1)Shaanxi Opera秦腔
1.Jia Pingwa s "Shaanxi Opera" and William Faulkner;“日暮乡关何处是?”——读贾平凹的《秦腔》兼与福克纳比较
2.From "Refined Speech" to Shaanxi Opera——A Hopeless Return to the Hometown;从“雅言”到《秦腔》:无望的回乡——贾平凹长篇小说《秦腔》新论
3.The Protection and Development about Shaanxi Opera论秦腔艺术的保护与发展
英文短句/例句
1.Shaanxi Opera:Neither “Bottom” nor “Peak”;《秦腔》:既非“低谷”亦非“高峰”
2.From "Refined Speech" to Shaanxi Opera--A Hopeless Return to the Hometown;从“雅言”到《秦腔》:无望的回乡——贾平凹长篇小说《秦腔》新论
3.Qinqiang:Spiritual History of Rural Area in New Era--On the Living Experience in Qinqiang《秦腔》:新时期农村的心灵史——简谈小说《秦腔》的生存体验
4.Qinqiang Opera enjoys large audiences in Shaanxi, Gansu and Qinghai.秦腔在陕西、甘肃、青海三地特别流行。
5.On the Metaphor of 《Qing Song Style》--Several Unnoticed Implications;论《秦腔》的隐喻——几种被忽略的意义指向
6.Qin Opera:Jia Pingwa s Commemoration of His Ex-wife in Self-criticism;《秦腔》:贾平凹在自责中对前妻的追念
7.“To Forget Memories” --the Death Narrates of Qinqiang;“为了忘却的回忆”——《秦腔》的死亡叙述
8.A Review of the Decline of the Native Land--on the care about Native Land in Shaanxi Opera;颓败的乡土的回望——论《秦腔》的乡土关怀
9.Realism,Symbolism and Supernature;实·虚·玄——《秦腔》艺术手法散论
10.Qinq-Qiang--the Herald of the Big Prose;《秦腔》:大散文的先声 真性情的歌哭
11.The Mystical Coloring of Jia Ping-ao s Novel Shaanxi Opera;试论贾平凹小说《秦腔》中的神秘色彩
12.Images and Their Limited Meanings in Qinqiang Opera;论《秦腔》的意象层次及其意义局限
13.Qin Opera :An elegy for the traditional culture《秦腔》:一曲传统文化没落的挽歌
14.Weakening of imagery:From Gaolaozhuang to Qinqiang“意象”的衰减——从《高老庄》到《秦腔》
15.Qin Opera:A Traditional Culture Macroscopic Contemplation《秦腔》:对传统文化的宏观性观照
16.The Cultural Significance of Qin Opera Rewarded Mao Dun Literature Prize《秦腔》荣获茅盾文学奖的文化意义
17.Decline and Redemption:the Rural World in Jia Pingwa's Qinqiang衰败与救赎——《秦腔》中的农村世界
18.Decline of Beijing Opera and Flourish of Pornographic Dramas in Shanxi Opera in Qing Dynasty清代乾隆时期京腔消歇及秦腔色情戏兴盛原因述论
相关短句/例句
Qin Opera秦腔
1."Qin Opera": New Change of Jia Ping′ao;《秦腔》:贾平凹的新变
2.On Jia Ping-wa's Unique Narrative Art of Qin Opera论贾平凹《秦腔》的独特叙事艺术
3.Qin Opera :An elegy for the traditional culture《秦腔》:一曲传统文化没落的挽歌
3)Shanxi opera秦腔
1.Decline of Beijing Opera and Flourish of Pornographic Dramas in Shanxi Opera in Qing Dynasty清代乾隆时期京腔消歇及秦腔色情戏兴盛原因述论
4)Qinqiang秦腔
1.On Utopian Composition about Folk Myth of Qinqiang and Folk Composition;民间神话的乌托邦写作——论《秦腔》及民间写作
2.A movable "qing feng street" was narrated in the novel qinqiang.小说《秦腔》叙述了一个变动的“清风街”。
5)Shaanxi Opera《秦腔》
1.Portrait of the Contemporary Rural Family Culture——An analysis of Jia Pingwa's Shaanxi Opera乡村家族文化的当代书写——以贾平凹的《秦腔》为个案
2.Another particularity of his grassroots writings is that both Shaanxi Opera and Gaoxing are novels whereas most of writings by other authors are novelettes or short stories.在新世纪"底层文学"的思潮中,贾平凹是一个特殊的现象,在20世纪80年代成名的作家中,他是对底层文学感兴趣的极少作家之一,同时在"底层文学"中他也具有特殊性,与"底层文学"中大多的中短篇小说不同,他的《秦腔》、《高兴》都是长篇小说。
3.In the Shaanxi Opera vomit into this effort works,JiaPingwa courage to face reality and into the thick of the local,deep emotion,a true and profound moment of the true daily life in rural areas,the local social life perspective all aspects of contemporary China embraces the rich spiritual and cultural information.在《秦腔》这部心血呕成的作品中,贾平凹以直面现实的勇气和对乡土倾注的浓烈、深厚的情感,真实而深刻地呈现了当下农村本真的日常生活,透视出乡土社会生活的方方面面,蕴含了当代中国丰富的精神文化信息。
6)Qin Opera《秦腔》
1.True Village Perplexed Feelings——Appreciating the long novel Qin Opera by Jia Pingwa;真实的乡村 迷茫的情感——解读贾平凹长篇小说《秦腔》
2.Qin Opera:Jia Pingwa s Commemoration of His Ex-wife in Self-criticism;《秦腔》:贾平凹在自责中对前妻的追念
3.Problems Existing in Countryside Reformation in Our Country Reflected in Qin Opera《秦腔》对我国农村改革进程中存在问题的反映
延伸阅读
秦腔秦腔中国戏曲剧种。又称乱弹。源于西秦腔。明末无名氏《钵中莲》传奇中使用了〔西秦腔二犯〕的曲牌，故知其源于甘肃。甘肃古称西秦，故名之。清康熙时，陕西泾阳人张鼎望写《秦腔论》，可知秦腔此时已发展为成熟期。待到乾隆年间，魏长生进京演出秦腔，轰动京师。对各地梆子声腔的形成有着直接影响。秦腔唱腔为板式变化体，分欢音、苦音两种，前者长于表现欢快、喜悦情绪；后者善于抒发悲愤、凄凉情感。依剧中情节和人物需要选择使用。板式有慢板、二六、代板、起板、尖板、滚板及花腔，拖腔尤富特色。主奏乐器为板胡，发音尖细清脆。脚色行当分为四生、六旦、二净、一丑，计13门，又称“十三头网子”，表演唱做并佳。传统剧目丰富，已抄存的共2748本。辛亥革命后，西安成立了易俗社，专演秦腔，锐意改革，吸收京剧等剧种的营养，唱腔从高亢激昂而趋于柔和清丽，既保存原有风格，又融入新的格调。抗日战争时期，秦腔又有长足发展，演出了马健翎创作的《血泪仇》等新剧目，取得了新的成就。秦腔《三滴血》剧照
