1)arpeggio[英][ɑ:'ped?i??][美][ɑr'p?d??o]琶音
1.This article introduce the popular cello scale and arpeggio books(include scale and arpeggio part of Daily Exer- cises and Violoncello Method)of United State of American,let the reader get information of American cello teaching and use it in Chinese cello teaching.本篇所列举的书籍是中国至今为止从未出版发行,但在美国较为普遍、常用的音阶、琶音书籍(包括《大提琴每日练习》、《大提琴技巧》等书中的音阶、琶音部份)的全面而详尽的概述,让读者从中了解到美国大提琴教育在技术训练方面的最新资料。
2.The training and practice of gamut , semi-gamut, arpeggio etc, play an important part in piano teaching.在钢琴教学中,音阶、半音阶、琶音、属七和减七和弦琶音、双八度以及双三度等这些技术类型的训练占着重要的地位。
3.The practice of the basic techniques of musical scale,arpeggio and chord has not been duly highlighted in the course of piano education.在钢琴教学中,音阶、琶音、和弦作为钢琴基本技巧练习未受到足够的重视。
英文短句/例句
1.The playing of the tones of a chord in rapid succession rather than simultaneously.琶音快速连续而非同时地演奏弦乐器的乐音
2.Tremolo is not a technique. It is an effect produced when a certain type of arpeggio is employed.颤音不是一种技巧，只是某种的琶音的表现形式。
3.Cello Scale and Arpeggio book:A Survey;美国大提琴音阶和琶音书籍的全面概述
4.The Significance of Basic Piano Techniques and the Strengthening of the Musical Scale,Arpeggio and Chord Practice重视钢琴基本技巧练习 加强音阶琶音和弦训练
5.The introduction presents arpeggios on the harp against a string tremolo--an enchanting sonority.引子，在弦乐的震音上竖琴奏出了琶音，一种迷人的音响。
6.This goes for all arpeggio exercises: Never aim for speed.这是对琶音练习的建议，不要以速度为目标。
7.The Performance Techniques of Debussy s Etude for Arpeggio;德彪西钢琴练习曲“为复合琶音而作”的演奏手法
8.Analysis of Diversity in Pipa Music Creation in Late 20~(th) Century浅析20世纪后期琵琶音乐创作的多元性
9.The technology works best for bright, loud music such as rock 'n' roll.此项技术对明快、热闹的音乐，如摇滚乐的“n”琶音最适合。
10.Marian had' shown him some chords and how to handle basic arpeggios to accompany himself.玛丽安教给他几种的弦的弹奏一些基本的琶音来为自己伴奏。
11.By correctly employing arp. patterns and practice them daily. Easy, eh?答案是正确的琶音形式和每天的练习。很简单，不是吗？
12." It is the little rift within the lute/That by and by will make the music mute..."琵琶如产生劣缝，音色就会受到影响。
13.A Tentative Study of the Relationship between Fujian Nan Yin Pipa GongChiPu and Aria;福建南音琵琶工尺谱与唱腔关系初探
14.Musical portrayal in Travel Notes of Laochan and Song of Pipa;《老残游记》与《琵琶行》的音乐描写
15.The Comparison Between Two Poems in Music;《琵琶行》与《李凭箜篌引》音乐描写比较
16.On the Diversity of Musical Language Expression in Playing Lute论琵琶演奏音乐语言表现力的多元性
17.On the Study of the Vietnamese Ty-ba's Historical Origin and Comparative with Chinese Nanyin Pipa越南琵琶的历史起源与中国南音琵琶的比较研究
18.The Influence on Performance of Nanyin Pipa by Musical Culture in Han Dynasty汉代音乐文化艺术对南音琵琶演奏艺术的影响
相关短句/例句
Pipa Music琵琶音乐
1.The Plurality Interpretation of Chinese Pipa Musical Creation Since 1980s;二十世纪八十年代以来中国琵琶音乐创作的多元性阐释
2.Since the 20th century,the Pipa music in our country has shown a trend of diversity.20世纪以来我国的琵琶音乐呈现出多元性特点,古老的艺术又散发出新的光辉。
3)Nanyin pipa南音琵琶
4)Pipa composing melody琵琶音乐创作
5)How do I practice arpeggio (arp.)?如何练习琶音？
6)Arpeggio single琶音和弦，分解和弦
延伸阅读
琶杰琶杰（1902～1962）中国民间歌手，诗人。蒙古族。内蒙古自治区扎鲁特旗人。8岁给王爷当奴隶。青年时代经常到寺庙集会上演唱。18岁时，足迹遍及内蒙古20多个旗。所编唱的《道尔吉署长之歌》，对伪警察署长进行了辛辣的讽刺。好力宝《格力布尔召赞》、《苏力赞》、《婚礼赞》、《骏马赞》等深受蒙古族人民的欢迎。中华人民共和国建立后，参加了民间艺人培训班。创作和演唱过《婚姻自由》、《黄继光》等。他的创作主题鲜明，构思巧妙，具有浓郁的民族特色。
