招魂,evocation
1)evocation[英][,ev?u'kei??n][美][,?vo'ke??n]招魂
1.Prototype and Symbolism: the Gist of Songs of Chu·Evocation;原型与象征:《楚辞·招魂》主旨新探
2.Starting from historic materials, the present paper tries; to probe into the popularity of evocation in the "weijmsuitang"period and its reason.招魂作为一种丧葬礼仪在古代中原与楚两地有着明显的不同。
英文短句/例句

1.Making a comparison between on Yuan s《call - back the spirit of the dead》and folk customs in Qinghai;屈原《招魂》与青海民间招魂习俗之比较
2.The similarities and differences in "The Grand Evocation" and "The Evocation" are attributive to the local sacral culture by witch and wizard.楚辞《大招》和《招魂》文本之异同乃巫祭文化使然。
3.The old lady claims to be able to call up spirits from the dead.这个老太太宣称她能给死者招魂
4."That's Jules Wallace, the spiritualist."“他叫朱尔斯-华莱士,是个招魂专家。
5.True Feelings in the Prose Poetry;为真情招魂:散文诗最好方式的自救
6.The Interpretation of Chuci: Evocation;《楚辞·招魂》的作者及其主题之考辨
7.Prototype and Symbolism: the Gist of Songs of Chu·Evocation;原型与象征:《楚辞·招魂》主旨新探
8.Based on the background Song Yu wrote his Evocation, it should be Chuxiang King who was evocated.宋玉《招魂》的创作背景,当与楚襄王射猎云梦、惊兕失魂有关,其所招应为楚襄王之生魂。
9.ABOUT THE COPYRIGHT AND THE SOUL OWNER OF EVOCATION The Focal Point of Evocation's Research in the Last Two Decades (PartⅠ)关于《招魂》著作权与魂主问题——近20年《招魂》聚讼焦点问题研究述评之一
10.Yet it was not a piece of real evocational incantation but a song developed from it.但宋玉只是借此作为创作这篇瑰玮辞章的由头,《招魂》本身并不是巫师实际招魂的咒文。
11.THE TRAGEDY OF YAN JIANSHENG AND NATIONAL CULTURE PSYCHOLOGY: Discussion on Calling Back Yan Jiansheng s spirit;严监生式悲剧与民族文化心理——论为严监生招魂
12.A Narration Analysis of Huang Jinshu s Novels-the Youthful Appetency,Cultural Evocation,Political Fantasy;黄锦树的小说叙事:青春原欲,文化招魂,政治狂想
13.Festival Lyrics, Songs of Evocation --Research on Liu Chenweng s Festival Lyrics Briefly;节令词 招魂曲——简论刘辰翁节令词的特点
14.Edition Comparison Research about Naxi Dongba Scripture "the Story of Gelaiqiu Retrieves His Father's Soul"纳西东巴经《哥来秋招魂的故事》版本比较研究
15.The mansions architectural artistic achievement shown in ZhaoHun of ChuCi《楚辞》中的《招魂》展现的宅邸建筑艺术成就
16.Evocation of Body-subject:on Susan·Sontag's Artistic Eroticism“身体—主体”的招魂——论苏珊·桑塔格的“艺术色情学”
17.Motif of Shamans' Summoning the Spirits in Manchu-Tungusic Group Reflected in Chi zi-jian's Works论迟子建小说中满—通古斯语族的萨满招魂母题
18.It is opinions vary but no authentic explain about the word "Lujiang" in the article zhao hun of Songyu.关于宋玉《招魂》中“庐江”一词的诠释,历来众说纷纭,未有确解。
相关短句/例句

Zhaohun招魂
1.The opinion that the Zhaohun.以《招魂》为屈原作,乃误读《屈原贾生列传。
2.The writ in this paper draws from the ancient records the zhaohun(to call back the spirit of the.作者在这篇论文中从古代记载里征引了"招魂"、"血祭"、"尞祭"三例是希望能说明原始汉藏语是曾经存在的。
3)Zhao Hun《招魂》
4)solution to soul-getting收魂招法
5)the people of Calling back the soul招魂对象
6)spirit rapper招魂者
延伸阅读

