Concepts--on the consciousness of space in the landscape paintings in Song and Yuan Dynasty;远境·藏境·玄境——论宋元山水画所表现的空间意识
3.Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation宋元水墨山水画笔墨风格的继承与创新
4.Study of Ideas and Opinions in Chinese Landscape Painting from Wei, Jin to Song, Yuan Dynasties;魏晋至宋元时期中国山水画思想观念研究
5.The Integration:Wang Shi-gu s Compendium of Chinese Landscape Painting in the Tang,Song,Yuan and Ming Dynasties;集其大成:王石谷对唐宋元明四朝山水画的总结
6.The Poets’ Self-presence in the Poems for Landscape Paintings in the Song Dynasty;论宋代题山水画诗“画中有我”的自寓性
7.On the Formation of the Idea of Adoring Abstraction in the Landscape Paintings and the Poems for Them in Song Dynasty;论宋代山水画及题山水画诗中尚意观的形成
8.Mountains and water painting, too, reached a peak in the Song Dynasty.到了宋代,山水画达到鼎盛,
9.The Plainness and Pedestrianism--The Orientation of Aesthetics of Song Dynasty Scenery Painting;平远尚淡——宋代山水画论的审美取向
10.Analysis of the Composition Features of the Landscape Paintings in the Five Dynasties and Song Dynasty;浅析五代、两宋山水画的空间布局特征
11.Differences within Similarities--Reading Northern Song Landscape Paintings and Barbierian School同中之异——读北宋山水与巴比松画派
12.The Influence of the Geomantic Omen on Landscape Paintings of Five Dynasties to Early Song Period;由五代宋初山水画论看风水学对山水画成熟的影响
13.The Confucianism and its influences upon the paintings in the Song dynasty;理学人格对宋代山水画审美理想的影响
14.The Spirit of Scholars and the Aesthetical Trend of Landscape in the Song Dynasty;两宋士人的书卷精神与山水画的审美取向
15.The tendency towards conscious simplicity in landscape paintingsduring the song Dynasty;试论两宋时期山水画的自觉简略化倾向
16.The Confucianism and criteria of the paintings in the Song;两宋时期理学对山水画批评标准的影响
17.A Comment on the Cun Method of Chinese Landscape Paintings in the Period of Five Dynasties and Early North Song Dynasty;五代北宋初期中国山水画创作皴法简评
18.Form,Spirit and Romantic Charm--The Tendency of Evaluating the Natural Beauty of the Arts in Han, Wei,Tang and Song Dynasties Landscape Painting and Poem;形、神、韵——汉魏唐宋山水诗画艺术自然审美走向
相关短句/例句
Black bamboo painting墨竹文人画
3)paintings of mountains and waters in Song-Yuan Dyansties宋元山水画
1.And with the paintings of mountains and waters in Song-Yuan Dyansties as the model and example, the text make some probe into its formation, its artistic achievement and the artistic conception’ beauty of traditional Chinese arts.本文将意境这一艺术形象进行了尝试性的阐述,并以意境塑造的典范——宋元山水画为例展开,初步探讨宋元山水意境形成的原因、达到的艺术成就以及中国传统艺术的意境之美。
4)the painting by the scholar in Song and Yuan Dynasty宋元文人画
5)Song Yuan flower-and-bird painting宋元花鸟画
6)the Song genre painting宋代风俗画
1.It occupied a unique place in the history of China s ancient painting, so to research into the Song genre painting has much reference and significance for.宋代风俗画具有画风淳朴自然、内容亲切感人、形象鲜明生动、生活气息浓郁等艺术特征,在中国古代绘画史中占有独特的地位。
延伸阅读
墨竹1.墨画的竹子。相传始于唐吴道子。一说,始于五代郭崇韬之妻李氏。 2.竹的一种。