内心听觉,inner hearing
1)inner hearing内心听觉
1.The player must improve his/her civilization qualities, strengthen the learning of music theory knowledge to form inner hearing.内心听觉是音乐听觉的核心,是每个从事音乐实践活动的人不可缺少的一种能力。
2.In the teaching of sona playing we are expected to lay emphasis on the cultivation and development of the player’s inner hearing ability, to understand the dialectic relationship between techniques and music, and to cultivate and train the player’s inner hearing.在唢呐教学中应重视培养和发展演奏者的内心听觉能力 ,正确理解技术与音乐的辩证关系 ,并进行内心听觉的培养与训练 ,这对于揭示音乐的深刻内涵 ,使内心情感与音乐形象得到完美的结合 ,达到高度的统一 ,具有重要的价值和意义。
英文短句/例句

1.A psychological study of Development of Psycho-perception of music;培养音乐内心听觉能力的心理学探讨
2.Emphasizing the Function of “Inner-listening” in Singing Study;重视“内心听觉”在声乐学习中的作用
3.Inner sense of hearing has already caused broad attention.内心听觉及其主要表征已引起人们的广泛关注。
4.Inner Ear--the training and Role in Children s Piano-Learning;内心听觉在儿童钢琴学习中的训练与作用
5.Research on Inner Sense of Hearing during Music Performance__Take Example of Piano Performance;论音乐表演艺术中的内心听觉——以钢琴演奏为例
6.Cultivation and Utility of Inner Hearing--With the Example of Playing Accordion;谈内心听觉的培养与运用——以手风琴演奏为例
7.In Music Innermost Feelings Sense of Hearing Training Function谈“音响色彩感”在音乐内心听觉训练中的作用
8.The Statement on How to Improve and Exert the Musical Listening Sense during Musical Practice;论音乐实践中内心音乐听觉能力的发挥和提高
9.On hearing the news, he was filled with feelings partaking of joy and surprise.他一听到那个消息,内心立刻充满了惊喜交集的感觉。
10.On How to Develop the Hearing Sense of the Students Inner Music While Teaching Solfeggio;在视唱、练耳教学中如何发展学生的内心音乐听觉
11.one whose mental imagery is auditory rather than visual or motor.心理意象主要是听觉而不是视觉或感觉的人。
12.a sense of sight [ hearing, smell, taste, touch ]视觉[听觉, 嗅觉, 味觉, 触觉]
13.He got underneath the skin of his audience.他深入了听众的内心。
14.Impact of Noises on Auditory Distance Perception in Rooms噪声对室内听觉距离感知的影响研究
15.Modulation of Descending Auditory System for the Auditory Information Processing in the Cochlear Nucleus;听觉下行纤维对豚鼠蜗神经核内听觉信息处理的调控作用
16.I believed, too, that I had never listening so attentively.我觉得我从来也没有这样用心听讲过。
17.European Association of Audiophonological Centres欧洲听觉音韵学中心协会
18.Purpose: To produce aural/psychological disturbances and partial deafness.目的:以生产听觉/心理干扰和部分聋。
相关短句/例句

inner sense of hearing内心听觉
1.This essay is focused on the analysis of this psychological activity as inner sense of hearing in instrumental music show so as to actively and initiatively take advantage of inner sense of hearing to instruct instrumental music show,and improve it through effective training ways.本文旨在对器乐演奏中内心听觉这一心理活动的分析,以便积极主动地利用内心听觉指导器乐演奏,并且通过有效的训练方法提高它。
3)Heart sense of hearing内心听觉
1.This article wants to analyze the psychology about heart sense of hearing in the course of playing the musical instruments in order to direct the music playing by using it actively.本文旨在对器乐演奏中内心听觉这一心理活动的分析,以便积极主动地利用内心听觉指导器乐演奏,并且通过有效的训练方法提高它。
4)Inner ear内心听觉
1.We may train the inner ear of performers by practising musical perception,memory,imagination,ect.内心听觉是构成内心音乐意象的能力,它对音乐活动具有先导性与创造性,无论是在音乐创作、演奏还是在欣赏过程中都显得尤为重要。
5)inner sense of musical listening内心音乐听觉
1.As a musical practice activity, inner sense of musical listening is a psychology phenomenon, which run through every sector of the activity and possesses a practical meaning during the series of musical activities.内心音乐听觉作为音乐实践活动中的一种心理现象,贯穿于音乐实践活动各环节,对音乐实践活动具有非常实际的现实意义。
6)inner musical audition音乐内心听觉
1.The method aims to pursue the non movement of musical auditory image and improves the ability of inner musical audition by conscious tr.以追求无运动的音乐听觉表象为目的,有意识的进行训练,提高音乐内心听觉的能力,为音乐实践打下坚实的基础。
2.The thesis expounds the concept and cause of inner musical audition, its relation with musical image, as well as its function in musical activity.本文阐述了音乐内心听觉的概念和成因,及其与音乐意象的关系和在音乐活动中的作用。
延伸阅读

内心体验内心体验inner experience  内心体验(inner experienee)(l)人的主体内在的情感体验,是人的心理的一大特征,表现人的心理的感受性、内隐性、深层性和沉思性。属于人的情感范畴。(2)体验派戏剧表演艺术学派的理论主张之一。指演员的成功表演必须以感受和体验同角色相类似的情感、心境和思想行为为基础。并且演员对角色的生活和遭遇的内心体验过程就是舞台创作的主要步骤。这种内心体验过程,“通过演员的有意识的心理技术达到天性的下意识的创作”,即要求演员在创作角色时有意识地体验角色,正确地生活于角色之中,形成无意识的“角色心理”,从而由演员的“第一自我”转变为角色的“第二自我”,产生“我就是”的真实感和信念。只有这样,才能真正表达“人的精神生活”,给观众以真实自然的感觉并将其引入戏剧情境。演员的内心体验要以演员自身的生活经验和对角色的理解为前提,是体验生活的一种间接形式,常常通过导演的启发、规定情景的触发或相似生活境遇的激发,借助想像和联想来实现。 (份廷华许波撰}巫亘}审)