龙门二十品,Longmen Twenty Calligraphic Gems
1)Longmen Twenty Calligraphic Gems龙门二十品
1.A Probe into the Calligraphic Art of Longmen Twenty Calligraphic Gems龙门二十品书法艺术浅探
2)Zhu Shi Bu Er Men注十不二门
1.The other schools explained the Tiantai Buddhism s outline Shi Bu Er Men with Chan Sect and Huayan s true-mind theories in Yuan Qing s Shi Bu Er Men Shi Zhu Zhi and Zong Yu s Zhu Shi Bu Er Men.天台宗也难免受到这股潮流的冲击,天台山外派的源清著《十不二门示珠指》、宗昱著《注十不二门》,他们用禅宗和华严的"直显心性"、"一念灵知"来阐释天台的纲要之作《十不二门》,主张"真心"观。
3)24yamen二十四衙门
4)twenty-four poetry style《二十四诗品》
1.A Slight Discussionon the Development of the Artistic Conception Theory——And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征
英文短句/例句

1.Contextual Differentiation of "24 - rhyme" - A study of the authorship of 24 poems;“二十四韵”语境别义──《二十四诗品》作者补证
2.The 24 Styles of Poetry - Model of Excellent Integration of Aesthetics and Buddhism in the Tang Dynasty《二十四诗品》:唐代美学融摄佛学的垂范
3.The Confucian Thought about the Harmonization between Tian and human in Twenty-four Grades of Poetry;《二十四诗品》中的儒家天人合一思想
4.The Aesthetic Ideas of Savoring 24 Poems and Contemporary Interior Design;《二十四诗品》美学思想与当代室内设计
5.Several Problems in the Research of The Twenty-four Poetic Styles;《二十四诗品》研究存在的几个问题
6.The Taoist thought about the harmonization between Tian and human in Twenty-four Grades of Poetry;《二十四诗品》中的道家天人合一思想
7.On the Image Critical Method Used in Twenty-four Poetic Styles;略论《二十四诗品》的意象批评模式
8.On Zen and Artistic Prospect of Si Kongtu s Studies of Twenty-four Poetic Styles;诗境禅心——司空图《二十四诗品》中的禅与境
9.A Study of Twenty-four Poems by Si Kongtu and Wang Wei’s Poetic Style;《二十四诗品》之纤秾、绮丽及其与王维诗风
10.The Elegance and Freshness in Twenty-four Grades of Poetry and the Connections with Meng Haoran's Poetic Style《二十四诗品》之典雅、清奇及其与孟浩然诗风
11.Another Edition of Twenty-four Styles of Poetry--Textual Examination of A Collection of Song Dynasty Rhymed Lines in Appreciation of Poetry in Zhizhisheng s Calligraphy;《二十四诗品》的另一传本——《枝指生书宋人品诗韵语集》考辨
12.Comparison Between the Immortal in Zhuang Zi and the Eremites in Twenty-four Poetic Styles;论《二十四诗品》中的“幽人”与《庄子》中的“真人”
13.On the Imaginary Criticism in SI Tu-kong s Twenty-four Shi Pin;司空图《二十四诗品》中的意象批评模式研究
14.A Discussion of the Author of Twenty-four Grades of Poetry;答张灿校友问——讨论《二十四诗品》作者问题
15.A Transcendent System of Aesthetics--Comprehending “Er-shih-ssu shih-p in” through the Phenomenology of Husserl;超越的美学体系——从胡塞尔现象学看《二十四诗品》
16.The Birth-time and the Author of Twenty-Four Poetic Styles Determined by its Rhymes;从《二十四诗品》用韵看它的产生时代与作者
17.A summary and analysis of arguments about the author of The Twenty-four Moods of Poetry;司空图《二十四诗品》研究及其作者辨伪综析
18.A Slight Discussionon the Development of the Artistic Conception Theory--And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征
相关短句/例句

Zhu Shi Bu Er Men注十不二门
1.The other schools explained the Tiantai Buddhism s outline Shi Bu Er Men with Chan Sect and Huayan s true-mind theories in Yuan Qing s Shi Bu Er Men Shi Zhu Zhi and Zong Yu s Zhu Shi Bu Er Men.天台宗也难免受到这股潮流的冲击,天台山外派的源清著《十不二门示珠指》、宗昱著《注十不二门》,他们用禅宗和华严的"直显心性"、"一念灵知"来阐释天台的纲要之作《十不二门》,主张"真心"观。
3)24yamen二十四衙门
4)twenty-four poetry style《二十四诗品》
1.A Slight Discussionon the Development of the Artistic Conception Theory——And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征
5)Twenty-four Grades of Poetry《二十四诗品》
1.The Confucian Thought about the Harmonization between Tian and human in Twenty-four Grades of Poetry;《二十四诗品》中的儒家天人合一思想
2.The paper is to analyze and interpret in detail the content and main features of Reserved "grade" in Sikong Tu s Twenty-Four Grades of Poetry.文章对司空图《二十四诗品》中的含蓄一品的内容作了分析和阐述,总结了含蓄品的主要特色,并对含蓄品与委曲品作了比较。
6)The Twenty-four Poetic Styles《二十四诗品》
1.Several Problems in the Research of The Twenty-four Poetic Styles;《二十四诗品》研究存在的几个问题
延伸阅读

龙门龙门  解剖名。出晋·王叔和《脉经》。指 已婚女子而未经产的阴道外口。《诸病源候论》:“带有三门:一曰胞门,二曰龙门,三曰 玉门。……未产属龙门。”