传统戏曲现代化,traditional opera modernization英语短句,例句大全

传统戏曲现代化,traditional opera modernization
1)traditional opera modernization传统戏曲现代化
2)Modernization of the Chinese traditional opera戏曲现代化

英文短句/例句

1.The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
2.Models for "Dramatization"and"Modernization"in the Current Dramatic Works;当代戏曲“戏曲化”与“现代化”的范例
3.The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;西方戏剧对中国古典戏曲“现代化”进程的催化
4.The Cultural Interpretation of "Soul" and "Dream" in Chinese Ancient Opera;中国古代戏曲“魂”、“梦”现象的文化阐释
5.Cultural Implication and Historical Destination of the Stylization of Traditional Opera;戏曲程式的文化蕴涵与历史命运——兼论现代戏曲符号体系的建构
6.On Cultural Geographical Features About Institutions of Higher Learning, Bookstores and Traditional Operas in Beijing Proper From 1900 to 1949;近现代北京城区教育、书肆、戏曲的文化地理特征
7.Modern Transformation of Local Opera and Construction of Regional Culture地方戏曲的现代转型与地域文化之建构
8.Traditional opera to reflect modern life and opera modernization;中国戏曲的世纪命题——戏曲表现现代生活及“现代剧”的确立
9.The Audiences Aesthetic Awareness and the Realization of theAesthetic Values in the Traditional Chinese Opera --On the Reform and Approach to Modern Operas;观众审美意识与戏曲审美价值的实现——兼谈现代戏曲的改革与途径
10.A Brief Account on the Artistic Style of "Soul"and "Dream"in Chinese Ancience Opera;中国古代戏曲魂梦现象艺术风格略论
11.Contrast and Absorb:relationship between modern drama and traditional opera;参照与借鉴:现代话剧与戏曲的关系
12.The Cultural Implication of "A Man Disguised in A Female Attire" in Chinese Ancient Opera中国古代戏曲中“男扮女装”的文化含义
13.As the current most ancient drama form, Kunqu Opera is one of the original three of the world's largest ancient dramas.昆曲，中国现存最古老的戏曲形式，世界古代三大戏剧源头之一。
14.The subject of Modern life in drama art view--Qi Rushan s reform theory of drama art;戏曲艺术视域中的现代生活题材——兼论齐如山戏曲艺术改革理论
15.The Pursuit and Loss of Modernization--Judging the Value of Drama and Opera through the Cultural Environment of Modern China;现代性的追寻与迷失——从现代中国文化语境看话剧与戏曲的价值设定
16.How will the Chinese Opera face the Time of Cultural Economy?--The Problem of Audience and the Market Strategy;戏曲如何应对文化经济时代——戏曲的观众问题与市场策略探析
17.On Conventional Development and Manifestation of Traditional Chinese Opera in the Southern Song Dynasty;论南宋临安戏曲的世俗化发展与表现
18.A Study on Abused Entertainment in Traditional Opera Communication at Present当今戏曲传播中的“泛娱乐化”现象论析

相关短句/例句

Modernization of the Chinese traditional opera戏曲现代化
3)xiɑndɑi xiqu现代戏曲
4)traditional drama传统戏曲
1.This paper is to study the transformation of the traditional drama in the early stage of China from the angle of content integration and ideology interpretations and explain the original force of the transformation and the value trend in the development of traditional drama .本文从内容整合和意识形态阐释的角度出发,研究建国初期旧剧改革对传统戏曲进行改编的过程,阐发旧剧改革的原动力和在传统戏曲发展过程中的价值指归。
5)traditional opera传统戏曲
1.Inclusion And Interdependence of Fictitiousness And Actuality——A brief account on the "fictitiousness" aesthetic characteristics of the traditional opera;含虚蓄实,虚实相生——略论传统戏曲的“虚拟性”审美特征
2.Chinese traditional opera has experienced several big changes in the 20~(th)century, which deeply reflected west- ern culture s influence and shock towards Chinese traditional culture and Chinese intellectual s criticism, reform, reflection towards traditional opera.20世纪,中国传统戏曲经历了几次比较大的戏改运动,深刻反映出西方强势文化对中国传统丈化的影响和冲击,以及中国知识分子对于传统戏曲的批判、改造、反思,并由此探求作为传统文化象征的戏曲在中国知识分子心中既敬畏其内蕴深厚、博大精深又不满其故步自封、缺乏创新的复杂情结。
3.About the social educational functions of the traditional opera,our seniors all gave a positive opinion,but when we examined relevant views carefully,it is limited to principled conclusion,neither did it elaborated the specific content,nor did it touch the operating mechanism of the social educational functions of the traditional opera.关于传统戏曲的社会教化功能,前人大都给予肯定,不过细察前人与时人的有关论述,却仅限于"药人寿世"、"助成教化"等原则性结论,不仅在具体内容上语焉不详,而且对戏曲社会教化功能发挥的内在机制更是缺乏系统研究。
6)traditional operas传统戏曲
1.The new historical opera luoshen Fu succeeds in embodying Mei Lanfang s styles of novelty,beauty,magnificence and elegance by combining the expression technique of implicitness and explicitness in traditional operas with that of modern stagecraft.中国传统戏曲的魅力与戏曲艺术表现手法上虚和实的辩证统一 ,及其所创造的耐人寻味、令人神往的艺术境界是不无关系的。