1)aria[英]['ɑ:ri?][美]['ɑr??]咏叹调
1.Study of Arias in Italian Opera Seria in the First Half of the Eighteenth Century;18世纪上半叶意大利正歌剧咏叹调研究
2.Try to Illustrate Liu and Her Two Arias in Opera Turandot;试论歌剧《图兰朵》中“柳儿”和她的两首咏叹调
3.The Narrativity and Aria——Taking Roberto Puccini's two opera arias for examples叙事性与咏叹调——以普契尼两首歌剧咏叹调为例
英文短句/例句
1.(See Butterfly's Aria).（见《蝴蝶夫人的咏叹调》）
2.The Narrativity and Aria--Taking Roberto Puccini's two opera arias for examples叙事性与咏叹调——以普契尼两首歌剧咏叹调为例
3.a full - bodied performance of the aria.声调圆润饱含热情的咏叹调
4.This song takes off from a famous aria.这首歌仿效一首著名的咏叹调。
5.The opera was marred by an awkward aria.整部歌剧毁在咏叹调部分的不够熟练。
6.) A simple story is nothing but a worldly wise aria.一个简单的故事弄成了世故的咏叹调。
7.operatic music, singers, scores,arias歌剧音乐、 演员、 总谱、 咏叹调
8.A medley of familiar themes, with variations and interludes.集成曲歌剧咏叹调或通俗小曲的杂烩
9.The soprano is singing an aria onstage.女高音歌唱家正在舞台上演唱咏叹调。
10.a gifted rendition of the aria.极富天赋的咏叹调的演唱
11.The Rendition Analysis of Aria Vissi D/arte, Vissi D/smore咏叹调《献身艺术,献身爱情》的演唱分析
12.An Investigation of the Queen of Night s Coloratura Arias of Opera the Magic Flute;歌剧《魔笛》中夜后花腔咏叹调研究
13.Analysis on the Style of Opera-Performance with the Basis of the Three Arias;从三首咏叹调的演唱谈歌剧演唱风格
14.Analysis of Performance to Aria Festive Days;咏叹调《欢乐的日子》演唱处理探析
15.Derrida s "symphony" and Marx s spiritual legacy;德里达的“咏叹调”与马克思的精神遗产
16.Expressiveness in Rossini s Opera Arias;罗西尼歌剧咏叹调的戏剧化表现功用
17.Aria on tragedy--On the tragic figures in “Courtyard of Family Qiao”;悲剧咏叹调——《乔家大院》人物悲剧论
18."Four Appropriateness" in Singing the Tenor Part of Puccini s Aria;演唱普契尼男高音咏叹调的四个“到位”
相关短句/例句
arioso[英][?ri'??z??][美][ɑr?'ozo]咏叹调的
3)Aria[英]['ɑ:ri?][美]['ɑr??]歌剧咏叹调
1.From macro-view,the author dates back to the historical development track of emotional expression of vocal music and expounds the dramatic features in aria-singing,literary characters in art songs,poetic and artistic conception as well as rural characteristics in folk songs.本文从宏观的视角出发,追溯了声乐艺术情感表现的历史发展轨迹,阐释了演唱歌剧咏叹调角色体验的戏剧性、艺术歌曲的文学性及诗情意境和民歌的民俗性与乡土特色,以避免声乐情感表现的一般化现象。
4)sing of arias咏叹调演唱
5)Carmen's arias卡门咏叹调
6)da capo aria返始咏叹调
延伸阅读
咏叹调咏叹调aria歌剧中的声乐独唱曲。大约18世纪A.斯卡拉蒂开始确立这一形式，采用A-B-A曲式结构。19世纪更为精致复杂。可分为以下几类：①如歌咏叹调，音调舒缓而流畅。②连绵咏叹调，风格庄重，常用长音符或连音风格演唱。③性格咏叹调，感情热烈，常有精致的乐队伴奏效果。④说白咏叹调，音调带吟诵性。⑤炫技咏叹调，演唱中经常插入许多高难度的“花腔”及较高、较低的音乐，要求较高驾驭声音的技巧。⑥同度咏叹调，独唱与伴奏保持同度或八度平行关系。⑦模仿式咏叹调，对鸟鸣、猎号等进行模仿。⑧配乐咏叹调，有十分精致的乐队伴奏等等。咏叹调往往安排在剧情发展的重要时刻，着重表现剧中人在特定情景中的思想感情。因其旋律优美，富有艺术魅力，且演唱技巧高，故也常单独在音乐会上演唱。
