1)oral music in Hangong opera含弓戏唱腔
2)Chinese opera sining戏曲唱腔
英文短句/例句
1.The "Negation of Negation" of the Definition of Music form in Chinese Opera Singing;中国戏曲唱腔曲体界定的“否定之否定”
2.On“Jiqu and the Variational Style of Banshi”in Chinese Opera Singing;试论戏曲唱腔的“集曲板式变化体”
3.The Assimilation, Fusion and Development of Chinese Operatic Arts and National Vocal Music in Terms of Kunqu Singing从昆曲演唱艺术看民族声乐对戏曲声腔艺术的吸收、融合与发展
4.To Absorb and Learn From the Cream of the Tune of the traditional Opera in the Singing Exercises Of National Vocal Music;戏曲声腔艺术在民族声乐演唱训练中的吸收与借鉴
5.Not Sing Enough and Then "Shout"-Seven serial studies on opera singing;歌唱不足故‘叫喊’之——戏曲唱论七题
6.The Contribution Of Pi-Huang Tune To Developing The Traditional Chinese Opera;论皮黄腔在戏曲声腔发展史中的贡献
7.He can't sing a song well, let alone Beijing Opera.他连一首歌曲都唱不好，更不用说唱京戏了。
8.A Study of the Language Features of Chinese Opera Librettos in Respects of Rhythms and Rhymes;从节奏和押韵看戏曲唱词的语言特点
9.Chinese National Singing Drawing on Opera Vocal Skills民族唱法在戏曲发声技术中吸取精华
10.A Probe into the Vocal Musical Style of Man Kong Fei--A Well-known Piece of San Qu of South Fujian Music;福建南音散曲《满空飞》的唱腔风格探讨
11.The Musical Meaning of the Music for Voice of Qu Pai in Tang Xianzu s "the Opera of Handan;汤显祖《邯郸记》曲牌唱腔音乐意义
12.The “Nan and Bei Verses”, Ming and Qing Ditties, and Folk Songs: Reflections on the Combination of Nan and Bei Verses in Liao Zhai Zhi Yi;“南北曲”、明清小曲和聊斋俚曲——从聊斋俚曲“南北合套”曲的唱腔说起
13.On Wenzhou Zaju, Xiwen, Traditional Opera in Yongjia and Various Tunes of Nanxi -Four Stages during the Development of Nanxi in the Song and Yuan Dynasties;温州杂剧·戏文·永嘉戏曲·南戏诸腔——宋元南戏发展史的四个阶段
14.Songyang High-pitched Tunes" has been recognized as one of the ancient rare operas.松阳高腔是古老稀有的戏曲剧种之一。
15.Comparatively Research of Main Aria between Lyu Opera and Five Sounds Play;关于吕剧与五音戏主体唱腔的比较研究
16.Gun tune, banqiang style and self-salvation of traditional Chinese opera--A serial study on the dissemination history of the ancient Chinese opera (5);滚调、板腔体与戏曲的自我救赎——“中国古代戏曲传播史”系列研究之三
17.Analysese of the Applications and Performances of the XiQu Rhythm on Chinese National Opera;浅析中国民族歌剧中戏曲板式的运用及演唱
18.On the Use of Singing Method of Traditional Operas in the Teaching of Vocal Music;声乐教学中借鉴戏曲演唱方法诸问题刍议
相关短句/例句
Chinese opera sining戏曲唱腔
3)Hangong Opera含弓戏
1.As a rare opera,Hangong Opera originated from Ming Dynasty through Qing Dynasty,Mingguo to new China.含弓戏为全国稀有剧种,它从古到今历经了明、清、民国和新中国几个朝代。
2.Hangong opera is a rare opera of China,and Hangong Theater has gained good win in the past thirty years.安徽省含山县含弓戏为全国稀有剧种,其含弓戏剧团在成立三十年间取得了骄人的成绩。
4)Hangong Opera Theater含弓戏剧团
5)Vocal characteristics of Huangmei Opera黄梅戏唱腔特征
6)xiqu chɑngqiɑng yuepu戏曲唱腔乐谱
延伸阅读
戏曲唱腔乐谱 用工尺谱、简谱或五线谱记录唱腔的乐谱，传统叫"宫谱"。中国传统戏曲宫谱多为工尺谱，近世始用简谱和线谱。昆曲所用尺谱常见有三种谱式：①直式，习惯叫"玉柱式"，俗称"一炷香"；②侧式，俗称"蓑衣谱"；③横式。举例如下： 南仙吕〔步步娇〕 《牡丹亭·游园》 常见的昆曲宫谱如《九宫大成南北词宫谱》、《纳书楹曲谱》等用玉柱式谱；《集成曲谱》、《昆曲大全》等用蓑衣谱；《遏云阁曲谱》用横式谱。现存昆曲宫谱种类很多,约可分为两个系统,如《吟香堂曲谱》、《纳书楹曲谱》以及《集成曲谱》等，为文人曲家的核订本，这类宫谱的特点是：考订词格精严，讲究四声腔格。其中《吟香堂》、《纳书楹》等谱，都不点小眼，不分正衬，间有挪借板位，死腔活板，初学者较难习用。《集成曲谱》则增添宾白、点明小眼、详注锣鼓笛色，力避高古，便于初学。这类乐谱多侧重清唱，与舞台演出尚有一定距离。昆曲有另一系统宫谱，如《遏云阁曲谱》、《六也曲谱》和《春雪阁三记》等，是依据明清以来艺人口传的"梨园故本"整理而成，它代表了戏班演唱和时俗流行的系统。这一系统的宫谱虽然偶有错讹与删节，但多适用于舞台演出，不仅注明小眼，分清正板与赠板，而且对"豁腔"、"擞腔"等装饰小腔，也都一一注明，记谱完备，学用较便。《粟庐曲谱》、《与众曲谱》虽也出自文人曲家，但兼有"梨园故本"之长，为习唱者所乐用。 宫谱的编辑，有3种体例：①以曲牌为单位,按宫调分类，同一曲牌的各种变体均集中罗列，作为填词和谱曲参考之用，如《九宫大成南北词宫谱》；②以剧本的折（或出）为单位,只记宫谱,不写宾白，如《纳书楹曲谱》即此体例；③以剧本的折（或出）为单位，宫谱宾白全写,如《集成曲谱》、《遏云阁曲谱》;也有全剧全谱全白具备的，如殷溎深传谱《琵琶记全谱》、《拜月记全谱》。 中华人民共和国成立后,在音乐工作者的努力下,记录整理了戏曲唱腔、器乐曲牌以及锣鼓谱等，数以千计，品种繁多。现将昆、京较著名宫谱择要列表如下：
