审美主体论,the literary subjectival theory英语短句,例句大全

审美主体论,the literary subjectival theory
1)the literary subjectival theory审美主体论
2)aesthetic subject审美主体
1.The Fictitious Ego——On the solipsism of the aesthetic subject and the subjectivity of the narrative content of the Van-Guard Novel;虚伪的自我——先锋小说审美主体的唯我主义与叙事内容的主观性
2.Based on the inter-relationship between poetry and Zen, the paper holds that Yan Yu s theory on "poetry illustration from the perspective of Zen",with "awakening to truth" as the core theory,divides the aesthetic activities into two stages and is the organic unity between aesthetic subject and aesthetic object.本文通过回顾禅学和诗学之间的相生相倚的渊源关系,认为严羽的"以禅喻诗"说,以"妙悟"为核心理论,把审美活动按照层次分为两个阶段,是审美主体与审美本体的有机统一。
3.As the aesthetic subject,the translatorsa’esthetic understanding and judg-ment of the original—the aesthetic object—as well as the aesthetic psychological abilities on the part of the target lan-guage readers determine the aesthetic values of the translation.文学翻译首先是一种审美过程,译者作为审美主体,对原作即审美客体的理解以及对译文读者审美心理的判识,共同奠定了译文的审美价值。

英文短句/例句

1.Aesthetic Comprehension and Aesthetic Sympathy : The Essential Parts of Aesthetic Inter-Subjectivity;审美理解与审美同情:审美主体间性的构成
2.Acceptance Differences of Aesthetic Subject in Music Appreciation;音乐审美活动中审美主体的接受差异
3.Aesthics authority is depriving noumenon of aesthetic confidence.美学权威正把审美信心从审美主体那里夺走。
4.From the Comparison of "Image" to "Imitation like":The Study of the Change of Aesthetic Subject Circumstances;从“意象”到“仿像”——谈审美主体境遇的转变
5.The Study of Subjective Initiative in the Teaching of Music Appreciation音乐鉴赏教学中审美主体能动性研究
6.A Dialectic View of the Relationship between Aesthetic Object and Subject in Classical Chinese Poetry Translation;论中国古典诗歌翻译中审美主体与审美客体的辩证关系
7.Life is Elsewhere--On the Local Aesthetics Aesthetic Subject Identify Paradox;“生活在别处”——乡土美学审美主体身份悖论初探
8.The Death and Rebirth of Subject-Aesthetic Subject in Foucault's Aesthetics of Existence and Its Revelation主体的死亡与复活——福柯生存美学的审美主体及其当下启示
9.On the Expression of JI Kang′s Music Aesthetic Subject Ideas in “Sounds Without Sorrows” Theories;论稽康音乐审美主体观在《声无哀乐论》中的体现
10.On the Relationship Between the Aesthetic Subject and the Aesthetic Object in the Creation of Contemporary Poems;论当代诗歌创作中审美主体与客体的关系
11.Improve the Subject s Feeling Ability in Aesthetic Action;在审美活动中提高主体的审美感受力
12.The Paradox and Variation of Contemporary Aesthetic Culture Subject;当代审美文化的主体悖论和主体变奏
13.Travelling Calls for Aesthetics: Analysis on the Subject and Object of Tourism Aesthetic Activities;旅游呼唤审美——浅析旅游审美活动的主、客体
14.Schiller: the Pioneer of Aestheticism and Aesthetics of Inter-subjectivity;席勒:审美主义和主体间性美学的开拓者
15.On Aesthetic Generation and Levels of Beauty in Guilin Scenery --also on Subjective Conditions of Scenery Appreciation;试论桂林山水美的审美生成及其层次——兼谈山水审美的主体条件
16.Exploration of Aesthetic Consciousness Cultivation in Senior High School Chinese Education;高中语文教学主体审美意识培养新探
17.Husserl s Phenomenology and the Problem of the Relation between Aesthetic Subject and Object;胡塞尔现象学与审美主客体关系问题
18.Study on the Aesthetic Characters of Acceptant Objects of Chinese TV Dancing中国电视舞蹈接受主体审美特性研究

相关短句/例句

aesthetic subject审美主体
1.The Fictitious Ego——On the solipsism of the aesthetic subject and the subjectivity of the narrative content of the Van-Guard Novel;虚伪的自我——先锋小说审美主体的唯我主义与叙事内容的主观性
2.Based on the inter-relationship between poetry and Zen, the paper holds that Yan Yu s theory on "poetry illustration from the perspective of Zen",with "awakening to truth" as the core theory,divides the aesthetic activities into two stages and is the organic unity between aesthetic subject and aesthetic object.本文通过回顾禅学和诗学之间的相生相倚的渊源关系,认为严羽的"以禅喻诗"说,以"妙悟"为核心理论,把审美活动按照层次分为两个阶段,是审美主体与审美本体的有机统一。
3.As the aesthetic subject,the translatorsa’esthetic understanding and judg-ment of the original—the aesthetic object—as well as the aesthetic psychological abilities on the part of the target lan-guage readers determine the aesthetic values of the translation.文学翻译首先是一种审美过程,译者作为审美主体,对原作即审美客体的理解以及对译文读者审美心理的判识,共同奠定了译文的审美价值。
3)subjective aesthetics主体审美
4)aesthetic subjectivity审美主体性
1.From the perspective of aesthetic subjectivity, the author probes into Marcuse s aesthetic theory, and holds that both his emphasis on eros liberation, and his persistance in aesthetic revolution as well as his advocation of sensibility are realized in his opposition against dissimi-lated reality and expectation for free humanity and society.笔者从审美主体性角度对马尔库塞的美学思想进行了深入的开掘,认为无论是他对爱欲解放论的强调,还是对艺术审美革命论的坚持和新感性的张扬,都落实到他对异化现实的反对和自由人性和社会建立的期待上。
5)aesthetic subject and object审美主客体
1.Lu-shih ch’un-ch’iu hold the view that beauty lies in the movement of the universe, in the harmony of aesthetic subject and object and in the pursuit of one’s ambition.《吕氏春秋》认为事物的美应是在宇宙万物的运动变化之中 ,审美主客体相契相适之中 ,人生追求的理想之中。
6)Ontology of Aesthetics审美本体论