1)Hakka Folksongs客家民歌
1.On the Musical Features of Hakka Folksongs of Hezhou,Guangxi论广西贺州客家民歌的音乐特色
2)Hakka folk song客家山歌
1.The Feminine Consciousness of Hakka folk songs in Gannan Area;赣南客家山歌女性意识的历史文化渊源
2.In 2006,Hakka folk songs were examined and approved to be one masterpiece of the first non-material culture-preserved heritages in China.2006年客家山歌被审定为我国第一批非物质文化保护遗产的代表作,探究客家山歌的传承,并分析在传承与发展的过程中相对滞后的原因,提出相应的对策:首先"保存"起来提升对遗产的崇敬和尊重,其次再"保护"它进行更好地传承与发展,让新颖、鲜活的艺术形式把客家山歌的音韵之美流芳千古。
3.The Hakka folk song is one of the well-known folk songs in China,and its unique artistic style requires some special skills in its singing.客家山歌是我国著名的民歌之一,它独特的艺术风格要求在演唱中要有独特的技巧。
英文短句/例句
1.Hakka s Folk Songs,Ancient and Energetic--The Research from Fans of Guangdong Hakka s Folk Songs;客家山歌夕阳正红——广东客家山歌民众考察
2.The Heritage of Xinguo Folk Song from Hakka Folk Music Culture;论兴国山歌《打支山歌过横排》与赣南客家山歌音乐文化之传承
3.On the Cultural Significance of Traditional Music of Hakkas Folk Songs s "Language and Voice" --A Case Study of Tonggu Hokkas Folk Song;论客家山歌“唱与腔”的传统音乐文化意义——以铜鼓客家山歌为例
4.The Research for the Historical Evolution and Contemporary Development of Hakka Folk Songs in Meixian梅县客家山歌的历史和现状调查研究
5.Relation Between Hakka Folk Songs and Revolutionary Songs in Soviet Area客家山歌与中央苏区红色歌谣孕育关系浅析
6.On the Music Features and Teaching of the Hakka Folk Song;浅谈客家山歌的音乐特征及其歌唱教学
7.A Brief Exploration on the Art Skill and Style Characteristics of Gannan Hakka Folk Songs Lyrics;赣南客家山歌歌词艺术手法与风格特征探微
8.the manganniu of the Dabie Mountains;the wushange of the Jiangsu and Zhejiang region;the Hakka mountain songs of the area where Jiangxi, Fujian, Guangxi and Guangdong provinces meet;大别山区的"慢赶牛"，江、浙一带的"吴山歌"，赣、闽、粤交汇区的"客家山歌"，
9.Report and Thinking on Hakka Folk Song in Some Cities in the Northeast of Guangdong;粤东北城市客家山歌的实录报告与思考
10.The Feminine Consciousness of Hakka folk songs in Gannan Area;赣南客家山歌女性意识的历史文化渊源
11.The Representative Results of Ballads Movement--About the Comments on Mr.Zhong Jingwen s Study on Hakka Folk Songs;歌谣学运动的代表性成果——评钟敬文先生的客家山歌研究
12.From the masters he is a well-known Hakka Uncle Chen song composer, and he was written up love songs.本片的主人翁陈叔他是一个著名的客家山歌作曲家，而他写得最多就是情歌。
13.This program will take you into a world Hakka folk, enjoy exciting Lingnan Customs.本期节目将带你进入客家山歌的世界，领略精彩的岭南风情。
14.The following areas are the chief places where Hakka songs are concentrated: Meizhou, Xingning, Jiaoling, Wuhua and Dabu in northeast Guangdong Province;客家山歌较集中的传播区主要有粤东北的梅州、兴宁、蕉岭、五华、大 埔;
15.Tentative Opinions on Hakka Folk Songs in Gannan Revolutionary Area--In Memory of the 70th Anniversary of Red Army s Victory in Long March;赣南老区客家山歌刍议——纪念红军长征胜利70周年
16.Hakka song is a long history of traditional Chinese music, but also with a strong local characteristics and composition of jazz compositions.客家山歌是中国历史悠久的传统音乐，而且是一种具有浓郁地方特色、即兴作曲的短歌。
17.Yesterday Daibag( Taipei) mayor Ma refused to deliver his scheduled report to the city council saying that he did not have enough time to prepare for the report, but nontheless he attended a Hakka singing party the same day.昨方台北马爷市长以袂赴准备做理由来拒绝去市议会做专案报告,毋恪伊嘛做伊去唱客家山歌。
