和弦外音,non-harmonic tone英语短句,例句大全

和弦外音,non-harmonic tone
1)non-harmonic tone和弦外音
1.Not "alien" and as an important factor in constructing beauty of form of music and increasing expressivity, non-harmonic tone affects the exterior form and interior content of music in unique way.和弦外音是指不属于和弦结构的音,但外音不“外”,它以自己独特的方式作用于音乐的外在形式与内容表现,成为建构音乐的形式美与加强表情性方面的重要因素。
2)Otherness[英]['?e?n?s][美]['?e?n?s]弦外之音
1.Otherness John Hejduk s Construction in Poetry and Space;弦外之音海杜克的诗学建构与空间建构

英文短句/例句

1.Q: What does the woman mean?弦外之音推测专项训练
2.didn't like the sound of the invitation.不喜欢这次邀请所含的弦外之音
3.a comedy with serious elements or overtones.带有严肃成分或者弦外之音的喜剧。
4.read between the lines从字里行间找寻弦外之音.
5.The Relationship between Jia Mu and Baochai;度言外之意听弦外之音——贾母与宝钗关系探微
6.This was oil on the flames-as he was perhaps not unaware.这句话简直是火上浇油——也可能有弦外之音。
7.He was annoyed by the perception of Mrs. Bulshrode's meaning.布尔斯罗德太太的弦外之音，使他有些生气。
8.Understanding the Implications:A Preliminary Study on Riddles in Ancient Chinese Poetry;弦外之音细细品——古代诗歌中隐语现象初探
9.Conversational implicature refers to meaning of language use and connotation of the language.会话含义是指语用含义或话语的言下之意,弦外之音。
10.I resent your implication that my work is unsatisfactory.我讨厌你这话的弦外之音,似乎我的工作不能令人满意。
11.There was just the faintest hint of reproach for Hagen's weakness.老头子的弦外之音，是对黑根的软弱表示出了极其含蓄的谴责。
12.D·H· Lawrence’s Implications--Lawrence’s Theme of Ruin in his Short Novels Written in the Period of the European War;D·H·劳伦斯的弦外之音——劳伦斯欧战年代短篇小说中的“毁灭”主题
13.A clever foreign correspondent can often avoid censorship by careful wording, leaving his audience to read between the lines.聪明的外国记者常常可以借推敲字句进过新闻检查．而让读者去了解弦外之音。
14.Ann says her business trip went well.But reading between the lines of her report;I can see there were a lot of problems.安说她的公务旅行很顺利，不过从她报告的弦外之音听来，我可以知道问题很多。
15.F.B. was greatly affected at Charles's sermon, of which our party of course could see the allusions腓·贝听了查理的说教大受感动，那言词的弦外之音，我们几个听讲人自然明白。
16.The hammers strike the piano strings and vibrate them.音锤敲击钢琴的弦并使之震动。
17.Researching into Liaopai and Puzi in the Documents of Xianguan and Nanyin in the Ming and the Qing Dynasty;明清弦管南音文献之“撩拍、谱字”探
18.sound the strings of (a guitar or similar string instrument).使弦乐器的弦发出声音。

延伸阅读

和弦外音　　多声部音乐中凡不属于和弦结构内的音，均称为和弦外音。和弦外音在促进旋律进行的流动性、构成旋律型，并使声部之间形成丰富的节奏组合，增强和声的色彩与紧张度的变化等方面起着重要的作用。在一定的和声背景上使旋律和声部进行复杂化、音型化的处理，称为旋律音型。和弦外音是形成旋律音型的一个重要因素。　　　　在多声部音乐形成的早期，声部的结合依据音程的概念，一般以协和音程为骨架，而将某些构成不协和音程的音按级进的方式进行到协和音程上，称为解决。其后随着和声概念与和弦结构理论的形成，才将不属于和弦结构内的音称为和弦外音。在音乐创作的发展过程中，由于某些和弦外音成为和弦的组成部分而形成了复杂的和弦结构，例如高度叠置的九、十一、十三和弦等，均由和弦外音演化而成。几个声部和弦外音的同时结合尚可构成各种类型的装饰性和弦或复杂的和音。　　　　理论界对和弦外音的分类及名称颇不一致，一般可按其所处的节拍地位与它所依附的和弦音在声部进行中所构成的关系而分为6类。　　　　处于弱拍地位的和弦外音有以下4类:①经过音。位于两个不同和弦音之间使之形成音阶式进行（自然音阶或半音音阶）的音。②助音。介于同一和弦音之间的上方或下方二度关系的音。③先现音。后一和弦的和弦音在前一和弦的同一声部先期出现的音。④换音。或称跳进的助音。它是介于两个不同和弦音之间，与一方构成级进而与另一方构成跳进的音。其中级进引入跳进解决者又称规避音，跳进引入级进解决者又称骈枝音。　　　　处于强拍地位的和弦外音有以下2类:①延留音。前一和弦音在同一声部延留至后一和弦所构成的外音，留音需级进解决至和弦音。②倚音。与和弦其他各音同时发声的和弦外音。倚音亦需要级进解决至和弦音。　　　　除上述6类外,持续音亦属于和弦外音之列。但不属于旋律音型范畴。一般起保持某种调性功能的作用。　　　　19世纪后期的音乐作品中，和弦外音的应用愈趋复杂与自由，包括半音化和弦外音、和弦外音与和弦外音的连接、和弦外音的外音、不加解决的和弦外音等。　　