《叶辅根尼·奥涅金》,Eugene Onegin
1)Eugene Onegin《叶辅根尼·奥涅金》
1.His opera Eugene Onegin,which was composed according to the Russia poet Pushkin\'s poem of the same name,is of rich Russia musical character,and is of significant value in the world\'s opera history.柴科夫斯基是俄罗斯著名作曲家,他根据俄国诗人普希金同名长篇诗创作而成的歌剧《叶辅根尼·奥涅金》,具有浓郁的俄罗斯音乐特征,在世界歌剧史上具有重要意义。
2)Eugene Oneguine叶甫盖尼.奥涅金
3)Evgenii Onegin叶甫盖尼·奥涅金
1.The “Periphrasis” in Evgenii Onegin;试论《叶甫盖尼·奥涅金》中的修辞手法“换说”
英文短句/例句

1.Eugene Onegin in the Native Perspective本土视角观照下的叶甫盖尼·奥涅金
2.The Innoyation of Opera in "Evgene Oniegin";《叶甫盖尼·奥涅金》中的歌剧创新
3.The ethical in Yevgeni Oniegin;《叶甫盖尼·奥涅金》中的道德疑难
4.Principle of Contradictions:Integralism·Systematism·Syncretism: A Study of Lotman s Analysis of the Artistic Characteristics of Eugene Onegin;试析洛特曼对《叶甫盖尼·奥涅金》的研究
5.A Further Understanding Of The Image Of Tatiana;对《叶甫盖尼·奥涅金》中达吉雅娜形象的再认识
6.The “Periphrasis” in Evgenii Onegin;试论《叶甫盖尼·奥涅金》中的修辞手法“换说”
7.An Analysis of the Image of Tafi ana; Rereading Evgenii Onegin;解读达吉亚娜的形象——重读《叶甫盖尼·奥涅金
8.On the Aria of Tatyana in the Opera Eugene Onegin歌剧《叶甫盖尼·奥涅金》中塔吉娅娜的咏叹调
9.Pushkin’s Contribution to “Periphrasis” from the View of Author’s Image--Take Evgenii Onegin as an Example;从作者形象看普希金对修辞格“换说”的贡献——以《叶甫盖尼·奥涅金》为例
10.On Translation of Long and Short Sentences in Verse Novels;论诗体小说长句和短句的翻译——以《叶甫盖尼·奥涅金》为例
11.Research on the Image of the Author-On the Narrative Design in Primakov Gai Nepalese Aoniejin;作者形象研究——以《叶甫盖尼·奥涅金》中的叙述结构为例
12.Identifying Discourse Subject in Fiction Translation:Chinese Translation of Eugene Oneguine as Example论辨识话语主体在小说翻译中的重要性——以《叶甫盖尼·奥涅金》的汉译为例
13.“Verfremdung”of Narrative Texts:Lotman s Analysis of Eugene Onegin;叙事文本的“间离”:陌生化与生活化之间——析洛特曼对《叶甫盖尼·奥涅金》的研究
14.Unchangeable Destiny--Analysis on the Image of Татъяна and Her Tragic Life;无法改变的命运——试述《叶甫根尼·奥涅金》中达吉雅娜的形象
15.The Analysis and Interpretation to the Music of Liansky's Singing Part in Tchaikovsky's Opera Eugene Onegin柴科夫斯基歌剧《叶甫根尼·奥涅金》中连斯基主要唱段分析与演绎
16.Vladimir became jealously angry and challenged Eugene to a duel. Through stubBornness Eugene accepted the challenge.弗拉基米尔又嫉妒又生气,终于向叶甫盖尼提出要和他决斗。叶甫盖尼出于执拗,接受了他的挑战。
17.In spite of the scandal, Tatyana still loved Eugene.尽管出了这桩丑闻,达吉雅娜仍然爱着叶甫盖尼。
18.After he left, Tatyana was much disturbed. Having fallen deeply in love, she had no arts to lead Eugene on.他走后,达吉雅娜感到心烦意乱。她深深地爱上了叶甫盖尼,但又不懂得如何施展伎俩以吸引他。
相关短句/例句

Eugene Oneguine叶甫盖尼.奥涅金
3)Evgenii Onegin叶甫盖尼·奥涅金
1.The “Periphrasis” in Evgenii Onegin;试论《叶甫盖尼·奥涅金》中的修辞手法“换说”
4)Onegin奥涅金
1.An Analysis of the Image of Tafi ana; Rereading Evgenii Onegin;解读达吉亚娜的形象——重读《叶甫盖尼·奥涅金》
2.Many researches considered that "the unnecessary person" image was produced with "Onegin".俄罗斯文学作品中的"多余人"形象带着俄国社会19世纪的时代烙印而产生,赫尔岑对多余人形象特征的概括已经被诸多研究者认可并接受,之前的许多研究关注的"多余人"是从奥涅金这一成熟的典型开始的。
3.Today we researched his one of best opera <Onegin> showing off his typical creating style.本文研究的《奥涅金》是他最优秀的歌剧之一,也是他个人风格最典型的代表。
5)Eugene O'Neill尤金·奥尼
1.Ancient Greek Tragic Thought of Eugene O'Neill Drama——Reflection of Spirit,Dream and Desting in His Works尤金·奥尼尔戏剧的古希腊悲剧思想——“精神、梦想和命运”在其作品中的体现
6)Eugene O Neill尤金·奥尼尔
1.On Eugene O Neill s Tragical Outlook on Life from the Symbol of Sea in Anna Christie;从《安娜·克里斯蒂》中海的象征看尤金·奥尼尔的悲剧人生观
2.Chinese Taoism in Eugene O Neill s Long Day s Journey into Night;尤金·奥尼尔《进入黑夜的漫长旅程》中的道家思想
3.On the Acceptance and Spread of Eugene O Neill in China;历史与时代的选择,审美与文化的共鸣——探索尤金·奥尼尔在中国的接受与传播
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