18.a large number of Hakka songs only employ three notes, but this in no way hampers the expression of the melodies and the feelings of the songs.更有大量客家山 歌仅有四度3个音，但丝毫未影响旋律进行和情感的表达。
相关短句/例句
Hakka folk song客家山歌
1.The Feminine Consciousness of Hakka folk songs in Gannan Area;赣南客家山歌女性意识的历史文化渊源
2.In 2006,Hakka folk songs were examined and approved to be one masterpiece of the first non-material culture-preserved heritages in China.2006年客家山歌被审定为我国第一批非物质文化保护遗产的代表作,探究客家山歌的传承,并分析在传承与发展的过程中相对滞后的原因,提出相应的对策:首先"保存"起来提升对遗产的崇敬和尊重,其次再"保护"它进行更好地传承与发展,让新颖、鲜活的艺术形式把客家山歌的音韵之美流芳千古。
3.The Hakka folk song is one of the well-known folk songs in China,and its unique artistic style requires some special skills in its singing.客家山歌是我国著名的民歌之一,它独特的艺术风格要求在演唱中要有独特的技巧。
3)hakka folk songs客家山歌
1.Through a comparative study on the similarities between the formal features as well as extra words and sentences of Liancheng Taoist and those of hakka folk songs,this paper makes a probe into the relationship between Liancheng Taoist ceremonial music and hakka folk songs and reveals that Liancheng Taoist music is closely related with folk songs,which is the common features of all Taoist music.通过比较连城道教经韵与客家山歌在旋法特点和衬词衬句方面的共同特点,探讨连城道教科仪音乐与客家山歌的关系,揭示出连城道教音乐具有与民间音乐紧密相关这一道教音乐所共有的特征;通过对连城与龙虎山天师道在科仪类型和内容、龙虎山"上清腔"经韵与连城道教经韵的典型旋律型的比较,表明连城道教科仪及其音乐与龙虎山天师道的渊源关系。
2.Zhong Jingwen s academic study of folk literature began in the investigation and research of Hakka folk songs.钟敬文先生民间文学的学术历程起始于客家山歌的调查与研究,是客家山歌的天籁之音激发了他对民间文学的浓厚兴趣。
3.Current researchers on the cultural origins of Hakka folk songs hold the view that Hakka folk songs are originated in central China,emphasizing the direct influence of the The Book of Odes.以往关于客家山歌文化渊源的探讨,主流的观点是从中国文化中原中心论出发,片面强调客家山歌直接继承《诗经》的文化传统,根在中原。
4)Hakka love song客家情歌
5)Hakkas ballad客家歌谣
1.A large quantity of imperial edicts,orders and inscribed books promulgated and issued by the Heavenly Kingdom of Taiping were used mainly in Hakkas folk literature styles,and in the form of colloquialism,dialect,slang and Hakkas ballad.太平天国颁布和发出的大量谕旨、命令和刊刻的书籍,多用客家民间文学体例,并以俗语、方言、俚语和客家歌谣的形式出现。
6)the new folk songs of Hakka客家新山歌
延伸阅读
客家山歌 中国民歌体裁中山歌类的一种。流行于广东东部的梅县、兴宁、五华、紫金，福建西部的上杭、宁化、清流、永定，江西南部的兴国、瑞金、永新等地，以及台湾北部的桃园、新竹、苗栗等地客家人聚居的地方。用客家方言演唱，故称"客家山歌"。 客家山歌的内容广泛，语言朴素生动。歌词善用比兴,韵脚齐整。歌词句式为7字4句，每句为"2、2、3"的组合。词曲不固定，一般都是即兴编唱。可以一曲多词，反复演唱。 客家山歌的曲调各地不同，即使是同一地区的曲调，也因不同歌手演唱而有差异。它有多种腔调的变化，并有不同的名称。大致有下面几种： 号子山歌 亦称山歌号子。多采用"哟嗬哈"等衬词，只有一个长乐句，在高音区相邻两三个音之间进行，散板，节奏自由，用假声唱，声音高亢。 正板山歌 也叫四句板山歌。由4个乐句组成,结构工整对称，是客家山歌中流传最普遍的一种曲式。 四句八节山歌 歌词4句，八节是指8个乐句。是把1句歌词分作两个乐句来唱,词中夹以较多的衬词。其曲调是在正板山歌的基础上发展而成。 快板山歌 也叫急板山歌。歌词无衬词，曲调无拖腔。它是用正板山歌的曲调，把节奏紧缩，将速度加快来演唱。 叠板山歌 亦称叠字山歌。歌词中插上较多的叠字叠句，有时多达数10字。其曲调的开头与结尾，基本上保留正板山歌的特点，中间则由于采用叠字叠句而扩充了曲调，演唱时近似数板。 五句板山歌 歌词为7字5句，曲调是正板山歌的扩充。 客家山歌调式多为羽调式和徵调式；一般多采用四声羽调式为la、do、re、mi,徵调式为sol、la、do、re。曲调进行时，羽调式常采用la-re（反行是re-la）或la-mi(反行是mi-la);徵调式常采用sol-la-do-re（反行是re-do-la-sol）。用音非常简练,有的山歌只采用两个音，如福建宁化的《新打梭标两面光》，江西铜鼓的《急板山歌》等，只采用re、la两个音。 第二次国内革命战争时期，江西兴国等革命根据地群众，用客家山歌编唱新词，歌颂革命，如《鸡心岭上金灿灿》等传唱各地，人们称为"兴国山歌"。20世纪40年代来,广东兴梅地区的文工团,创作了《花轿临门》、《回心转意》等剧本，配以客家山歌的曲调，有唱有说，从而发展成为客家地区的方言剧种"山歌剧"。
