1)aesthetics essential美学实质
2)Aesthetics of Practical Science实学美学
1.Aesthetics of Qing Dynasty can be defined as either Aesthetics of Practical Science, or aesthetics with practical essence.我们认为，清代三百年的社会思潮可以概括为“实学”，这一时期的美学可以称之为清代实学美学、具有实学精神的美学。
3)asthetic reality美学现实
1.The main ideas of Zhu Jin s film asthetics are,firstly, paying special attention to deep historical connotation, epic spirit and thus resulting in a call for today s reality;secondly, advocating an appealing asthetic reality and stressing the approach of the film to the reality.朱晶电影美学思想的要义 ,一是注重电影深蕴的历史内涵、史诗精神及其由此而引发的对当今现实的询唤 ;二是积极倡导一种具有感染价值的美学现实 ,强调电影对生活真实性的逼近。
4)realistic aesthetics纪实美学
1.Bazin,as an active advocate of film realistic aesthetics after WWII,pointed out that the psychological background of film origin was The Myth of Total Cinema.巴赞作为二战后电影纪实美学的积极鼓吹者,指出了电影起源的心理学背景是"完整电影的神话",巴赞纪实美学的理论背景是他的建立在"完整电影的神话"理论基础之上的"摄影影像的本体论",这一初衷,决定了巴赞的"完整电影的神话"理论的"目的论"错误。
2.With his strong native complex, valuable populace consciousness and special realistic aesthetics style, Jia Zhangke, one of the Chinese new generation directors, has directed since 1994 twelve films including seven feature films and five documentary films.中国新生代导演贾樟柯,以其浓重的乡土情结、可贵的平民意识以及独特的纪实美学风格,1994年至今编创了十二部电影作品,其中有七部故事片和五部纪录片。
英文短句/例句
1.Documentary Documentary Aesthetic Vision of the New Developments in Music纪实美学视野下纪录片音乐的新发展
2.The Classics of Practical Aesthetics:Comment on Liu Gangji’s Aesthetics;实践美学的经典文本——评刘纲纪的美学思想
3.A Debate for a Century: A Brief Summary of Realism and Antirealism in the Twentieth Anglo-American Philosophy一场世纪之争——简论20世纪英美哲学中的实在论与反实在论
4.The Research on the Implement of American 21st Century Highly Qualified Teachers Program;美国21世纪中小学“高质量教师”计划的实施研究
5.The Self Reflection of Chinese Practical Aesthetics during the 1990s;20世纪90年代中国实践论美学的自我反思
6.The Truth Game:New Documentary & Its Characters;真实的游戏——论西方新纪录及其美学特征
7.Pluralism,riginality and realism--A summary of American literature in the 20th century;多元·创新·现实主义——20世纪美国文学综述
8.Diversity and Innovation: American Educational Research Association 2009 Annual Meeting多元与创新——美国教育研究学会2009年会纪实
9.Use 21 Centuries practical college English elements Asthetische Erziehung of the English teaching of vocational school;利用《21世纪大学实用英语》挖掘高职英语教学中的审美教育
10.Realism:the Real Beginning of American National Literature;现实主义:美国民族文学的真正开端——论美国19世纪现实主义文学的特征
11.Development Aesthetics--the Main Leading Trend of Aesthetics in the 21st Century发展美学——21世纪美学的主导形态
12.A Contemplation of the Remoulding of Aesthetics --An Anticipation of Chinese Aesthetics in the New Century;论美学的转型——新世纪中国美学之展望
13.Main Characteristics and Historical Status of UK and US Philosophical Realism in 20~(th) Century;20世纪英美实在论哲学的主要特征及其历史地位
14.The Banner of American University Reformation in the 19th Century:Charles Eliot s Theory of Higher Education and Its Practice;19世纪美国大学改革的旗帜——查理斯·艾略特的高等教育理论与实践
