1)Longmen Twenty Calligraphic Gems龙门二十品
1.A Probe into the Calligraphic Art of Longmen Twenty Calligraphic Gems龙门二十品书法艺术浅探
2)Zhu Shi Bu Er Men注十不二门
1.The other schools explained the Tiantai Buddhism s outline Shi Bu Er Men with Chan Sect and Huayan s true-mind theories in Yuan Qing s Shi Bu Er Men Shi Zhu Zhi and Zong Yu s Zhu Shi Bu Er Men.天台宗也难免受到这股潮流的冲击,天台山外派的源清著《十不二门示珠指》、宗昱著《注十不二门》,他们用禅宗和华严的"直显心性"、"一念灵知"来阐释天台的纲要之作《十不二门》,主张"真心"观。
3)24yamen二十四衙门
4)twenty-four poetry style《二十四诗品》
1.A Slight Discussionon the Development of the Artistic Conception Theory——And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征
英文短句/例句
1.Contextual Differentiation of "24 - rhyme" - A study of the authorship of 24 poems;“二十四韵”语境别义──《二十四诗品》作者补证
2.The 24 Styles of Poetry - Model of Excellent Integration of Aesthetics and Buddhism in the Tang Dynasty《二十四诗品》:唐代美学融摄佛学的垂范
3.The Confucian Thought about the Harmonization between Tian and human in Twenty-four Grades of Poetry;《二十四诗品》中的儒家天人合一思想
4.The Aesthetic Ideas of Savoring 24 Poems and Contemporary Interior Design;《二十四诗品》美学思想与当代室内设计
5.Several Problems in the Research of The Twenty-four Poetic Styles;《二十四诗品》研究存在的几个问题
6.The Taoist thought about the harmonization between Tian and human in Twenty-four Grades of Poetry;《二十四诗品》中的道家天人合一思想
7.On the Image Critical Method Used in Twenty-four Poetic Styles;略论《二十四诗品》的意象批评模式
8.On Zen and Artistic Prospect of Si Kongtu s Studies of Twenty-four Poetic Styles;诗境禅心——司空图《二十四诗品》中的禅与境
9.A Study of Twenty-four Poems by Si Kongtu and Wang Wei’s Poetic Style;《二十四诗品》之纤秾、绮丽及其与王维诗风
10.The Elegance and Freshness in Twenty-four Grades of Poetry and the Connections with Meng Haoran's Poetic Style《二十四诗品》之典雅、清奇及其与孟浩然诗风
11.Another Edition of Twenty-four Styles of Poetry--Textual Examination of A Collection of Song Dynasty Rhymed Lines in Appreciation of Poetry in Zhizhisheng s Calligraphy;《二十四诗品》的另一传本——《枝指生书宋人品诗韵语集》考辨
12.Comparison Between the Immortal in Zhuang Zi and the Eremites in Twenty-four Poetic Styles;论《二十四诗品》中的“幽人”与《庄子》中的“真人”
13.On the Imaginary Criticism in SI Tu-kong s Twenty-four Shi Pin;司空图《二十四诗品》中的意象批评模式研究
14.A Discussion of the Author of Twenty-four Grades of Poetry;答张灿校友问——讨论《二十四诗品》作者问题
15.A Transcendent System of Aesthetics--Comprehending “Er-shih-ssu shih-p in” through the Phenomenology of Husserl;超越的美学体系——从胡塞尔现象学看《二十四诗品》
16.The Birth-time and the Author of Twenty-Four Poetic Styles Determined by its Rhymes;从《二十四诗品》用韵看它的产生时代与作者
17.A summary and analysis of arguments about the author of The Twenty-four Moods of Poetry;司空图《二十四诗品》研究及其作者辨伪综析
18.A Slight Discussionon the Development of the Artistic Conception Theory--And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征
相关短句/例句
Zhu Shi Bu Er Men注十不二门
1.The other schools explained the Tiantai Buddhism s outline Shi Bu Er Men with Chan Sect and Huayan s true-mind theories in Yuan Qing s Shi Bu Er Men Shi Zhu Zhi and Zong Yu s Zhu Shi Bu Er Men.天台宗也难免受到这股潮流的冲击,天台山外派的源清著《十不二门示珠指》、宗昱著《注十不二门》,他们用禅宗和华严的"直显心性"、"一念灵知"来阐释天台的纲要之作《十不二门》,主张"真心"观。
3)24yamen二十四衙门
4)twenty-four poetry style《二十四诗品》
1.A Slight Discussionon the Development of the Artistic Conception Theory——And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征
5)Twenty-four Grades of Poetry《二十四诗品》
1.The Confucian Thought about the Harmonization between Tian and human in Twenty-four Grades of Poetry;《二十四诗品》中的儒家天人合一思想
2.The paper is to analyze and interpret in detail the content and main features of Reserved "grade" in Sikong Tu s Twenty-Four Grades of Poetry.文章对司空图《二十四诗品》中的含蓄一品的内容作了分析和阐述,总结了含蓄品的主要特色,并对含蓄品与委曲品作了比较。
6)The Twenty-four Poetic Styles《二十四诗品》
1.Several Problems in the Research of The Twenty-four Poetic Styles;《二十四诗品》研究存在的几个问题
延伸阅读
龙门龙门 解剖名。出晋·王叔和《脉经》。指 已婚女子而未经产的阴道外口。《诸病源候论》:“带有三门:一曰胞门,二曰龙门,三曰 玉门。……未产属龙门。”