招魂招魂壮族古老习俗。大凡小孩落水得救者,即由家中老妇,煮红鸡蛋两个,剪纸人若干,用打鱼用的小网兜,将小孩落水时穿的湿衣(或小孩常穿的上衣),连同红蛋、纸人装在内兜里;提到落水处,从河岸上向水面空捞三次,表示把孩魂从水中捞起,同时喃道:“魂啊魂,回来呀魂,我儿大难不死全凭你”。到家后又将供物放在床头祭敬花婆神,并将纸人垫在小孩所睡位置的竹垫下边,祈求花婆神保佑小孩平安无事。题名:招魂作者:屈原所属文学时期:先秦文学所属朝代:春秋战国时代作品体裁:散文正文招魂朕幼清以廉洁兮,身服义而未沬。主此盛德兮,牵於俗而芜秽。上无所考此盛德兮,长离殃而愁苦。帝告巫阳曰:“有人在下,我欲辅之。魂魂离散,汝筮予之。”巫阳对曰:“掌梦上帝其难从。若必筮予之,恐後之谢,不能复用巫阳焉。”乃下招曰:魂兮归来!去君之恆干,何为乎四方些?舍君之乐处,而离彼不祥些。魂兮归来!东方不可以讬些。长人千仞,惟魂是索些。十日代出,流金铄石些。彼皆习之,魂往必释些。归来归来!不可以讬些。魂兮归来!南方不可以止些。雕题黑齿,得人肉以祀,以其骨为醢些。蝮蛇蓁蓁,封狐千里些。雄虺九首,往来鯈忽,吞人以益其心些。归来归来!不可以久淫些。魂兮归来!西方之害,流沙千里些。旋入雷渊,麋散而不可止些。幸而得脱,其外旷宇些。赤蚁若象,玄蜂若壸些。五榖不生,藂菅是食些。其土烂人,求水无所得些。彷徉无所倚,广大无所极些。归来归来!恐自遗贼些。魂兮归来!北方不可以止些。增冰峨峨,飞雪千里些。归来归来!不可以久些。魂兮归来!君无上天些。虎豹九关,啄害下人些。一夫九首,拔木九千些。熽狼从目,往来侁々些。悬人以娭,投之深渊些。致命於帝,然後得瞑些。归来归来!往恐危身些。魂兮归来!君无下此幽都些。土伯九约,其角觺々些。敦脢血拇,逐人駓々些。参目虎首,其身若牛些。此皆甘人,归来归来!恐自遗灾些。魂兮归来!入修门些。工祝招君,背行先些。秦篝齐缕,郑绵络些。招具该备,永啸呼些。魂兮归来!反故居些。天地四方,多贼奸些。像设君室,静闲安些。高堂邃宇,槛层轩些。层台累榭,临高山些。网户硃缀,刻方连些。冬有突厦,夏室寒些。川谷径复,流潺湲些。光风转蕙,汜崇兰些。经堂入奥,硃尘筵些。砥室翠翘,挂曲琼些。翡翠珠被,烂齐光些。{艹弱}阿拂壁,罗帱张些。纂组绮缟,结琦璜些。室中之观,多珍怪些。兰膏明烛,华容备些。二八侍宿,射递代些。九侯淑女,多迅众些。盛鬋不同制,实满宫些。容态好比,顺弥代些。弱颜固植,謇其有意些。姱容脩态,絙洞房些。蛾眉曼睩,目腾光些。靡颜腻理,遗视矊些。离榭脩幕,侍君之闲些。翡帷翠帐,饰高堂些。红壁沙版,玄玉之梁些。仰观刻桷,画龙蛇些。坐堂伏槛,临曲池些。芙蓉始发,杂芰荷些。紫茎屏风,文缘波些。文异豹饰,侍陂陛些。轩辌既低,步骑罗些。兰薄户树,琼木篱些。魂兮归来!何远为些?室家遂宗,食多方些。稻粢穱麦,挐黄梁些。大苦咸酸,辛甘行些。肥牛之腱,臑若芳些。和酸若苦,陈吴羹些。胹鄨砲羔,有柘浆些。鹄酸臇凫,煎鸿鸧些。露鸡臛蠵,历而不爽些。粔籹蜜饵,有餦餭些。瑶浆蜜勺,实羽觞些。挫糟冻饮,酎清凉些。华酌既陈,有琼浆些。归反故室,敬而无妨些。肴羞未通,女乐罗些。陈锺按鼓,造新歌些。《涉江》、《采菱》,发扬《荷些》。美人既醉,硃颜酡些。娭光眇视,目曾波些。被文服纤,丽而不奇些。长发曼鬋,《丰盍》陆离些。二八齐容,起郑舞些。衽若交竿,抚案下些。竽瑟狂会,搷鸣鼓些。宫廷震惊,发《激楚》些。吴歈蔡讴,奏大吕些。士女杂坐,乱而不分些。放陈攵组纟婴,班其相纷些。郑、卫妖玩,来杂陈些。《激楚》之结,独秀先些。菎蔽象棋,有六簙些。分曹并进,遒相迫些。