1)Sacrificial Drama祭祀戏剧
1.On the demarcation of ancient Chinese dramas with predominant religious contents,three categorical denominations are prevalent: "Ceremonial Drama","Sacrificial Drama" and "Religious Drama".在如何对我国古代有着强烈宗教色彩的戏剧进行界定和命名这一问题上,目前学术界主要存在着三种意见:"仪式戏剧"、"祭祀戏剧"和"宗教戏剧"。
英文短句/例句
1.On the "Reversion" of Future Dramas to Nuoyuanxi;试论未来戏曲向傩愿戏等祭祀戏剧的“返祖”
2.The Influence of Religious Sacrificial Activities on Drama--From the Perspec tive of Temple Fair Show;从庙会演出谈宗教祭祀活动对戏剧的影响
3.The Folk Dance "Liu Hai Plays with JinChan" and The Relationship of Religious Worship;民间舞蹈“刘海戏金蟾”与宗教祭祀的关系
4.On Shakespeare s Early Tragedy TITUS ANDRONICUS;神话祭祀与悲剧张力——论莎士比亚早期悲剧《泰特斯·安德洛尼克斯》
5.Conditions that Opera Literature Originates in and Its Development in China;戏曲文学从祭祀里产生的条件及其在中国的过程
6.The Influence of the Early Chinese Religion Rites and their Companying Music and Dance on the Formation of Traditional Operas;中国早期宗教祭祀及其乐舞对于戏曲形成的影响
7.Gaomei is one form to impetrate children.“高禖”祭祀是一种祈孕子嗣的祭祀形式。
8.The central hall is where all ceremonial activities are held.这里是祭祀活动的中心。
9.A lamb was offered in sacrifice.一只小羊用作祭祀。
10."They even made offerings of their sons and their daughters to evil spirits,"把自己的儿女祭祀鬼魔,
11.They sacrificed sheep to their gods.他们以羊祭祀他们的神。
12.The "Son of Heaven" offered sacrifices for all the Chinese.“天子”为全中国人而祭祀。
13.They sacrificed a lamb to the gods.他们以羔羊祭祀众神。
14.a great sacrifice; an ancient Greek or Roman sacrifice of 100 oxen.一个大的祭祀;古希腊或古罗马一百个人的祭祀。
15.Complete destruction will come on any man who makes offerings to any other god but the Lord.祭祀别神,不单单祭祀耶和华的,那人必要灭绝。
16.He who sacrifices to any god, other than to the Lord alone, shall be utterly destroyed.出22:20祭祀别神、单单祭祀耶和华的、人必要灭绝。
17.The Mausoleum Sacrifice and Its Influences Upon the Ancestral Shrine Sacrifice During the Han Dynasty;试论汉代陵寝祭祀及其对宗庙祭祀的影响
18.A Thesis on Tragic Spirit and Cultural Origination of Chinese "Literate Sacrifice" Opera;试论中国“士子献祭”戏的悲剧精神与文化根源
相关短句/例句
sacrificial play祭祀性戏剧
3)sacrificial rites祭祀
1.On the base of campestral investigation,the author mainly studies the characteristics and relations between Fengshui and sacrificial rites on the old lounge bridges in the east of Fujian province,and points out that the appearing signal of the old lounge bridges mixed together the bridges and the local village culture by means of their formal signal and their symbolic expression.在田野调查的基础上,主要考察闽东廊桥在风水与祭祀两个方面的种种表征,指出廊桥凭借自身外显的形式符号,借助象征语言将桥梁与村落文化融为一体;廊桥既具现实的利民渡涉的作用,又反映了闽东乡民观念中的趋福避祸的心理,具有丰富的文化内涵。
2.The words in Chuci come from the sacrificial rites of the chief of a tribe in the region of Yuan river or Xian river.《九歌》是一组具有国家祀典性质的祭歌,用于大型、重要的祭祀活动。
