1)Zhejiang school浙派
1.Ding Jing,the forefather of sigillography in Zhejiang school,and Li E,a famous poet of Zhejiang school,were named together as "Ding Li".浙派印学鼻祖丁敬,与浙派著名诗人厉鹗并称“丁、厉”,且彼此旨趣相投、私交笃厚。
2.Based on historiography, Literature, academic research andschools of seal cutting in the middle of the Qing dynasty, this paper presents a close analysis of the master of Zhejiang school, Ding Jing's academic thought, aesthetic standard of seals and aesthetic orientation of seal cutting creation by way of a host of documents and plated materials.本文在清代中叶史学、文学、学术研究和篆刻流派的背景下，主要以文献考辨结合图版实证的研究方法，通过诗文、印谱、印章边款所提供的大量文献资料和鲜为人注目的实物图版，从“浙派”的宗师——丁敬的卒年、字号以及丁敬与同时代诗坛、画坛、学术研究圈重要人物的交游考证开始，探讨了丁敬学术思想的根源。
英文短句/例句
1.On the Differences of Guzheng Fingering between Zhe Faction and Yu Factions;简论浙派古筝与豫派古筝指法的差异
2.The Ways that Zhe School in Southern Song Dynasty Influenced;南宋浙派对后世琴派的影响及其脉络
3.On Yuanchang--A Poet in Tongguang Style;“渐西朝隐 浙派巨子”——论同光体诗人袁昶
4.Real Meaning of Poem Activities of Zhejiang School;浙派诗文化活动诠真——以厉鹗为中心
5.An Analysis on the Zhexi Ci Poems and the Changzhou Ci Poems;推源析流话“浙”“常”——“浙西词派”与“常州词派”
6.On the Concept Changes of Zhejiang Learning,East Zhejiang Scholarship,East Zhejiang Historiography,East Zhejiang School;论浙学、浙东学术、浙东史学、浙东学派的概念嬗变
7.Comments on Major Schools of Ancient Book Collectors;古代私家藏书流派及虞山派、浙东派论析
8.East-Zhejiang School and Daoism--On Zhejiang School;浙东学派与道家、道教的关系初探——兼谈“浙学”
9.Some Questions in The Study of Eastern Zhejiang School and Zhejiang Spirit;浙东学派与浙江精神研究中的若干问题
10.How the School of Zhexi Ci Received Acceptance from Jiang Jie s Zhu Shan Ci in the Qing Dynasty;论清代浙西词派对蒋捷《竹山词》的接受
11.The coexistence and interaction of the Changzhou School and Zhexi School of poetry in late Qing Dynasty;论晚清词坛“常”、“浙”两派的共存与交融
12.Educational Thought Presented by Eastern Zhejiang School of Thought;论明清之际浙东学派的实学教育思想
13.On the Educational Thoughts of the Scholars of Eastern Zhejiang School in the Southern Song Dynasty;南宋浙东学派功利主义教育思想述评
14.Thoughts of the Eastern Zhejiang Practical School to Make People Richer and Country Stronger during the Southern Song Dynasty;论南宋浙东事功学派的富民强国思想
15.An Analysis on Learning Thoughts and Approaches of East Zhejiang School during Ming and Qing Dynasties;明清浙东学派的治学思想和方法浅谈
16.The Relation Between Zhe Xi Liu Jia Ci and Ci Zong--Also a Discussion About the Forming of the Zhe Xi School of Ci Poetry;《浙西六家词》与《词综》的关系——兼论浙西词派形成的综合因素
17.Yuefubuti and the Intoned Narration Ci of Six Poets in Western Zhejiang;《乐府补题》与浙西六家的咏物词——兼论浙西词派的形成
18.Work Pressure State and Countermeasure of Present Police Station --the Example of Zhejiang Police Station;当前公安派出所工作压力现状与对策——以浙江省公安派出所为例
相关短句/例句
Zhe School浙派
3)Zhexi School浙派
1.He was divorced from the Zhexi School and drawn close to the Changzhou School by Zhuang Yus guiding.他由庄棫导引逐步脱离浙派而向常州派靠 拢,对自己以往的创作和清初词坛的创作进行反思,最后走上批评浙派,弘扬常州派的道路。
2.In the Daoguang period,the Zhexi school continued activing in the world of Ci popetry at Jiangsu-Zhejiang,but the view of Zhexi school assumed the trade of becoming divided.道光年间 ,浙派在江浙词坛继续活跃着 ,但时代的动荡剧变使浙派词人在词学观上呈分化的趋势。
4)the zhe school浙派
1.In the literary world of middle Qing Dynasty,Li′E was the leader of the zhe school in poetry,also the leader of zhe′ci sect in the mid-term.厉鹗是清中叶文坛浙派诗的盟主,又是浙派词中期的领袖。
2.The Zhe school, whose representative is Li E, is more unique and influenced larger one between early-stage Romantic Charm school and medium-stage Style school and Spirit school in the Qing dynasty.以厉鹗为代表的浙派无疑是清代诗史流程中自前期“神韵派”到中期“格调派”、“性灵派”之间独树一帜且影响较大的文学流派,在这一断代文学史中有着不可忽视的地位。
5)East Zhejiang School浙东学派
1.On the Concept Changes of Zhejiang Learning,East Zhejiang Scholarship,East Zhejiang Historiography,East Zhejiang School;论浙学、浙东学术、浙东史学、浙东学派的概念嬗变
2.An Analysis on Learning Thoughts and Approaches of East Zhejiang School during Ming and Qing Dynasties;明清浙东学派的治学思想和方法浅谈
3.In the period of historical transformation,Zheshang,a group of openminded businessmen in Zhejiang province,guided by the pragmatic theory of East Zhejiang school,have had a strong will to work around the world.它秉承吴越大地的英气,在历史转型中,接受了经世致用的浙东学派学说,志在天涯。
6)School of Zhejiang浙江学派
1.The School of Zhejiang in the History of Modern Preschool Education in China;现代学前教育史上的浙江学派
延伸阅读
浙派浙派中国明代绘画流派。因开创人戴进为浙江人，故名之。其主要成员还有吴伟、张路、蒋嵩、汪肇等人。戴进、吴伟等也曾一度服务于宫廷。在继承传统和艺术追求上，浙派与当时的院派（亦称院体），同受南宋院体山水画的影响，但不同的是，浙派画家在继承的同时，更注意个人笔墨技法与画风的变化。浙派作品中虽然也显露出师承李唐、刘松年、马远、夏圭等南宋院体画家的痕迹，但构图、笔墨等表现形式均有个人风格。他们的笔墨更为粗简放纵、洒脱爽劲、酣畅淋漓，富有较强的节奏感。所绘物象，结构严谨，描绘准确。同是浙派画家，其风格亦各有不同，如戴进之劲爽精微，于淋漓畅快中显出秀逸之致；而吴伟则以豪迈简括，纵逸洒脱为特征；至于张路、蒋嵩、汪肇等或爽健，或恣肆，各有区别。作为绘画流派，浙派在明代前期与院派同为画坛主流，追随者甚众，影响颇大。因浙派中的吴伟是江夏（今湖北武汉）人，故画史亦称他及其追随者为江夏派。到了明代中期以后浙派画家由于一味追求恣肆、狂放，流于草率，逐渐失去画坛主流地位，而被新兴的吴门派所取代。
