相和歌,Xianghe Song英语短句,例句大全

相和歌,Xianghe Song
1)Xianghe Song相和歌
1.Xianghe song poem was the original performing text of Yuefu Xianghe song, which flourished in the Han and Wei dynasties and was continuously indited by the following literators.相和歌辞初为乐府相和歌艺术的表演文本,兴盛于汉、魏,后为历代文人拟作不绝。

英文短句/例句

1.A Study on Xiang He Ge;歌诗表演与汉、魏相和歌辞艺术新探
2.as these instruments often alternated with one another, the songs came to be known as Xianghe ge,也就是"丝竹更(交替)相和"，就称为"相和歌"。
3.The most famous form of songs collected by the Music Conservatory was called Xianghe ge.乐府搜集的最有名的歌曲形式叫"相和歌"。
4.Interpret on the topic of Xianghe ballad in yuefu poetry;《乐府诗集》“相和歌辞”题解释读
5.These were songs originally unaccompanied by music, and usually sung by one person, with others joining in as the song progressed."相和歌"本是民间的无伴奏"徒歌"，往往一人唱，几人和。
6.The names of the five basic tones of the Xianghe ge were ping, qing, se, chu and ce.相和歌的5个基本平调、清调、瑟调、楚调、侧调。
7.we do not know what they were called until the Xianghe ge appeared.但那时却没有调名。确立调名，是相和歌中才有的。
8.Poetry with Seven Characters in a Line Did Not Originate from the Mode of Poetry of Chu --Proceeding from the comparison between Song of Harmony·Today There Are People and The Nine Songs·The Spirit of the Mountains;七言诗并非源于楚辞体之辨说——从《相和歌·今有人》与《九歌·山鬼》的比较说起
9.The Xianghe ge had several different kinds of clearly defined keys, and it was indicated which key the music should be in.相和歌已明确有几种不同的调高，并记明哪首乐曲属哪个调。
10.Some Xianghe ge would keep the same tune throughout;相和歌的结构形式比较多样、既可以一曲到底，不分段落，
11.But they beat the heck out of poems and love letters.但它们却足以使诗歌和情书相形见拙。
12.The gala highlights a variety of songs, comedy skits and cross talks.节日晚会上丰富的歌唱、品和相声表演精彩纷呈。
13.Dances related to production can be found in every nationality.和生产劳动相关联的歌舞活动，可说各族都有，
14.The music is the same as the British national song, God Save the Queen.它的音乐和英国国歌《上帝保佑吾王》相同。
15.You cannot equate his poems with his plays.你不可以把他的诗歌和他的剧本相提并论。
16.Beautifal Women s Tragic Destiny in the Chinese Feudal Society A Comparison of Li Pinger s and You Erjie s Images;红颜空自嗟，悲歌遥相和——李瓶儿、尤二姐形象比较
17.To Research of the Relationship between the Trill and Formant of Voice in the Singing;歌声中“颤音”和“嗓音共振峰”相互关系的声学研究
18.All these rhymes are performed in connection with gestures or other actions, thus combining simple motor activity with a rhythmic verse.所有这些游戏歌都有与之相对应的手势或动作，于是简单的运动便和抑扬顿挫的歌谣浑然一体。

延伸阅读

相和歌相和歌中国汉代在北方民间音乐的基础上，吸收先秦楚声等传统乐种形成的一种音乐形式。主要用于官宦、巨贾在朝会、祀神、宴饮、娱乐的场合以及民间风俗活动中。最初的表演形式称徒歌，即只有清唱，没有伴唱、伴奏；以后发展为1人清唱、数人帮腔的但歌形式；再进一步，发展为歌者击节、管弦乐器伴奏的歌乐相和的形式。相和歌的正式乐曲可分为引、曲、大曲3类。“引”即引子，一般没有歌唱，由笛和弦乐器演奏。“曲”为中小型乐曲，大多是声乐曲，有吟叹曲与诸调曲之分。诸调曲多用乐器伴奏。“大曲”即大型乐曲，多为歌舞曲，也有声乐曲和器乐合奏曲。器乐合奏曲称作但曲。据出土汉画像石与有关文献推测，相和歌所使用的乐器，早期有竽等，后来有筝、笛、笙、箫（排箫）、琴、瑟、筑、鼓、节鼓、悬鼓等。魏晋之际，相和歌更加兴盛。统治者组织音乐家成立音乐机构清商署，改编相和旧曲并另创新曲。曹操、曹丕、曹植都写有大量歌词交乐工演唱。这些作品多是在旧曲填新词的基础上，对曲调、曲式作相应的改动。这种音乐创作手法，后世经常使用。东晋至隋200年间，以南方民谣吴声、西曲为基础，发展起来的清商乐成为此种音乐的新品种，盛极一时。清商乐吸收了一部分汉魏西晋的相和歌。另外，汉魏以来也有不少相和歌被移植为琴曲和鼓吹乐。隋唐时，清商乐改称为清乐继续流传。相和歌的部分内容和成就，渐渐融入其他的音乐形式中，作为独立音乐品种的相和歌则逐渐消失。