1)beiqu北曲
1.Gongdiao,a grand storytelling and singing art popular in the Son g,Jin,and Yuan Dynasties,has had great influence on beiqu(various tunes used in the northern operas in time since the song Dynasty).诸宫调是一门流行于宋金元时期的大型讲唱艺术,对北曲产生了巨大的影响。
英文短句/例句
1.The “Nan and Bei Verses”, Ming and Qing Ditties, and Folk Songs: Reflections on the Combination of Nan and Bei Verses in Liao Zhai Zhi Yi;“南北曲”、明清小曲和聊斋俚曲——从聊斋俚曲“南北合套”曲的唱腔说起
2.The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;论明清时期文人曲词对南北曲曲牌定腔的影响
3.so the wide-ranging boldness of the northern music was transformed into the refreshing fineness of the Guangdong style.从而使北曲的刚劲绵长，变为粤曲的细腻轻爽。
4.Paizi qu broke out of the mold of the northern and southern music, which was limited to sets of gong diao music,牌子曲突破了南北曲只用同宫调曲牌入套的限制，
5.The Inflence of Southern Tunes To Norther Zaju in the HuangHe River Valley;黄河流域曲家与明清时期的南曲北渐
6.My Thoughts On The Instrumental Music Formed In Hubei Province In China;湖北民间器乐曲的制曲思维——民器集成湖北卷编辑拾零
7.Paizi qu, or folk tunes, had their historical origin chiefly in the folksongs of the south.牌子曲，顾名思义，是由历来的南北小曲(曲牌)作为音乐主体的，
8.for the erhu by Liu Wenjin (Ballad of Northern Henan and Musing at the Sanmen Gorge), and Huang Haihuai (Horse Race);二胡曲有刘文金的《豫北叙事曲》和《三门峡畅想曲》、黄海怀《赛马》
9.Brief History of Beijing Opera of the Northeast--the Subject Studies about the History of Northeastern Drama;东北京剧史略——东北戏曲史专题研究之四(下)
10.Book Review On Wang Ping s Conspectus On the Banquet Music of Hui Minority in Northwest of China;牵魂大西北的交响——读汪平《西北回族宴席曲概论》
11.Brief History of Beijing Opera of the Northeast -the Subject Studies about the History of Northeastern Drama;东北京剧史略(上)——东北戏曲史专题研究之四
12.North American rock cress having very long curved pods.北美的一种筷子芥属植物，荚果长，弯曲。
13.It now has a classical structure marked by variations of playing techniques;成为北方梆笛的代表曲目之一。
14.small arctic whale the male having a long spiral ivory tusk.小型北极鲸，其雄性有扭曲的长尖牙。
15.Revitalizing Northeast China Glowing the Capital Market Active“振兴东北”曲声渐酣资本市场动作频繁
16.Hebei Quzhou Chenguang Natural Pigement Co., Ltd.河北省曲周县晨光天然色素有限公司
17.Five Clappers is a representative northern bangdi piece of music. It was originally an instrumental qu tune, common in North China.《五梆子》，原为华北地区流行的器乐曲牌，
18.ANALYSIS AND DISCUSSION ON THE NORTH DISTRIBUTING LIMITATION OF AMUR CORKTREE,MANCHURIAN WALNUT AND MANCHURIAN ASH黄波罗、胡桃楸、水曲柳分布北限论析
相关短句/例句
Quyang河北曲阳
1.The Carboniferous and Permian Florsa and Their Palaeogeographical Evolution in Quyang,Hebei Province;河北曲阳晚古生代植物群及古地理研究
3)Xiaoling北曲小令
4)Beiqupu北曲谱
1.Investigation on Beiqupu of TaiHeZhengYinPu——concurrently on"Ru Pai San Sheng"of Zhou Deqing;《太和正音谱》北曲谱考察——兼论周德清“入派三声”问题
5)the northern music北曲音乐
1.Judged from the relevant historical data,it is an undisputable fact that this music is the remain of the northern music of Yan and Ming Dynastys.通过周边历史材料可以看出 ,该谱是元明以来北曲音乐的遗存是不争事实。
2.Judged from the relevant historical data,it is an undisputable fact that this music is the remain of the northern music of Yuan and Ming Dynasties,during the time when the southern music was flourishing.该文继前人的研究,对《太古传宗》乐谱中尚较模糊的历史价值与历史境遇问题进行探讨,认为该谱是元明以来北曲音乐的遗存是不争的事实,但由于其处于南音竞艳斗芳的时代,因此,该谱南音化的倾向也不容置疑。
6)Zaju in the north北曲杂剧
1.Both opera in the south and Zaju in the north in the Song and Yuan dynasties, originate from the Zaju of the Song dynasty.宋元时期的南戏与北曲杂剧虽然都是在宋杂剧的基础上发展起来的，但由于剧作家身份的不同，一为民间艺人，一为文人学士，两者编撰戏曲的目的不同，故在剧作内容、剧本形式、脚色体制、语言风格、音乐结构、演唱形式及其流传都产生了差异。
延伸阅读
北曲北曲中国最早的戏曲声腔之一。为金、元时期流行于北方的杂剧与散曲所用的音乐。源于唐宋大曲、诸宫调、宋词、鼓子词、唱赚、转踏以及北方各民族音乐，而影响最为直接和深刻的首推诸宫调，因之形成了戏曲音乐中曲牌联套体的结构体制。这种音乐之所以称为曲，是与宋词相区别。词与曲都是利用词牌与曲牌填词歌唱，但在形式上曲突破了词的定格，不分上、下阕；在句数、字数上也打破了词的限制，可以大量使用衬字，显得生动活泼，故谓“曲者，词之变”。称为北曲，又是为了与南宋以来流行于南方的南曲相区别。北曲又分为戏曲（或称剧曲）与散曲两种。两者虽同为北曲，但差别很大。戏曲是通过舞台演出欣赏的，散曲则是为了清唱；戏曲是通过曲折的情节，抒发剧中人物的思想感情；而散曲则是作家情感的自我表露；戏曲必须有四组套曲的完整结构，一折戏一个套曲，每个套曲只限一个宫调，以此贯串全套，使得每个乐章前后的调性统一；而散曲则较为灵活，它可以只是一首单乐章的小令，也可以组成多乐章的套曲，即散套。
