1)Dong drama侗戏
1.The Dong drama has a history of over 200 years and includes over 500 programs.侗戏是一个具有独特风格的剧种,已有近两百年的历史。
英文短句/例句
1.On the Literary Value and Influence of the Dong Drama "Zhu Lang Liang Mei"论侗戏《珠郎娘美》的文学价值及其影响
2.A song of love:A comment on the Dong drama of "Jin Han and Lie Mei"一曲感人的爱情赞歌——评侗戏《金汉列美》
3.Singing on the Stage:to Explore Lingual Arts of Dong Drama戏台行歌——关于侗族戏剧语言艺术的研究
4.The Raising of the Female Discourse in the Male Age--Trying to Discuss Female Role in the Dong Drama;男权时代女性话语的高扬——试论侗族戏剧中的女性角色
5.Refined and Popular Styles of the Qing Drama--A Case Study of Different Criticisms at Dramatists You Tong and Li Yu;论清代剧坛的雅俗之辨——以尤侗、李渔戏曲的不同毁誉为例
6.Remain, Inheritation and the Periodical Development of DongKuan;侗族侗款的遗存、传承与时代性发展
7.Value Analysison Two Dong-Nationality Song Teaching in Dong-Nationality Community侗族社区内两种侗歌教学的价值分析
8.Never lean your objects outward. Always have them lean inwards. Do not line them parallel to the frame. That applies in vertical or horizontal format.⒂涝侗鸾?锾逑蚧?嫱馇
9.Research on the Southern Dong Nationality s Traditional Settlements in Southeast of the Guizhou Province;黔东南南侗地区侗族村寨聚落形态研究
10.Definition of Galao in Dong Minority:Research of Multiple Concept of Big Song;南侗“嘎老”名实考——兼论侗族大歌一词的多重内涵
11.A Look at the Inheritance and Protection of the Dong Chorus from the Fact That the Dong Songs Are Introduced to Classroom;从把侗歌引入课堂看侗族大歌的传承与保护
12.On Ancestor Worship in Dong Nationality--Based on Investigation in Local Community of Dong in Hunan Province论侗族祖先崇拜——以湖南侗族田野调查为例
13.An Outstanding Achievement in the Development of the History of the Dong Chorus --Historic contribution of the Chorus of the Dong folk singers;侗族大歌发展史上的一次辉煌——黎平侗族民间合唱团对侗族大歌发展的历史性贡献
14.This is a traditional festival of the Dongs. It falls on the3 rd day of the3 rd lunar month.侗族花炮节花炮节是侗族的传统节日，时间是农历三月三。
15.The Dong ethnic group also has a legend that says the Dong people didn't know music or dance until their ancestors got them as a grant from the Heaven.侗族也有传说，过去侗家没有歌唱，没有舞跳。后来到天上讨来歌舞，
16.On the Tourism Development of the Traditional Dong Folk Culture:Taking Gaoyou Village in Sanjiang County as an Example;原生态侗族文化旅游开发研究——以三江县高友侗寨为例
17.An Analysis of the Value of Dong Nationality s Traditional Glutinous Rice;侗族传统糯稻的价值分析:来自阳烂侗寨的田野调查
18.On Cultural Heritage of Dong Folk Songs from the Cultural Function Change of Dong Folk Songs Performance;从侗歌展演文化功能的变迁看侗族民歌文化的传承
相关短句/例句
the Dong operas侗族戏曲
3)Customs of the Dong Operas侗戏风俗研究
4)Dong minority侗族
1.This paper, taking Dong minority s traditional farming mode.本文以侗族“稻田养鱼”的传统经营范式为对象,去论证其生态价值和资源高效利用,希望能为传统农业的发掘和利用提供一些有益的借鉴。
2.Through using the method of questionnaire,this paper conducted an investigation on the present situation of physical education in elementary and middle schools of Dong minority areas in Hunan province.通过问卷对湖南省侗族地区中、小学校的体育师资队伍现状进行了调查。
3.The marriage custom of Liangsan Dong minority is divided into several parts: the first meeting at a fair, then the amorism while enjoy the landscape, and accompany marriage, wedding feast.凉伞侗族婚俗 ,分为赶坳的初相会、玩山的谈情、出嫁前的伴嫁、婚事时的喜酒。
5)Dong nationality侗族
1.Study on 6 population genetic traits of the Dong nationality of Jinping in Guizhou;贵州锦屏侗族6项群体遗传学特征研究
2.Analysis of indices on their age related change of physiognomic characteristics of Dong nationality in Hunan;湖南侗族容貌特征增龄变化的指数分析
3.Analysis of Dactylogram in Left-arm Folding People of Dong Nationality in Hunan;侗族左交臂人群的掌纹分析
6)The Dong nationality侗族
1.On the Autocracy of Policy of the Qing Dynasty over the Dong Nationality;试论清朝经营侗族政策的专制性
2.The Research of the Traditional Architecture and Its Culture Implication of the Dong Nationality;侗族传统建筑及其文化内涵解析
3.Objective To research for the relation between the TongShenCun length and the body height in adults of the Dong nationality, Sanjiang county, Guangxi, so as to provide scientific evidences for the study of anthropology, age-related anatomy, forensic medicine and the acupuncture points confirnmation.目的 研究广西三江县侗族成人同身寸长度与身高的关系 ,为人类学、年龄 (生长 )解剖学、法医学研究及针灸取穴提供科学依据。
延伸阅读
侗戏 侗族戏曲剧种。流传于贵州省从江、黎平、榕江和广西、湖南侗族聚居地区。清嘉庆、道光年间，由侗族民间说唱形式"嘎锦"（侗语，即叙事歌）和"摆古"结合而成。1870年左右，自贵州沿都柳江传入广西。最初仅有两人坐唱，后发展为走唱。道光年间，黎平县腊洞寨侗族秀才吴文彩和吴文彬等根据汉族唱本编成《梅良玉》、《凤姣李旦》等侗剧脚本。之后，民间业余戏师又先后创作了许多本民族题材的剧目，如《门龙》、《三郎五妹》、《珠郎娘美》等。很多侗寨都有业余侗戏班，代代相传。侗戏早期的表演颇有特色，角色到台前唱完一句后，在过门中绕∞字形回到台中靠后方端坐的"掌本"戏师面前，听取提示的唱词，然后再到台前演唱。丑脚在台上比较活跃，有独特的程式，不论从左右方向出场，都只能向里跳跃，叫做"跳丑脚"。1949年后，整理改编的传统剧目有《珠郎娘美》、《山伯英台》、《美道》、《芒遂》、《刘知远》等，编演的现代戏有《侗家儿女》、《民族团结的花》等。其中《珠郎娘美》已摄制成影片。 侗戏的主要曲调有平板和哀腔等。平板或称普通调，用于叙事性唱词,前有引子、起板；哀腔,或称哭调、泪调。此外,在有些剧目中,花旦或丑还常采用侗歌、汉族民间曲调等。主奏乐器为二胡，还有牛腿琴、琵琶、月琴、低胡、扬琴等。打击乐器有鼓、锣、钹、小镲，但只在开台、催台及角色上下场时用以伴奏。
