1)The Romance of the Three Kingdoms《三国志通俗演义》
1.An Aesthetic World Composed of Multi-part “Concerted Music” ——the Conversational Art in The Romance of the Three Kingdoms;多重声部的审美世界——《三国志通俗演义》对话艺术试探
英文短句/例句
1.Microstudy of Mohism in the Romance of the Three Kingdoms;《三国志通俗演义》中墨子思想之微探
2.Revenge Ideas in Demotic Historical Novel of the Records of Three States and the Culture of Sun-Wu Areas;《三国志通俗演义》复仇观与孙吴文化
3.On Romance of the Three Kingdoms in Jiajing Renwu Version--Preface of Popular Romance of the Three Kingdoms in collation and annotation Version论《三国演义》嘉靖壬午本——《三国志通俗演义》校注本前言
4.The Cultural Connotation of the Sutra and Tao of the Motif of the Ghost Book and Holy Water in The Popular Romance of the Three Kingdoms《三国志通俗演义》天书、符水母题的佛道文化内蕴
5.Jiajing RenWu edition the Romance of the Three kingdoms for Popular Consumption is not the earlist edition嘉靖壬午本《三国志通俗演义》非最早刻本考
6.On the Completion Time of the Book Popular Historical Romance of the Three Kingdoms from the Angle of Propagation;从传播角度看《三国志通俗演义》的成书年代
7.The Relation between Luo Guanzhong and The Romance of the Three Kindomsas Viewed from Popular Stories of the Three Kingdoms从《三国志平话》看罗贯中与《三国志通俗演义》的关系
8.An Aesthetic World Composed of Multi-part “Concerted Music” --the Conversational Art in The Romance of the Three Kingdoms多重声部的审美世界——《三国志通俗演义》对话艺术试探
9.From Edge to Center --A Tentative Study of Qiao Zhou in Popular Romance of Three Kingdoms;从边缘走向中心——《三国志通俗演义》中的谯周形象浅说
10.Reconstruction of Public order;《三国志通俗演义》:秩序的重建──浅说罗贯中对历史的独特体认
11.Expedition to the Western Ocean三宝太监西洋记通俗演义
12.A Comparison Between Three Kingdoms and Annals of the Kingdoms in the East Zhou Dynasty;《三国志演义》与《东周列国志》比较论
13.On the Relationship between The Romance of Three Kingdoms and A History of Three Kingdoms Elucidated by Pei Songzhi;论《三国演义》与《三国志》裴注之关系
14.A Contrastive Study of Fiction and Facts between Romance of the Three Kingdomsand History of the Three Kingdoms谈《三国演义》与《三国志》对照之虚实
15.On the Cultural Inheritance from History of the Three Kingdoms to The Romance of the Three Kingdoms论《三国志》与《三国志演义》文化意蕴的传承性
16.The Modal Paticle"(me)么"in Sanbo Eunuch s Journey to the West Ocean;《三宝太监西洋记通俗演义》中的语气词"么
17.The Reserch on Cheng Du Fu Ci(CDFC) in "Sanbao Tai Jian Xi Yang Tong Su Yan Yi"《三宝太监西洋记通俗演义》程度副词研究
18.Try to Analyze the Mutual Complementation between Confucianism and Taoism in the Romance of the Three Kingdoms;试论《三国志演义》的儒道互补思想
相关短句/例句
The Popular Romance of the Three Kingdoms三国志通俗演义
1.The Cultural Connotation of the Sutra and Tao of the Motif of the Ghost Book and Holy Water in The Popular Romance of the Three Kingdoms;《三国志通俗演义》天书、符水母题的佛道文化内蕴