15.On the Aesthetics Features of the Struggling Individuals in the Western European Realistic Literature in the 19~(th) Century;进入资本主义时代的审美意识——论19世纪现实主义文学中个人奋斗者形象的美学意义
16.On the Thoughts of Aesthetic Experience in Medieval Europe;欧洲中世纪美学的审美经验思想评析
17.The Theories about Aesthetic Experience in the 20th Chinese Aesthetics;20世纪中国美学中的审美经验理论
18.From Psychological Aesthetics to Philosophical Aesthetics --A Comment on Zhu Guangqian s Aesthetic Academic Road in the Late 20th Century;从心理美学到哲学美学——20世纪后期朱光潜美学学术道路的反思
相关短句/例句
Aesthetics of Practical Science实学美学
1.Aesthetics of Qing Dynasty can be defined as either Aesthetics of Practical Science, or aesthetics with practical essence.我们认为，清代三百年的社会思潮可以概括为“实学”，这一时期的美学可以称之为清代实学美学、具有实学精神的美学。
3)asthetic reality美学现实
1.The main ideas of Zhu Jin s film asthetics are,firstly, paying special attention to deep historical connotation, epic spirit and thus resulting in a call for today s reality;secondly, advocating an appealing asthetic reality and stressing the approach of the film to the reality.朱晶电影美学思想的要义 ,一是注重电影深蕴的历史内涵、史诗精神及其由此而引发的对当今现实的询唤 ;二是积极倡导一种具有感染价值的美学现实 ,强调电影对生活真实性的逼近。
4)realistic aesthetics纪实美学
1.Bazin,as an active advocate of film realistic aesthetics after WWII,pointed out that the psychological background of film origin was The Myth of Total Cinema.巴赞作为二战后电影纪实美学的积极鼓吹者,指出了电影起源的心理学背景是"完整电影的神话",巴赞纪实美学的理论背景是他的建立在"完整电影的神话"理论基础之上的"摄影影像的本体论",这一初衷,决定了巴赞的"完整电影的神话"理论的"目的论"错误。
2.With his strong native complex, valuable populace consciousness and special realistic aesthetics style, Jia Zhangke, one of the Chinese new generation directors, has directed since 1994 twelve films including seven feature films and five documentary films.中国新生代导演贾樟柯,以其浓重的乡土情结、可贵的平民意识以及独特的纪实美学风格,1994年至今编创了十二部电影作品,其中有七部故事片和五部纪录片。
5)actual aesthetics真实美学
1.This paper analyzes and summarizes the narrative tactic of Jia Zhangke s Film including simple plot and poetic aesthetics,microscopic narrative and actual aesthetics,limbic narrative and humanistic care,and analyzes the aesthetic meanings of the film according to current social reality.本文结合贾樟柯的影片,分析总结贾樟柯电影的叙事策略,其中包括情节淡化与诗意美学、微观叙事与真实美学、边缘叙事与人文关怀,并结合当下的社会现实分析其影片中所蕴含的美学内涵。
6)practical aesthetics实践美学
1.On Practical Aesthetics and Post-practical Aesthetics;实践美学与后实践美学论说之维——《实践美学与后实践美学在论争中发展》读后
2.“Labor Created Beauty” or “Labor Produced Beauty”——An Analysis and tracking of a core proposition of the school of practical aesthetics drawn from classical theory;“劳动创造了美”还是“劳动生产了美”——对一个源自经典的实践美学核心命题的辨析与追踪
延伸阅读
实学派文学 17世纪至19世纪中叶朝鲜封建社会末期出现的进步文学流派。代表作家有李瀷、朴趾源、李德懋、柳得恭、朴齐家、李书九、丁若镛、金正喜等。他们也都是反对朱子理学、反对空谈、主张研究实用学问和社会改革的实学派思想家。他们在文学上反对模仿，主张创新，认为那些吟风弄月、无病呻吟的作品都不足取，提出作诗为文，要有"美刺劝惩"之意，要"模写真境"。实学派作家在小说、诗歌、散文、游记、随笔、政论等方面都创作了一些优秀作品，内容暴露封建统治者的昏庸、腐败,同情社会下层人民的苦难遭遇,反映他们改革社会的理想。此外，还有许多歌颂朝鲜的山河、古迹和描写自然景色之作。朴趾源和丁若镛是成就最大的作家。朴趾源的大量散文和《两班传》等讽刺小说，丁若镛揭露贪官污吏的《饥民诗》和其他一些表现社会生活的诗歌，在思想和艺术上都达到了较高的水平，是实学派文学的代表作品。 实学派作家不仅在文学方面有重要成就，而且在政治、经济、哲学、科学、文化等各个领域都进行了广泛的研究，作出了较大的贡献。
