1)Paddy Song田歌
1.As a very important artistic style of Paddy Culture, Paddy Song plays an important role in the Paddy Culture systems.我国是世界上最早进行水稻栽培的国家之一，悠久的种植历史创造出丰富而生动的稻作文化，作为稻作文化中十分重要的艺术形式，田歌在稻作文化体系中有着很高的地位，并在相对多样和复杂的稻作社会文化中张显着独特的表现形式、功能价值、艺术个性、情感力量以及人文意义。
英文短句/例句
1.These songs are also called field-planting or weeding drum songs.这些又称秧田歌、田山歌、插田歌、蓐秧鼓、蓐草锣鼓等，
2.The Emotion of Folk Song in Field of the Two Kingdoms of Wu and Chu--Studies on the Arts of Dantu County Field Song of Zhen Jiang,Jiangsu吴头楚尾田歌情——江苏镇江丹徒田歌艺术研究
3.So the forms of the field songs were somewhat different from those of the haozi.于是，田歌的歌唱形式也就与号 子大不相同。
4.the pastourelle or wooing song; and the coronacb, a type of lament.还有田园曲、求婚歌和挽歌。
5.A writer of idylls.田园诗人，田园乐曲（牧歌）作者
6.the Gedongdai and Luoguche of Jiangsu province, the Qingpu folksongs of Shanghai, the Calling the Crops and Weeding the Crops songs of anhui Province,江苏的格冬代、锣鼓车，上海的青浦田山歌、安徽的喊秧歌、薅秧歌，
7.In the fields, they made up work songs.在田野里，他们编出了劳动歌曲，
8.A singing speck above the corn."像麦田上空一个会歌唱的斑点。”
9.The "yangko"originates from rice planting and farming.秧歌起源于插秧耕田的劳动生活，
10.YaoJia and Aesthetic Theme Evolvement of Landscape Poetry and Pastoral Poetry;姚贾与山水田园诗歌审美主题的嬗变
11.Time,Mass,and the Poet: Some Theoretical Thoughts on Tianjian s Poetics;时代群众诗人——田间诗歌理论片述
12.A Brief Discussion on Wang Ji s Poetry;酒乡田园中的隐者——王绩诗歌浅论
13.The Ci-Poems Pastoral Sentiment During Dading and Mingchang Period in the Jin Dynasty;论金代大定、明昌词的田园牧歌情调
14.On Appreciation of a poem by Frost美国绿色田园诗人弗罗斯特诗歌欣赏
15.Two or three would stand at the head of the field and sing antiphonally, sometimes accompanying themselves on drums and gongs.歌师2至3人站在田头，一边敲锣打鼓(也有不用锣鼓者)，边相互对歌。
16.Because crop planting took place from dawn to dusk, the singers were expected to perform all day.由于插田劳动是从早到晚，歌师们的歌也就要唱上一整天。
17.On Artistic Charm of Words of Songs by Tian Han;人生有限艺无限 浩歌长存天地间——田汉歌词艺术美揽胜
18.The national anthem of People's Republic of China is worded by Tian-han and composed by Nieer.中华人民共和国国歌是由田汉作词，聂耳谱曲。
相关短句/例句
idyllic pastoral田野牧歌
3)Utako Shimoda下田歌子
1.On the Translation of Utako Shimoda s Domestic Science in China;从“江湖之远”到“庙堂之高”——下田歌子《家政学》在中国
4)Tianjian's poetry田间诗歌
5)pastoral poetry田园诗歌
6)pastoral[英]['pɑ:st?r?l][美]['p?st?r?l]田园牧歌
1.This essay argues that though sympathetic with the utopian reform movement that flourished during the decades of 1830s to 1840s,Nathaniel Hawthorne,as an unswerving conservative,could not espouse its utopian vision and turns instead to an equally illusive ideal of class union and social solidarity which an age-old pastoral tradition helps to foster.霍桑的保守主义使他最终在文本中转向田园牧歌传统,相对于南北战争前的美国社会而言,作家似乎更为怀念相对稳定的、和谐有序的田园景象以及封建等级制所依附的农耕社会模式,借助田园牧歌传统,作家在小说里召唤出一种不同阶级和平友爱相处的幻象,实践了一种幻想式的阶层融合的解决方案。
延伸阅读
田歌田歌中国民歌体裁。广泛流传于长江、珠江流域，多在水田栽秧、薅草、车水、挖地等集体性劳动中演唱。行腔自由，形式多样。又称田秧歌、秧田歌、田山歌等。田歌历史久远。从四川绵阳新皂乡东汉墓出土的一具陶制水田模型，其中即有1人敲击薅秧鼓。汉以后的历代文献中，也多有在田中击鼓唱歌的记载。田歌的形式丰富，传唱方式基本保留了劳动号子的特点。常采用领与合式、领与轮流接唱式和分组对歌式。但节奏、节拍较自由，不像劳动号子那样受劳动动作的支配。田歌长短不一，一套少则十余曲，多则数十曲。曲调与各地方言声调结合密切，以联曲体结构为主。演唱时可用锣鼓伴奏。有名的田歌有安徽喊秧歌、薅秧歌，湖南踩田歌、打啰啰咚，湖北长阳薅草锣鼓、畈腔，上海青浦田山歌，江苏格冬代、锣鼓车，福建耘田诗，广东、广西打锣开山歌以及云南、贵州、四川等地的薅秧号子等。