3.With historical development,ethnic Manchu developed into four social groups,who lived in different from each other geographical and cultural conditions,and thus their sacrificial rites underwent different changes in content and form.不同类型的满族群体在相异的地理环境和文化的影响下 ,其民间祭祀的内容和形式也发生了不同的变化 ,表现出满族民间祭祀的稳定性和变更性相统一的文化特点。
4)fete[英][feit][美][fet]祭祀
1.In Mongolian areas Tibetan Buddhism penetrated into the people s social and daily lives,and brings great changes to Mongolian folklore,especially in funeral and fete customs.其中佛教观念对卫拉特人的丧葬和祭祀习俗影响格外深远,体现在埋葬方式、丧葬礼仪以及对大自然、佛和各种神的祭祀等方面。
2.The paper studied the relation between the Manchu shamanism and fete through Eight Banners genealogy.本文运用八旗谱牒资料,对萨满教与祭祀之间的关系展开研究。
5)worship[英]['w?:??p][美]['w???p]祭祀
1.Based upon an examination of the early Ming state worship objectives and the later changes,this article argues that this system carries profound religious,cultural,political,and social implications.明代国家祭祀对象的构成及其变化表明,该体系具有宗教、文化、政治、社会等多重寓意。
2.It concludes that the reformis derivedfromthestruggle between“idealist”and“conventionalist”is groundless ;the practice of worshipingthe“heavenly deities”and“earthly deities”does not actually create two kinds of city gods ;the so calledthird year“reform”has little todo withthe Ming policies towards Taoism;the regulations issuedinthe third year of the H.文章针对日本学者滨岛敦俊关于洪武三年城隍祭祀“改制”的三篇论文指出:所谓改制背景为“理念派”与“惯习派”之争说法出于虚构;洪武三年二月份祀天神、地礻氏并未造成“两种城隍”;洪武三年“改制”与明朝对道教的政策无关;洪武三年所定祭祀城隍规则曾得推行,后来才发生变化。
3.The oracle inscriptions discovered in Yin Remains have records of Yin people worshiping Shang and Huan Rivers.殷墟卜辞曾多次记载殷人祭祀滳水、洹水。
6)sacrifices[英]['s?krifais][美]['s?kr?,fa?s]祭祀
1.Contrasting with the attitude of putting away the heaven, fate, ghost and God, Confucius emphasized the reality and living, especially the sacrifices to the ancestors, which was humanism-conscious and a fundamental basis of Chinese life style.孔子对天命鬼神存而不论、敬而远之的态度决定了儒学的非宗教性,而他重视现实、关注人生、突出祭祀、慎重追远等特点使儒学具有了浓郁的人文意识,也使儒学为中国人的生活及思维方式确立了基调,了解孔子天命观的特点有助于我们把握儒学的特点及其与宗教的关系。
2.The article gives a brief and objective account of Li Gou′s historical remains and sacrifices offered to him in Fuzhou city proper on the basis of consulting documents and making an on\|the\|spot investigation and provides references for the research of Li Gou.文章在查阅文献和实地考察的基础上 ,就抚州市区内李觏的遗存和历代祭祀情况作简要、客观的记述介绍 ,为李觏的研究者提供资料参照 ,其中 ,“龙马书院”过去少有提及 ,尤为值得关注。
3.This text is a the article studies completely the " bagomal "( meaning is land from the day) celestial spirits sacrifices .本文为一篇全面研究“宝木勒”(从天而降的意思)天神祭祀之作。
延伸阅读
《戏剧》 中国戏剧刊物。季刊。中国中央戏剧学院主办。原名《戏剧学习》。1956年 6月创刊于北京,系内部发行。主编欧阳予倩,副主编沙可夫、李伯钊。"文化大革命"中被迫停刊。1978年复刊,1981年起公开发行。1986年改名为《戏剧》,主编丁扬忠。 刊物创办之初,主要是为了促进学院教学、科研工作和艺术实践,同时向全国各剧院、剧团的戏剧工作者提供业务学习参考资料。1978年复刊后,加强了戏剧艺术的理论研究,开辟了戏剧文学、导表演艺术、舞台美术、戏曲研究、外国戏剧研究、话剧史料、译文、戏剧动态等栏目,内容除刊载学院4个系的教学经验介绍、艺术实践总结、科研成果等论著和译文外,还注意吸收发表院外著名戏剧家的科研成果。近年来,刊物结合戏剧运动的实际,加强了对国内外戏剧现状的研究,以专题和特辑的形式,围绕着戏剧观念的变革、戏剧流派的介绍、戏剧现状的研究、戏剧美学的探讨、高等戏剧院校如何改革等一系列问题,进行了深入的讨论。