花鼓戏,huagu play
1)huagu play花鼓戏
1.Shangqiu huagu play is a kind of play style in the east of Henan.花鼓是中国民间歌舞的一种形式,商丘花鼓戏是河南省东部一种戏剧体裁,它源于何时,其发展形势如何无人进行研究,国内出版的词典和志书也没有关于它的文字记裁。
2.Shaoyang Huagu play is one of the most characteristic drama.邵阳花鼓戏是湖南花鼓戏系统中最具特色的剧种之一,论述邵阳花鼓戏的形成、种类、剧目、音乐和舞蹈表演等艺术特征以及它与湖南花鼓戏之间的区别联系。
英文短句/例句

1.And learned how to sing Huagu Opera;and what's more,学会了唱湖南花鼓戏
2.While the "Flower Drum"has been taken to the stage.而"花鼓戏"已成为舞台艺术;
3.Hunan Huagu opera originated from local folk songs and ditties.湖南花鼓戏起源于当地民歌和小调。
4.The Investigate and Research about the Living of Changsha Flower-drum Opera Folk Theatrical Troupe;长沙民间花鼓戏班的生存调查及研究
5.The "Sol Phenomenon" of Datong s Accompanyment in Changsha Huagu Drama;长沙花鼓戏大筒伴奏中的“sol音现象”
6.The Artistic Characteristics of Flower-drum Opera in Yangzhou and Their Causes;扬州“花鼓戏”的艺术特点及其成因
7.Research on the Function of Civil Flower-drum Play of Minority Chinese along Youshui Valley at the Border of Hubei,Hunan,Chongqing and Guizhou;鄂湘渝黔边区酉水流域民间“花鼓戏”的功能研究
8.On Origin and Development of Tunes Song in the Ming and Qing Dynasty--Taking the Growth of Feng Yang Flower-Drum Opera as a Research Example;论明清时调小曲的渊源与发展——以“凤阳花鼓戏”的生成为研究个案
9.See Beijing ( Shaoxing, Shanghai, Guangdong, Sichuan, Northeast, Huangmei, Huagu ) opera看京(越、沪、粤、川、评、黄、梅、花鼓)戏
10.See Beijing( Shaoxing, Shanghai, Guangdong, Sichuan, Northeast, Huangmei, Huagu) opera.看京(越、沪、粤、川、评、黄、梅、花鼓)戏。
11.The "Flower Drum"in Jiangsu is divided into many kinds, such as those performed by two people, four people or "Fishing Basket Flower Drum".江苏的"花鼓"又有"对子(双人)花鼓"、"四人花鼓"、"渔篮花鼓"等名目,
12.The Analysis on the Dynamic Transmission of Miao Hua Drum Dancing in Xiangxi--Take the Drum King of Hua Drum Dancing as the Example湘西苗族花鼓舞的动态传承——以花鼓舞鼓王为例
13.the outdoor variety is played mainly on gongs and drums,广场乐有潮州大锣鼓、外江锣鼓、八音锣鼓、花灯锣鼓和小锣鼓。
14.On the Music in Festival Lantern Opera and Nuo Opera in Xiang Xi;湘西花(花灯戏)傩(傩戏)音乐拾零
15.The Training Value of Drum Rack in Anhui Huagudeng Teaching安徽花鼓灯教学中鼓架子的训练价值
16.The "Local Flower Drum"in Hunan Province is still being performed in a town square, courtyard or central room;湖南的"地花鼓"仍在广
17.FONT>Step5 Play games about part F.在小组内交流玩这个游戏,并鼓励学生改变游戏。
18.A Study on the Relationship between the Gong and Drum Spot and the Performance in Puxian Opera;莆仙戏音乐中锣鼓点与戏曲表演关系之探究
相关短句/例句

Flower drum opera of Xiangyang襄阳花鼓戏
3)Shangluo Huagu Opera商洛花鼓戏
1.A Study on the Living Situation of Shangluo Huagu Opera and the Protection of It;商洛花鼓戏的生存现状与保护初探
4)the protection of Huagu Opera花鼓戏保护
5)flower-drum opera in Yangzhou扬州"花鼓戏"
1.The flower-drum opera in Yangzhou is a kind of local drama, but she s characterized by the distinct artistic characteristics such as the compatibility and distinctiveness of its music, the imitativeness and comedy of its performing art and the diversity and popularity of its content.扬州“花鼓戏”虽然是一种地方小戏,但它具有音乐的兼容性和独特性、表演艺术的模仿性和喜剧性、内容的多样性和世俗性等鲜明的艺术特点。
6)Changsha Huagu Drama长沙花鼓戏
1.The "Sol Phenomenon" of Datong s Accompanyment in Changsha Huagu Drama;长沙花鼓戏大筒伴奏中的“sol音现象”
延伸阅读

花鼓戏花鼓戏中国戏曲剧种。各地方小戏花鼓、灯戏的总称。有湖南、湖北、皖北花鼓戏等,以湖南花鼓戏影响较大。花鼓戏源出于民歌,逐渐发展成一旦一丑的初级表演形式。清嘉庆时已有演出,同治初年已出现书生、书童、柳莺、婢女4个脚色,说明此时的花鼓戏不仅发展成为三小戏(小旦、小丑、小生),而且演出也具有一定规模。早期花鼓戏只是半职业剧社,农忙务农,农闲从艺,称为半台班。之后才出现了专业剧团。花鼓戏的音乐曲调约300余支。基本上是曲牌联套结构,辅以板式变化,粗犷、爽朗。表演朴实、明快、活泼,行当仍以小丑、小旦、小生的表演最具特色,洋溢着浓厚的乡土气息。传统剧目约400个,以反映民间生活为主,多以生产劳动、男女爱情、家庭矛盾为题材,语言生动,清新可亲,一出《刘海砍樵》风行大江南北。湖南花鼓戏《打铜锣》剧照