1)Gannan folk songs赣南民歌
英文短句/例句
1.From Gannan Folk Songs to Shanbei Yangge --Discussion of the Internal Regular Pattern of Modality Construction and Significance of the Contemporary Era about Literature and Art of Soviet Area-Yan'an Period从赣南民歌到陕北秧歌——论苏区-延安文艺形态建构的内在理路及其当代意义
2.A Brief Exploration on the Art Skill and Style Characteristics of Gannan Hakka Folk Songs Lyrics;赣南客家山歌歌词艺术手法与风格特征探微
3.The Earliest Settlers of "Early Hakka Settlers"“客家先民”之先民——赣南远古土著居民析
4.The Heritage of Xinguo Folk Song from Hakka Folk Music Culture;论兴国山歌《打支山歌过横排》与赣南客家山歌音乐文化之传承
5.The Feminine Consciousness of Hakka folk songs in Gannan Area;赣南客家山歌女性意识的历史文化渊源
6.In late 1927 he led the armed peasants into the hills of south Jiangxi.1927年底他带领武装农民进入赣南山区。
7.Gannan Tungsten Resources Development and Mountain Community in the Republic of China;民国时期赣南钨资源开发与山区社会
8.An Exploration of Surname Association s Genealogy of Fujian-Guangdong Immigrants in Gannan During the Qing Dynasty and Its Significance;清代赣南客民的联宗谱及其意义初探
9.On Hakka dwelling in south of Jiangxi and architectural design for regional colleges论赣南客家民居与地方高校建筑设计
10.New Policy for People:Movement of Shes Hanrization in Wang Yangming s Government in Southern Jiangxi;新民向化——王阳明巡抚南赣对畲民汉化的推动
11.Cover South Gan Hakka Folk Cultural Resources and Bamboo Development and Utilization;试论赣南客家竹民俗文化资源及其开发与利用
12.The Position of Hakkas Settlement and Development in Gannan Area;论赣南在客家民系形成和发展中的地位
13."Nine-lions-bow-to-the-Elephant"--Lantern-making art of Hakka People in Yingqian of Shangyou County赣南上犹营前大型客家民间灯彩艺术——“九狮拜象”
14.A Study of A Lawsuit Manual of Late Qing and Early Republican Era Found in Jiangxi清末民初江西赣南一份诉讼文书之研究
15.Tentative Opinions on Hakka Folk Songs in Gannan Revolutionary Area--In Memory of the 70th Anniversary of Red Army s Victory in Long March;赣南老区客家山歌刍议——纪念红军长征胜利70周年
16.Gannan,the residence and transfer spot of the Hars from the central plain migrating southwarels,is a cradle of the formation of the Hakka people.赣南,中原汉人南迁的中转站与聚散地,是客家民系形成的摇篮。
17.Hotbed and Center: Gannan s Position in Hakka Family in the South Song and Mid Ming Dynasty;温床与中枢:南宋与明中叶赣南在客家民系中的地位
18.A Study of Folk-Buddhism Thought in "April",a Song of Southern Dynasties南朝民歌《四月歌》所反映的民俗佛教内容研究
相关短句/例句
Gannan folk dances赣南民间舞
1.The paper decribes the formsation,style characteristic and innovation of the single-sleeve and its future tread so as to carry forward the Hakka culture,promate,develop and enrich Gannan folk dances in the new times.文章从"单袖筒"的形成、风格特点、发展创新以及今后的走向来加以论述,旨在弘扬客家文化,促进、发展和繁荣新时期的赣南民间舞蹈。
3)the folk songs of the South of Henan Province豫南民歌
1.CHEN You-cai is one of the poets who has been enlightened and influenced by the folk songs of the South of Henan Province,and his poems are closely related with the folk songs.受豫南民歌启蒙并逐渐热爱现代新诗的诗人陈有才,其诗歌作品与豫南民歌之间有着血肉相连的关系。
4)Hainan folk song海南民歌
1.Hainan folk song is rooted in to the folk,has manifested the Hainan native culture characteristics and the esthetic consciousness.海南民歌根植于民间,体现了海南本土文化的特征和审美意识。
5)folk songs of Southern Shandong area鲁南民歌
6)folk music in Southen Jiangsu苏南民歌
1.And taking He nan Yu opera,Shandong folk music, folk music in Southen Jiangsu as an example, the author thinks they reflect the magic of our Chinese traditional opera and folk music.以河南豫剧、山东民歌、苏南民歌为例,进一步显现中国戏曲和民歌的魅力,并呼吁坚持“民族性”的方针,繁荣民族声乐。
延伸阅读
民间舞民间舞folkdance产生并广泛流传于民间的舞蹈。它反映各地区、民族特有的劳动、风俗、交际方式和爱情生活,多风格鲜明。不同地区和民族的舞蹈受生活方式、历史传统、宗教信仰、风俗习惯乃至地理气候等自然环境的影响,表现出迥异的风格特点。但它也具备一定的共性:①自娱性。动作比较简单,易于掌握。②即兴性。因其规范性较弱,在大体一致的节奏韵律下舞者可以自由发挥。③相对稳定性。由于它总是在一定的范围内流传,很少受外界文化的影响,虽在技能技巧上有所发展,但其风格特点相对稳定,很少变化。民间舞蹈一直是专业艺术家的创作素材。他们把它提炼修饰成为表演性的舞蹈,但这丝毫不影响民间舞沿着自己的途径世代相传。中国各民族各地区都有民间舞,历史悠久,形式多样,其共同特点是:载歌载舞、使用道具、表现劳动生活和神话传说。民间舞——花鼓