3)Demode Historical Novel of the Records of Three States《三国演义志通俗》
4)the Romance of the Three Kingdoms《三国志演义》
1.Try to Analyze the Mutual Complementation between Confucianism and Taoism in the Romance of the Three Kingdoms;试论《三国志演义》的儒道互补思想
2.On the Cultural Inheritance from History of the Three Kingdoms to The Romance of the Three Kingdoms;论《三国志》与《三国志演义》文化意蕴的传承性
5)Romance of The Three Kingdoms《三国志演义》
1.Discussing The United Beauty Between Weapon And Character——Taking Romance of The Three Kingdoms and The Water Margin as Examples;论兵器与人物形象的和谐美——以《三国志演义》和《水浒传》为例
2.The evolvement of the edition of Romance of the Three Kingdoms includes six stages.《三国志演义》版本的演变经过了六个阶段 ,现存于世的有两个嘉靖刊本 ,它们从内容到形式都有歧异 ,但是基本骨架却是大致相同的。
3.Since the 1980s, the study of Romance of the Three Kingdoms editions had made great progress.20世纪80年代以来,《三国志演义》版本研究取得了重大的进展。
6)the Three Kingdoms三国志演义
1.On the Personality Characteristic of Psychological Tactics Descriptive in the Three Kingdoms;论《三国志演义》心理战术描写的个性化特征
延伸阅读
樵史通俗演义《樵史通俗演义》又省称《樵史》、《樵史演义》，共八卷四十回，是清初出现的一部讲史小说。本书卷端原题“江左樵子编辑，钱江拗生批点”，序仅署“樵子”，王春瑜查得“樵子”乃江左松江府青浦县人陆应。后据孟森、栾星考证“钱江拗生”亦为陆应。陆应（约1572——约1658），字伯生。少补县学生，已而被斥，绝意仕进。因诗宗大历，王世贞常誉之，应不往，时论益以为高。其作诗喜用鸿雁字，人常呼之陆鸿雁。卒年八十六。尚有著作《笏溪草堂集》，另编著《太平山房诗选》、《唐诗选》。光绪本《青浦县志·人物三·文苑》有应传。清初写刻本。书扉页题“绣像通俗樵史演义”，左栏有刊者识语九十六字。首载《樵史序》，末署“花朝樵子自序”。次载回目，皆七字联语，不标卷次。正文卷端题“樵史通俗演义”，下署“江左樵子编辑，钱江拗生批点”。半页十行，每行二十二字，版心镌“樵史”，并镌首次，回次，五回为一卷，凡八卷。回末多附尾评，行间间有小字夹评〔藏于上海图书馆，北京大学图书馆〕。另有1937年北京大学铅字排印本，封面题“海内孤本樵史演义”。首载樵子原序，次载孟森《重印樵史通俗演义序》，末署“民国二十六年一月心史氏孟森书于北京大学史料室”。次回目。目录引首及卷端署名皆依题，尾评及行间小字夹评依旧。白口，四周双边，版心鱼尾上标“樵史演义”，中标回次，页码，下署“国立北京大学出版”〔藏于北京大学图书馆〕。1987年中州古籍出版社排印本，题“清·陆应、栾星校点”。书叙明末天启、崇祯及弘光朝二十五年间的时事。天启皇帝十六岁即位，大婚未成，竟先私通乳母客氏。客氏三十余岁，美丽娇妍，天启封她为奉圣夫人，凭她任意出入禁宫。朝臣晓知此事者，无一人不惊骇。司礼监太监魏忠贤勾结客氏，借结拜兄妹之名，狼狈为奸，侮弄幼主于股掌之上，把持朝政，窃得国柄，纳贿鬻爵，横行天下。山海关外边报紧急，经略缺人，起初魏忠贤羽翼未丰，还不敢违拗内阁六部、九卿，于是朝廷起用熊廷弼为兵部尚书，经略辽东。然而熊经略上本被魏阉阻挠，加之辽东巡抚王化贞与熊经略谋事不和，贻误军机，以致辽阳、广宁失守。魏阉以此为籍口，把熊、王二人问成死罪。同时，又借机排除身边异己，招集心腹。先由魏广微认做魏忠贤侄儿开始，便有了顾秉谦的四个小儿认魏作祖爷，有傅■拜忠贤为父，一时间，朝中阁臣望风为附者，多拜魏阉为干父干爷，争先投拜，惟恐不愿收留。魏忠贤听从崔呈秀、傅■、阮大铖三个的主意，在镇抚司，设立酷刑，一共五样，夹、搠、棍、杠、敲，厉害之极，不知多少正直官员或不愿依附魏阉者均惨遭此刑。天启初年，东疆吃紧，失了辽阳、广宁之后，天下已是民穷财尽，处处荒乱。山东连年亢旱，民不聊生，几岁饥荒，竟出现了人吃人的惨剧。正当此时，兖州一带兴起白莲教，其教义是“凡入了这教，再不分你我，东西大家吃，衣服大家穿，银钱大家用。”并以上泰山进香为名，召集一批兵马。在教主徐鸿儒、主将丁寡妇、齐本共、刘子孝等带领下，白莲教兵将攻破城池若干，声势大振。朝廷急派官兵进剿，白莲教各路人马被依次击破，将领或死或逃，惟余徐鸿儒死守孤城，最后，粮尽援绝，徐鸿儒以饶了城中百姓为条件，出城就缚。捷报到京，天启龙颜大悦，然对平定白莲教的将士只是平常恩赍，却归功于魏忠贤。举朝上下不服，以左光斗、魏大中等反应尤为激切，竟攘臂争先，欲上本天启。此举无疑让魏阉怀恨在心。平定白莲教之后，魏忠贤网罗心腹之势日炽。日夜与其干子干孙密谋，欲除朝中所有异己者而后快。从此，朝中多少忠良又在魏阉的魔爪下惨遭陷害。魏阉一手握定大权，又奏准天启允许设立内营。于是许多兵士，亲戚党羽，都入宫典兵。魏阉常戎装跑马出入禁宫，不把天启皇帝放入眼里。
